Textiles in folklore
From The Art and Popular Culture Encyclopedia
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The theme of weaving in mythology is ancient, and its lost mythic lore probably accompanied the early spread of this art. In traditional societies today, westward of Central Asia and the Iranian plateau, weaving is a mystery within woman's sphere. Where men have become the primary weavers in this part of the world, it is possible that they have usurped the archaic role: among the gods, only goddesses are weavers. Herodotus noted, however, the cultural difference between gender identities and weaving among Hellenes and Egyptians: among Egyptians it was the men who wove.
Weaving begins with spinning. Until the spinning wheel was invented in the 14th century, all spinning was done with distaff and spindle. In English the "distaff side" indicates relatives through one's mother, and thereby denotes a woman's role in the household economy. In Scandinavia, the stars of Orion's belt are known as Friggjar rockr, "Frigg’s distaff".
French
Weavers had a repertory of tales: in the 15th century Jean d'Arras, a Northern French storyteller (trouvere), assembled a collection of stories entitled Les Évangiles des Quenouilles ("Spinners' Tales"). Its frame story is that these are narrated among a group of ladies at their spinning.
