The Stars My Destination
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The Stars My Destination is a science fiction novel by American writer Alfred Bester. Set in the 24th or 25th century, which varies between editions of the book, when humans have colonized the Solar System, it tells the story of Gully [Gulliver] Foyle, a teleporter driven by a burning desire for revenge.
Its first publication was in book form in June 1956 in the United Kingdom, where it was titled Tiger! Tiger!, named after William Blake's 1794 poem "The Tyger", the first verse of which is printed as the first page of the novel. The book remains widely known under that title in the markets in which this edition was circulated. It was subsequently serialized in Galaxy magazine in four parts beginning with the October 1956 issue.
Plot
At the time when the book is set, "jaunting"—personal teleportation—has so upset the social and economic balance that the Inner Planets are at war with the Outer Satellites. Gully Foyle of the Presteign-owned merchant spaceship Nomad—an uneducated, unskilled, unambitious man whose life is at a dead end—is marooned in space when the ship is attacked and he alone survives. After six months of his waiting for rescue, a passing spaceship, the Vorga, also owned by the powerful Presteign industrial clan, ignores his signal and abandons him. Foyle is enraged and is transformed into a man consumed by revenge, the first of many transformations.
Foyle repairs the ship, but is captured by a cargo cult in the Asteroid Belt which tattoos a hideous mask of a tiger on his face. He manages to escape and is returned to Terra. His attempt to blow up the Vorga fails, and he is captured by Presteign. Unknown to Foyle, the Nomad was carrying "PyrE", a new material which could make the difference between victory and defeat in the war. Presteign hires Saul Dagenham to interrogate Foyle and find the ship and PyrE.
Protected by his own revenge fixation, Foyle cannot be broken, and he is put into a Template:Not a typo-proof prison. There he meets Jisbella McQueen, who teaches him to think clearly, and tells him he should find out who gave the order not to rescue him. Together they escape and get his tattoos removed—but not with total success: the subcutaneous scars become visible when Foyle becomes too emotional. They travel to the Nomad, where they recover not only PyrE, but also a fortune in platinum. Jisbella is captured by Dagenham, but Foyle escapes.
Some time later, Foyle re-emerges as "Geoffrey Fourmyle", a nouveau riche dandy. Foyle has rigorously educated himself and had his body altered to become a killing machine. Through yoga he has achieved the emotional self-control necessary to prevent his stigmata from showing. He seeks out Robin Wednesbury, a one-way telepath, whom he had raped earlier in the novel, and persuades her to help him charm his way through high society.
Foyle tracks down the crew of the Vorga to learn the identity of the ship's captain, but each is implanted with a death-reflex and dies when questioned. Each time, Foyle is tormented by the appearance of "The Burning Man", an image of himself on fire.
At a society party, Foyle is smitten with Presteign's daughter Olivia. He also meets Jisbella again—now Dagenham's lover—who chooses not to reveal Foyle's identity, although Dagenham has realized it anyway (Foyle's alias was implanted in his subconscious mind during Dagenham's interrogation). During a nuclear attack by the Outer Satellites, Foyle goes to Olivia to save her. She tells him that to have her, he must be as cruel and ruthless as she is.
Robin, traumatized by the attacks, tries to buy her way out of her arrangement with Foyle with the name of another Vorga crew member. Foyle agrees, but immediately reneges. In response, Robin goes to Central Intelligence to betray him.
Foyle learns that the captain of the Vorga joined a cult on Mars and has had all her sensory nerves disabled, making her immune to conventional torture. Foyle kidnaps a telepath to interrogate the captain, and learns that the ship did not rescue him because it was picking up refugees, taking their belongings, and ejecting them into space. He also learns that Olivia Presteign was the person in charge. Olivia rescues him from Martian commandos, as she sees in Foyle someone who can match her hatred and need to destroy.
Driven by a guilty conscience, Foyle tries to give himself up to Presteign's lawyer, Regis Sheffield, who is known as a Terran patriot. Sheffield turns out to be a spy for the Outer Satellites, and he captures Foyle. Sheffield tells Foyle that when the Nomad was attacked, Foyle was taken off the ship, transported 600,000 miles away, and set adrift in a spacesuit to be a decoy to attract ships to be ambushed. Instead, Foyle space-jaunted—teleporting a cosmic distance, very much further than had been previously believed possible—back to the Nomad. Now, the Outer Satellites not only want PyrE, they want Foyle as well, to learn the secret of space-jaunting.
Meanwhile, Presteign reveals that PyrE is activated by telepathy, and Robin is enlisted to trigger it to flush out Foyle. Bits of PyrE left exposed by Foyle's tests to determine its purpose cause destruction worldwide, but primarily at Foyle's abandoned encampment in St. Patrick's Cathedral, where Sheffield has brought him. The church partially collapses, killing Sheffield and trapping Foyle, unconscious but alive, over a pit of flame. Suffering from synesthesia brought on by the explosion affecting his neurological implants, Foyle Template:Not a typo through space and time as The Burning Man. Finally he lands in the future, where Robin telepathically tells him how to escape from the collapsing cathedral.
