Where Ethics and Aesthetics Meet: Titian's Rape of Europa
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| - | "[The Rape of Europa (Titian)|Titian's ''Rape of Europa'']] is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically." --Eaton, Anne W., 2003, “[[Where Ethics and Aesthetics Meet: Titian's Rape of Europa]]”, Hypathia, 18: 159–188. | + | "[[The Rape of Europa (Titian)|Titian's ''Rape of Europa'']] is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically." --Eaton, Anne W., 2003, “[[Where Ethics and Aesthetics Meet: Titian's Rape of Europa]]”, Hypathia, 18: 159–188. |
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"Titian's Rape of Europa is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically." --Eaton, Anne W., 2003, “Where Ethics and Aesthetics Meet: Titian's Rape of Europa”, Hypathia, 18: 159–188. |
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“Where Ethics and Aesthetics Meet: Titian's Rape of Europa” (2003, Hypathia, 18: 159–188.) is an essay by Anne W. Eaton.
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Where Ethics and Aesthetics Meet: Titian's Rape of Europa" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
