Ugliness
From The Art and Popular Culture Encyclopedia
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| :"[[All profoundly original art looks ugly at first]]." --[[Clement Greenberg]] | :"[[All profoundly original art looks ugly at first]]." --[[Clement Greenberg]] | ||
| - | '''Ugliness''' is possessed by physical things that are unappealing to the senses, especially visually. It often indicates that something provokes [[revulsion]] or [[horror]]. The term is commonly used in reference to [[Human physical appearance|human appearance]]. The opposite of ugliness is [[beauty]]. | + | '''Ugliness''' is a property of a person or thing that is unpleasant to [[look]] upon. It often indicates that something provokes [[revulsion]] or [[horror]]. The term is commonly used in reference to [[Human physical appearance|human appearance]]. The opposite of ugliness is [[beauty]]. |
| Some argue that ugliness is a matter of [[Aesthetic relativism|subjective aesthetics]], claiming that one person may perceive to be beautiful something that another may find ugly (as referenced in the popular phrase ''[[Beauty is in the eye of the beholder]]''). However the predominant view in the scientific fields is that human ugliness is part of [[sexual selection]] and an indicator of poor genetic or physical health. | Some argue that ugliness is a matter of [[Aesthetic relativism|subjective aesthetics]], claiming that one person may perceive to be beautiful something that another may find ugly (as referenced in the popular phrase ''[[Beauty is in the eye of the beholder]]''). However the predominant view in the scientific fields is that human ugliness is part of [[sexual selection]] and an indicator of poor genetic or physical health. | ||
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| As a 19th and 20th century aesthetic category, see the [[cult of ugliness]]. | As a 19th and 20th century aesthetic category, see the [[cult of ugliness]]. | ||
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| + | ==In people== | ||
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| + | People who appear ugly to others suffer well-documented discrimination, earning 10 to 15 percent less per year than similar workers, and are less likely to be hired for almost any job, but lack legal recourse to fight discrimination. | ||
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| + | [[Socrates]] is said to have used his ugliness as a philosophical [[touchstone]], concluding that philosophy can save us from our outward ugliness. Famous in his own time for his perceived ugliness, [[Abraham Lincoln]] was described by a contemporary: "to say that he is ugly is nothing; to add that his figure is grotesque, is to convey no adequate impression." However, his looks proved to be an asset in his personal and political relationships, as his law partner [[William Herndon (lawyer)|William Herndon]] wrote, "He was not a pretty man by any means, nor was he an ugly one; he was a homely man, careless of his looks, plain-looking and plain-acting. He had no pomp, display, or dignity, so-called. He appeared simple in his carriage and bearing. He was a sad-looking man; his melancholy dripped from him as he walked. His apparent gloom impressed his friends, and created sympathy for him—one means of his great success." | ||
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| == Films related to "ugliness" == | == Films related to "ugliness" == | ||
| *''[[The Beauty and the Beast]]'' (1947) | *''[[The Beauty and the Beast]]'' (1947) | ||
Revision as of 07:48, 21 September 2013
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Ugliness is a property of a person or thing that is unpleasant to look upon. It often indicates that something provokes revulsion or horror. The term is commonly used in reference to human appearance. The opposite of ugliness is beauty.
Some argue that ugliness is a matter of subjective aesthetics, claiming that one person may perceive to be beautiful something that another may find ugly (as referenced in the popular phrase Beauty is in the eye of the beholder). However the predominant view in the scientific fields is that human ugliness is part of sexual selection and an indicator of poor genetic or physical health.
Although usually thought of in terms of a lack of physical beauty, the property of ugliness, like beauty, may also be ascribed to other phenomena, such as music, literature, human behavior, and so on.
As a 19th and 20th century aesthetic category, see the cult of ugliness.
Contents |
In people
People who appear ugly to others suffer well-documented discrimination, earning 10 to 15 percent less per year than similar workers, and are less likely to be hired for almost any job, but lack legal recourse to fight discrimination.
Socrates is said to have used his ugliness as a philosophical touchstone, concluding that philosophy can save us from our outward ugliness. Famous in his own time for his perceived ugliness, Abraham Lincoln was described by a contemporary: "to say that he is ugly is nothing; to add that his figure is grotesque, is to convey no adequate impression." However, his looks proved to be an asset in his personal and political relationships, as his law partner William Herndon wrote, "He was not a pretty man by any means, nor was he an ugly one; he was a homely man, careless of his looks, plain-looking and plain-acting. He had no pomp, display, or dignity, so-called. He appeared simple in his carriage and bearing. He was a sad-looking man; his melancholy dripped from him as he walked. His apparent gloom impressed his friends, and created sympathy for him—one means of his great success."
Films related to "ugliness"
- The Beauty and the Beast (1947)
- Freaks (1932)
- The Elephant Man (1980)
- Shrek (2001) - Andrew Adamson, Vicky Jenson
Namesakes
Ugliness in Northern Renaissance
- The Ugly Duchess (1525-30) by Quentin Matsys
Related terms
aesthetics - bad - dirty - disgusting - freaks - grotesque - incongruity - monster - offensive - obscene - repulsive - sordid
Synonyms
Contemporary photographers fascinated with ugliness
The sublime
The sublime may inspire horror, but one receives pleasure in knowing that the perception is a fiction. Burke's concept of the sublime was a stark contrast to the classical notion of aesthetic quality in Plato's Philebus, Ion, and Symposium, and suggested ugliness as an aesthetic quality.
Uglinesses
Bibliography
- On Ugliness (2007) - Umberto Eco
- The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque
See also
