1960s in music  

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===The rise of counterculture=== ===The rise of counterculture===
-:''[[music of the counterculture]]''+:''[[music of the counterculture]], [[summer of love]]''
The rise of the [[counterculture]], particularly among the youth, created a huge market for [[Rock and roll|rock]], [[soul (music)|soul]], [[pop music|pop]] and [[blues]] music produced by drug-culture, influenced bands such as [[The Beatles]], [[The Doors]], [[The Rolling Stones]], [[Led Zeppelin]], [[Cream (band)|Cream]], [[The Grateful Dead]], [[Jefferson Airplane]], [[Janis Joplin]], [[The Who]], [[Sly and the Family Stone]], [[Jimi Hendrix Experience]], and [[The Incredible String Band]], also for radical music in the [[folk music|folk]] tradition pioneered by [[Bob Dylan]], [[The Mamas and the Papas]], and [[Joan Baez]] in the United States, and in England, [[Donovan]] was helping to create folk rock. The rise of the [[counterculture]], particularly among the youth, created a huge market for [[Rock and roll|rock]], [[soul (music)|soul]], [[pop music|pop]] and [[blues]] music produced by drug-culture, influenced bands such as [[The Beatles]], [[The Doors]], [[The Rolling Stones]], [[Led Zeppelin]], [[Cream (band)|Cream]], [[The Grateful Dead]], [[Jefferson Airplane]], [[Janis Joplin]], [[The Who]], [[Sly and the Family Stone]], [[Jimi Hendrix Experience]], and [[The Incredible String Band]], also for radical music in the [[folk music|folk]] tradition pioneered by [[Bob Dylan]], [[The Mamas and the Papas]], and [[Joan Baez]] in the United States, and in England, [[Donovan]] was helping to create folk rock.
 +===Musical subcultures===
 +===Rude boys in Jamaica===
 +The [[rude boy]] culture originated in the ghettos of [[Jamaica]], coinciding with the popular rise of [[rocksteady]] music, dancehall celebrations and sound system dances.
 +===Mods===
 +[[Mod (lifestyle)|Mods]] were obsessed with music styles such as modern jazz, rhythm and blues, soul, [[ska]], and some [[beat music]]. Many of them rode scooters.
 +
 +The [[disco]] scene originated in the 1960s, with [[discothèque]]s such as the [[Whiskey A Go Go]] and [[Studio 54]].
== Art music == == Art music ==

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1960s, 1960s subcultures, Music of North American counterculture

Contents

Popular music

popular music

Popular music in the 1960s entered an era of "all hits", as numerous artists released recordings, beginning in the 1950s, as 45-rpm "singles" (with another on the flip side), and radio stations tended to play only the most popular of the wide variety of records being made. Also, bands tended to record only the best of their songs as a chance to become a hit record. The developments of the Motown Sound, "folk rock" and the British Invasion of bands from the U.K. (The Beatles, The Dave Clark Five, The Rolling Stones and so on), are major examples of American listeners expanding from the folksinger, doo-wop and saxophone sounds of the 1950s and evolving to include psychedelic music.

The rise of counterculture

music of the counterculture, summer of love

The rise of the counterculture, particularly among the youth, created a huge market for rock, soul, pop and blues music produced by drug-culture, influenced bands such as The Beatles, The Doors, The Rolling Stones, Led Zeppelin, Cream, The Grateful Dead, Jefferson Airplane, Janis Joplin, The Who, Sly and the Family Stone, Jimi Hendrix Experience, and The Incredible String Band, also for radical music in the folk tradition pioneered by Bob Dylan, The Mamas and the Papas, and Joan Baez in the United States, and in England, Donovan was helping to create folk rock.

Musical subcultures

Rude boys in Jamaica

The rude boy culture originated in the ghettos of Jamaica, coinciding with the popular rise of rocksteady music, dancehall celebrations and sound system dances.

Mods

Mods were obsessed with music styles such as modern jazz, rhythm and blues, soul, ska, and some beat music. Many of them rode scooters.

The disco scene originated in the 1960s, with discothèques such as the Whiskey A Go Go and Studio 54.

Art music

art music

Electronic art music

electronic art music

Art rock

art rock

Music critic George Graham argues that "... the so-called Art Rock scene arose" in the 1960s, "when many artists were attempting to broaden the boundaries of rock." He claims that art rock "was inspired by the classically-influenced arrangements and the elaborate production of the Beatles Sgt. Peppers period" and states that the "style had its heyday in the 1970s with huge commercial success by Yes, and Emerson, Lake & Palmer, and later Genesis."

Overview


See also




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