Great American Novel
From The Art and Popular Culture Encyclopedia
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The "Great American Novel" is the concept of a novel that most perfectly represents the spirit of life in the United States at the time of its publication. It is presumed to be written by an American author who is knowledgeable about the state, culture, and perspective of the common American citizen. It is often considered as the American response to the tradition of the national epic.
The phrase derives from the title of an essay by American Civil War novelist John William DeForest, published in The Nation on January 9, 1868. More broadly, however, it has its origins in American nationalism and the call for American counterparts to the "Great English Writers." It is an ideological call for American cultural distinctness, and identity.
In modern usage, the term is often figurative and represents a Holy Grail of writing, an ideal to strive towards, and is a source of inspiration. It is, presumably, the greatest American book ever written, or which could ever be written. Thus, "Great American Novel" is a metaphor for identity, a Platonic ideal that is not achieved in any specific texts, but whose aim writers strive to mirror in their work.
An alternate usage is in reference to actual novels. Although the title is not a formal award, it is considered to be a prestigious title for a novel, and is thus seen as a worthwhile goal for writers to attempt to achieve.
Though the term is singular, many novels have been given this title over time. In fact, few will claim there is one single Great American Novel. Two of the earliest contenders for this title are Herman Melville's Moby-Dick and Mark Twain's Adventures of Huckleberry Finn. Nathaniel Hawthorne's The Scarlet Letter has also been frequently cited as another example, while several 20th century works have recently emerged as worthwhile candidates for the title, including such highly respected novels as John Dos Passos' U.S.A. trilogy[1], John Steinbeck's The Grapes of Wrath, F. Scott Fitzgerald's The Great Gatsby, Jack Kerouac's On the Road, Kurt Vonnegut's Slaughterhouse-Five, Harper Lee's To Kill a Mockingbird, and J.D. Salinger's The Catcher in the Rye.
