From The Art and Popular Culture Encyclopedia

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-	[[Test|6614]] - [[wishlist]] - [[calendar]] - [[blog]] -	+	[[hidden agenda]] - [[obscure]] - [[occult]] - [[secret]]
-	<br>[http://www.artandpopularculture.com/index.php?title=Template:Template&action=edit edit template] - [http://www.google.com/search?hl=en&q=site%3Ajahsonic.com+{{PAGENAME}}&btnG=Search]	+
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	|style="padding: 0.3em; font-family: sans-serif; font-size: 1em; background-color: #cccccc"| Related shopping		|style="padding: 0.3em; font-family: sans-serif; font-size: 1em; background-color: #cccccc"| Related shopping
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	Franz Kafka - Stephen King <br />		Franz Kafka - Stephen King <br />
	Alberto Moravia - [[Edgar Allan Poe]]<br />		Alberto Moravia - [[Edgar Allan Poe]]<br />
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		+	== Undercurrents: The Hidden Wiring of Modern Music by the Wire (2002)- Rob Young ==
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		+	In a series of essays by some of the best music writers of our time, Undercurrents identifies the key concepts and underlying themes that have been hardwired into the modern era's most radical musics, ever since Thomas Edison invented the record player. The phonograph, electronics, chance operations, Futurism, Surrealism, the civil rights movement, noise, alternative tuning systems and market forces have all redrawn the map of contemporary sound. Undercurrents tracks these seismic shifts across a wide range of music including modern composition, free jazz, experimental rock and pop, Industrial, ethnic music, Techno and electronica, and looks at the extraordinary innovations and invented instruments that have passed into obscurity.

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Revision as of 17:18, 14 April 2007

Related

hidden agenda - obscure - occult - secret

Related shopping

Querelle (1982) - Fassbinder

Literature

Martin Amis - Georges Bataille Charles Baudelaire - Jorge Luis Borges Céline - Dostoevsky Alain Robbe-Grillet - E. T. A. Hoffmann Franz Kafka - Stephen King Alberto Moravia - Edgar Allan Poe

Undercurrents: The Hidden Wiring of Modern Music by the Wire (2002)- Rob Young

In a series of essays by some of the best music writers of our time, Undercurrents identifies the key concepts and underlying themes that have been hardwired into the modern era's most radical musics, ever since Thomas Edison invented the record player. The phonograph, electronics, chance operations, Futurism, Surrealism, the civil rights movement, noise, alternative tuning systems and market forces have all redrawn the map of contemporary sound. Undercurrents tracks these seismic shifts across a wide range of music including modern composition, free jazz, experimental rock and pop, Industrial, ethnic music, Techno and electronica, and looks at the extraordinary innovations and invented instruments that have passed into obscurity.