Woman as Sex Object
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Woman as sex object: studies in erotic art, 1730-1970 (1972) is a book edited by Thomas B. Hess and Linda Nochlin. The book cover features a detail of Ingres's The Turkish Bath.
In "Henry Fuseli's 'Nightmare': Eroticism or Pornography?", Marcia Allentuck argues that The Nightmare's intent is to show female orgasm.
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Table of contents
- "Manet, 'Olympia,' and Pornographic Photography," Gerald Needham
- "Eroticism and Female Imagery in Nineteenth-Century Art"
- Ingres and the Erotic Intellect by John L. Connolly
- Henry Fuseli's 'Nightmare': Eroticism or Pornography? by Marcia Allentuck
- Caritas Romana after 1760: Some Romantic Lactations by Robert Rosenblum
- Courbet's 'Baigneuses' and the Rhetorical Feminine Image by Beatrice Farwell
- The Corset as Erotic Alchemy: From Rococo Galanterie to Montaut's Physiologies by David Kunzle, see Henri de Montaut
- Renoir's Sensuous Women by Barbara Ehrlich White
- The Femme Fatale and Her Sisters by Martha Kingsbury
- Vampires, Virgins and Voyeurs in Imperial Vienna by Alessandra Comini
- Pinup and Icon by Thomas B. Hess
- Picasso's Suite 3417, or Painting as an Act of Love by Gert Schiff
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See also
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