Wes Anderson  

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Wes Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and distinctive visual and narrative styles, known for such films as The Royal Tenenbaums, Moonrise Kingdom, The Grand Budapest Hotel and The French Dispatch.

Directing techniques

Anderson's cinematic influences include François Truffaut, Louis Malle, Pedro Almodóvar, Satyajit Ray, John Huston, Mike Nichols, Hal Ashby, Stanley Kubrick, Woody Allen, Martin Scorsese, Orson Welles, and Roman Polanski.

Anderson has a unique directorial style that has led several critics to consider him an auteur. Wes Anderson is considered a central figure in the American Eccentric Cinema tradition.

Themes and stories

Anderson has chosen to direct mostly fast-paced comedies marked by more serious or melancholic elements, with themes often centered on grief, loss of innocence, dysfunctional families, parental abandonment, adultery, sibling rivalry and unlikely friendships. His movies have been noted for being unusually character-driven, and by turns both derided and praised with terms like "literary geek chic". The plots of his movies often feature thefts and unexpected disappearances, with a tendency to borrow liberally from the caper genre.

Visual style

Anderson has been noted for extensive use of flat space camera moves, symmetrical compositions, knolling, snap-zooms, slow-motion walking shots, a deliberately limited color palette, and hand-made art direction often utilizing miniatures. These stylistic choices give his movies a highly distinctive quality that has provoked much discussion, critical study, supercuts, mash-ups, and even parody. Many writers, critics, and even Anderson himself, have commented that this gives his movies the feel of being "self-contained worlds," or a "scale model household". According to Jesse Fox Mayshark, his films have "a baroque pop bent that is not realist, surrealist or magic realist," but rather might be described as "fabul[ist]". In 2019, the company Murals Wallpaper from the UK launched a line of wallpapers inspired by the visual design of Anderson's films.

From The Life Aquatic with Steve Zissou on, Anderson has relied more heavily on stop motion animation and miniatures, even making entire features with stop motion animation with Fantastic Mr. Fox and Isle of Dogs.

Soundtracks

Anderson frequently uses pop music from the 1960s and '70s on the soundtracks of his films, and one band or musician tends to dominate each soundtrack. Rushmore prominently featured Cat Stevens and British Invasion groups; The Royal Tenenbaums featured Nico; The Life Aquatic with Steve Zissou, David Bowie, including both originals and covers performed by Seu Jorge; The Darjeeling Limited and Rushmore, the Kinks; Fantastic Mr. Fox, the Beach Boys; and Moonrise Kingdom, Hank Williams. (Much of Moonrise Kingdom is filled with the music of Benjamin Britten, which is tied to a number of major plot points for that film.) The Darjeeling Limited also borrowed music styles from Satyajit Ray's films. The Grand Budapest Hotel, which is mostly set in the 1930s, is notable for being the first Anderson film to eschew using any pop music, and instead used original music composed by Alexandre Desplat.

Filmography