1977  

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*Jamie Reid artwork for the Sex Pistols, 1977 *Jamie Reid artwork for the Sex Pistols, 1977
===Music=== ===Music===
-*The Paradise Garage in New York and The Warehouse in Chicago open+*The [[Paradise Garage]] in New York and [[The Warehouse]] in Chicago open
*Kraftwerk and hip hop *Kraftwerk and hip hop
**Kraftwerk had an immediate impact on black dance music: as Afrika Bambaataa says in David Toop's Rap Attack, "I don't think they even knew how big they were among the black masses back in '77 when they came out with 'Trans-Europe Express.' When that came out, I thought that was one of the best and weirdest records I ever heard in my life." --John Savage, The Village Voice Summer 1993 "Rock & Roll Quarterly" insert. **Kraftwerk had an immediate impact on black dance music: as Afrika Bambaataa says in David Toop's Rap Attack, "I don't think they even knew how big they were among the black masses back in '77 when they came out with 'Trans-Europe Express.' When that came out, I thought that was one of the best and weirdest records I ever heard in my life." --John Savage, The Village Voice Summer 1993 "Rock & Roll Quarterly" insert.

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Contents

Art and culture

Literature

Non-fiction

Films

Art

  • Jamie Reid artwork for the Sex Pistols, 1977

Music

  • The Paradise Garage in New York and The Warehouse in Chicago open
  • Kraftwerk and hip hop
    • Kraftwerk had an immediate impact on black dance music: as Afrika Bambaataa says in David Toop's Rap Attack, "I don't think they even knew how big they were among the black masses back in '77 when they came out with 'Trans-Europe Express.' When that came out, I thought that was one of the best and weirdest records I ever heard in my life." --John Savage, The Village Voice Summer 1993 "Rock & Roll Quarterly" insert.
  • Punky Reggae Party (1977) - Bob Marley
    • While in exile in London [1977], Bob Marley was introduced to punk bands, such as The Clash. Inspired by their efforts to expose various oppressive tactics used against racial minority groups, the fusion between punk and reggae was imminent. The result was the recording of 'Punky Reggae Party' with producer Lee Perry at the helm. A live version was recorded and released on Babylon By Bus.
  • Punk's breakthru
    • In the summer of 1977, Time and Newsweek informed their readers of a new subculture, called "punk," that had emerged at a few rock clubs in the United States and Britain. It was a style of exuberant ugliness. Men and women alike wore short hair that had been cut seemingly at random, and dyed unnatural colors. Flesh was pierced in sundry locations, at times with safety pins. Punk bands had names like the Dead Boys or The Clash. The music was very loud, very fast, and seldom involved more than three chords. Dancing was spasmodic. Spitting was common. -- Scott McLemee
  • Wackies
    • The 1977 opening of a diminutive record shop at 4731 White Plains Rd. in New York City marked the foundation of the first essential reggae studio/label in the United States, Wackie’s House of Music. Founded by Jamaican producer Lloyd “Bullwackie” Barnes, Wackie’s House of Music was a haven for aspiring reggae artists, helping not only to support reggae artists, but also to establish a reggae sentiment in the United States. --Craig Terlino

Singles

  • Running Away by Roy Ayers
  • Kraftwerk - Trans Europe Express
  • Munich Machine - Get on the Funk Train [Giorgio Moroder]
  • Francine McGee - Delirium (RCA)
  • Gil Scott-Heron - We Almost Lost Detroit
  • Alfredo De La Fe - Hot To Trot
  • First Choice - Doctor Love
  • Loleatta Holloway - Hit & Run
  • Aquarian Dream - Phoenix
  • Salsoul Orchestra - Magic Bird Of Fire
  • Universal Robot Band - Dance & Shake Your Tambourine
  • Stevie Wonder - As
  • Norman Connors - Once I've Been There
  • Minnie Riperton - Stick Together (Ext. Mix)
  • Moment Of Truth - Chained To Your Love
  • Silvetti - Spring Rain
  • Salsoul Orchestra - Run Away
  • Teddy Pendergrass - You Can't Hide From Yourself
  • Teddy Pendergrass - The More I Get, The More I Want
  • Thelma Houston - I'm Here Again
  • Double Exposure - My Love Is Free
  • War - Galaxy
  • Harvey Mason - Till You Take My Love
  • Sylvester - Over And Over
  • Pam Todd & Love Exchange - Making Love
  • Originals - Down To Love Town
  • Faze-O - Riding High
  • Barry White - It's Ecstacy When You Lay Down Next To Me
  • Al Hudson & The Partners - Spread Love
  • Ingram - Mi Sabrina Tequana (My Sister's Daughter)
  • Bob Marley - Jammin'
  • Airto Moreira - Celebration Suite
  • First Choice - Let No Man Put Asunder
  • Seven Deadly Sins - Lust (Rinder and Lewis)
  • Kellee Patterson - Turn on the Lights
  • Chi-Lites - My First Mistake
  • Dennis Mobley & Fresh Taste - Superstition
  • La Vie En Rose - Grace Jones
  • Flash Light - Parliament

Albums

  • Suicide by Suicide
  • Funkentelechy Vs. the Placebo Syndrome (1977) - Parliament
  • Salsoul Orchestra - Magic Journey
  • III (Supernature) (1977) - Cerrone
  • Chic (1977) - Chic
  • No Agreement - Fela Anikulapo-Kuti & The Egypt 80 Band
  • Police and Thieves - Junior Murvin - Lee Perry production
  • Heart of the Congos - Congos - Lee Perry
  • Richard hell and The Voidoids - Blank Generation
  • Marquee Moon (1977) - Television
  • Trans-Europe Express - Kraftwerk
  • King Tubby Meets Rockers Uptown - Augustus Pablo
  • Sex Pistols - Never Mind The Bollocks
  • Dance & Shake Your Tambourine - Universal Robot Band
  • Slave (1977) - Slave

Births

Deaths

  • Henri Langlois (1914 - 1977)
  • Jim Thompson (1906-1977)
  • Elvis Presley (1935 - 1977)
  • Vladimir Nabokov (1899 - 1977)
  • Anais Nin (1903 - 1977)
  • Roberto Rossellini (1906-1977)




Unless indicated otherwise, the text in this article is either based on Wikipedia article "1977" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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