Natural history illustrations  

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''[[Jan Brueghel the Elder: The Entry of the Animals Into Noah's Ark]]'' is a book by [[Arianne Faber Kolb]] on ''[[The Entry of the Animals Into Noah's Ark]]''[http://en.wikipedia.org/wiki/File:Janbrueghelark.jpg] ''[[Jan Brueghel the Elder: The Entry of the Animals Into Noah's Ark]]'' is a book by [[Arianne Faber Kolb]] on ''[[The Entry of the Animals Into Noah's Ark]]''[http://en.wikipedia.org/wiki/File:Janbrueghelark.jpg]
-[[Conrad Gessner]]'s and [[Ulisse Aldrovandi]] were the two earliest examples of illustrated natural history books.+[[Conrad Gessner]]'s and [[Ulisse Aldrovandi]]'s ''[[Storia Naturale]]'' were the two earliest examples of illustrated natural history books.
"[[Conrad Gessner |Gesner]] employed the artists [[Hans Asper]], [[Jean Thomas]], and [[Lucas Schan]], and [[Aldrovandi]] worked together with [[Cristoforo Coriolano]], who made prints after drawings by [[Lorenzo Bernini]], [[Cornelius Swint]], and [[Jacopo Ligozzi]]. Gesner and Aldrovandi did not always rely on the information presented by the ancients, but tested it when possible by performing their own examinations of ... they sometimes borrowed fish and bird illustrations from [[Guillaume Rondelet]] and [[Pierre Belon]], the respective experts ..."[http://books.google.be/books?id=qFBVXPsxTxAC&pg=PA29&lpg=PA29&dq=%22Cristoforo+Coriolano,+who+made+prints+after%22&source=bl&ots=KGovXAv-Ax&sig=aw6V00Iy8zhPJcAdVqxhhLoJ1jY&hl=en&sa=X&ei=lYbeUquQHuHSywOTlIHoBA&redir_esc=y#v=onepage&q=%22Cristoforo%20Coriolano%2C%20who%20made%20prints%20after%22&f=false] "[[Conrad Gessner |Gesner]] employed the artists [[Hans Asper]], [[Jean Thomas]], and [[Lucas Schan]], and [[Aldrovandi]] worked together with [[Cristoforo Coriolano]], who made prints after drawings by [[Lorenzo Bernini]], [[Cornelius Swint]], and [[Jacopo Ligozzi]]. Gesner and Aldrovandi did not always rely on the information presented by the ancients, but tested it when possible by performing their own examinations of ... they sometimes borrowed fish and bird illustrations from [[Guillaume Rondelet]] and [[Pierre Belon]], the respective experts ..."[http://books.google.be/books?id=qFBVXPsxTxAC&pg=PA29&lpg=PA29&dq=%22Cristoforo+Coriolano,+who+made+prints+after%22&source=bl&ots=KGovXAv-Ax&sig=aw6V00Iy8zhPJcAdVqxhhLoJ1jY&hl=en&sa=X&ei=lYbeUquQHuHSywOTlIHoBA&redir_esc=y#v=onepage&q=%22Cristoforo%20Coriolano%2C%20who%20made%20prints%20after%22&f=false]

Revision as of 14:57, 21 January 2014

Artforms of Nature (1904) by Ernst Haeckel The 49th plate from Ernst Haeckel's Kunstformen der Natur of 1904, showing various sea anemones classified as Actiniae.
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Artforms of Nature (1904) by Ernst Haeckel
The 49th plate from Ernst Haeckel's Kunstformen der Natur of 1904, showing various sea anemones classified as Actiniae.
"Musei Wormiani Historia", the frontispiece from the Museum Wormianum depicting Ole Worm's cabinet of curiosities
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"Musei Wormiani Historia", the frontispiece from the Museum Wormianum depicting Ole Worm's cabinet of curiosities
The Birds of America (Color lithographic plate 321) (1836) - John James Audubon
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The Birds of America (Color lithographic plate 321) (1836) - John James Audubon

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The use of illustrations was frequently seen in works of natural history.

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Jan Brueghel the Elder: The Entry of the Animals Into Noah's Ark is a book by Arianne Faber Kolb on The Entry of the Animals Into Noah's Ark[1]

Conrad Gessner's and Ulisse Aldrovandi's Storia Naturale were the two earliest examples of illustrated natural history books.

"Gesner employed the artists Hans Asper, Jean Thomas, and Lucas Schan, and Aldrovandi worked together with Cristoforo Coriolano, who made prints after drawings by Lorenzo Bernini, Cornelius Swint, and Jacopo Ligozzi. Gesner and Aldrovandi did not always rely on the information presented by the ancients, but tested it when possible by performing their own examinations of ... they sometimes borrowed fish and bird illustrations from Guillaume Rondelet and Pierre Belon, the respective experts ..."[2]

The illustrations produced during the eighteenth and nineteenth century are regarded as both appealing and scientifically valid. The finer detail of the printing processes, greatly improving at this time, allowed artists to depict the minute aspects of the subject.

Many books and publications continued to use illustrator even after printed matter began to incorporate photography. It would be many years before colour printing would equal the illustrators' plates.

Contents

Examples

16th century

18th century

19th century

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Natural history illustrations" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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