Back in the present, Foyle is pressured to surrender the rest of the PyrE, which was protected from exploding by its Inert Lead Isotope container, and to teach mankind how to space-Template:Not a typo. He leads them to where the rest of the PyrE is hidden, but makes off with it and Template:Not a typo across the globe, throwing slugs of PyrE into the crowd at each stop. He asks humanity to choose: either destroy itself or follow him into space.
Foyle now realizes the key to space-jaunting is faith: not the certainty of an answer, but the conviction that somewhere an answer exists. He Template:Not a typo from one nearby star to another, finding new worlds suitable for colonization, but reachable only if he shares the secret of space-jaunting. He comes to rest back with the cargo cult, where the people see him as a holy man and await his revelation.
Background and influences
The Stars My Destination anticipated many of the staples of the later cyberpunk movement, for instance the megacorporations as powerful as governments, a dark overall vision of the future and the cybernetic enhancement of the body. Bester added to this mix the concept that human beings could learn to teleport, or "Template:Not a typo" from point to point, provided they know the exact locations of their departure and arrival and have physically seen the destination, similar to A. E. van Vogt's Gilbert Gosseyn in the 1948 novel The World of Null-A. There is one overall absolute limit: no one can Template:Not a typo through outer space. A Template:Not a typo of 1,000 miles is the maximum any jaunter is able to achieve, and even that is extremely rare. On the surface of a planet, the Template:Not a typo rules supreme; otherwise, mankind is still restricted to using machinery. In this world, telepathy is extremely rare, but does exist. One important character is able to send thoughts but not receive them. There are fewer than half-a-dozen full telepaths in all the worlds of the solar system.
The novel can be seen as a science fiction adaption of Alexandre Dumas' The Count of Monte Cristo. It is the study of a man completely lacking in imagination or ambition, Gulliver Foyle, who is introduced with "He was one hundred and seventy days dying and not yet dead...". Foyle is a cipher, a man with potential but no motivation, who is suddenly marooned in space. Even this is not enough to galvanize him beyond the necessities of survival, finding air and food on the wreck. But everything changes when an apparent rescue ship deliberately passes him by, stirring him irrevocably out of his passivity. Foyle becomes a monomaniacal and sophisticated monster bent upon revenge. Wearing many masks, learning many skills, this "worthless" man pursues his goals relentlessly; no price is too high to pay.
Like Edmond Dantès in The Count of Monte Cristo, Foyle is thrown into prison, the supposedly Template:Not a typo-proof "Gouffre Martel" located in caverns. He establishes a clandestine connection to another prisoner, Jisbella McQueen, and through her he is educated to the point where he can conceive a plan to escape and exact his revenge. Escaping with her and locating the wreck of the Nomad, he uses its treasure, as Dantès did, to re-invent himself as Geoffrey Fourmyle.
The scenario of the shipwrecked man ignored by passing ships came from a National Geographic Magazine story that Bester had read, about a shipwrecked sailor Poon Lim who had survived four months on a raft in the South Atlantic during World War II, and ships had passed him without picking him up, because their captains were afraid that the raft was a decoy to lure them into torpedo range of German submarines.
Bester once wrote that he used playful narration at one point to grab the reader's attention.
Terminology and allusions
The title "The Stars My Destination" appears in a quatrain quoted by Foyle twice during the book. The first time, while he is trapped in outer space, he states:
- Gully Foyle is my name
- And Terra is my nation.
- Deep space is my dwelling place,
- And death's my destination.
Toward the end of the novel, after he has returned to human life and become something of a hero, he states:
- Gully Foyle is my name
- And Terra is my nation.
- Deep space is my dwelling place,
- The stars my destination.
Both quatrains are based on a poetic form that was popular in England and the United States during the 18th-to-mid-20th centuries, in which a person stated their name, country, city or town, and a religious homily (often, "Heaven's my destination") within the rhyming four-line structure (see book rhyme). This literary device had been previously used by James Joyce in A Portrait of the Artist as a Young Man.
Bester may have come across his title expression in the writings of John Whiteside Parsons, one of the fathers of modern rocketry, who was also a science fiction fan and occultist. In 1943, Parsons wrote: "Rocketry may not be my True Will, but it's one hell of a powerful drive. With Thelema as my goal and the stars my destination and my home, I have set my eyes on high".
Bester's initial work on the book began in England, and he took the names for his characters from a UK telephone directory. As a result, many of the characters are named after British or Irish towns or other features: Gulliver Foyle (and his pseudonym, Fourmyle of Ceres), Robin Wednesbury, the Presteign clan, Regis Sheffield, Y'ang-Yeovil, Saul Dagenham, Sam Quatt, Rodger Kempsey, the Bo'ness and Uig ship underwriters.
