Industrial music
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| + | '''Industrial music''' is a genre of music that draws on harsh, transgressive or provocative sounds and themes. [[AllMusic]] defines industrial music as the "most abrasive and aggressive fusion of [[rock music|rock]] and [[electronic music]]" that was "initially a blend of [[avant-garde music|avant-garde]] electronics experiments ([[tape music]], [[musique concrète]], [[white noise]], [[synthesizer]]s, [[music sequencer|sequencer]]s, etc.) and [[punk rock|punk]] provocation". The term was coined in the mid-1970s with the founding of [[Industrial Records]] by members of [[Throbbing Gristle]] and [[Monte Cazazza]]. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. | ||
| - | '''Industrial music''' is an [[experimental music]] style, often including [[electronic music]], that draws on transgressive and provocative themes. The term was coined in the mid-1970s to describe [[Industrial Records]] artists. The [[Allmusic]] website defines industrial as the "most abrasive and aggressive fusion of [[rock music|rock]] and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, [[musique concrète]], white noise, synthesizers, sequencers, etc.) and [[punk rock|punk]] provocation". | + | The first industrial artists experimented with [[noise music|noise]] and aesthetically controversial topics, musically and visually, such as [[fascism]], [[sexual perversion]], and the [[occult]]. Prominent industrial musicians include Throbbing Gristle, [[Monte Cazazza]], [[SPK (band)|SPK]], [[Boyd Rice]], [[Cabaret Voltaire (band)|Cabaret Voltaire]], and [[Z'EV]]. On Throbbing Gristle's 1977 debut album ''[[The Second Annual Report]]'', they coined the slogan "industrial music for industrial people". Chicago-based independent label [[Wax Trax Records]] featured a heavy roster of industrial music acts. The precursors that influenced the development of the genre included acts such as German electronic groups [[Faust (band)|Faust]], [[Neu!]] and [[Kraftwerk]], [[experimental rock]] acts such as [[Pink Floyd]] and [[Frank Zappa]], [[psychedelic rock]] artists such as [[Jimi Hendrix]], lounge music acts such as [[Martin Denny]], pop music such as [[ABBA]] and composers such as [[John Cage]], [[Karlheinz Stockhausen]] or the [[ONCE Group]]. Musicians also cite writers such as [[William S. Burroughs]], artists such as [[Brion Gysin]] and philosophers such as [[Friedrich Nietzsche]] as influences. |
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| + | While the term was self-applied by a small coterie of groups and individuals associated with Industrial Records in the late 1970s, it was broadened to include artists influenced by the original movement or using an "industrial" aesthetic. Over time, the genre's influence spread into and blended with styles including [[ambient music|ambient]], synth music and rock such as [[Front 242]], [[Front Line Assembly]], [[KMFDM]], and [[Sister Machine Gun]] from the Chicago-based Wax Trax Records. [[Electro-industrial]] music is a primary subgenre that developed in the 1980s, with the most notable bands in the genre being Front Line Assembly and [[Skinny Puppy]]. The two other most notable hybrid genres are [[industrial rock]] and [[industrial metal]], which include bands such as [[Nine Inch Nails]], [[Ministry (band)|Ministry]], [[Rammstein]], and [[Fear Factory]], the first three of which released platinum-selling albums in the [[1990s in music|1990s]]. | ||
| - | The first industrial artists experimented with noise and controversial topics. Their production was not limited to music, but included mail art, performance art, installation pieces and other art forms. Prominent industrial musicians include [[Throbbing Gristle]], [[Cabaret Voltaire (band)|Cabaret Voltaire]], [[Boyd Rice]], [[SPK (band)|SPK]], and [[Z'EV]]. While the term was initially self-applied by a small coterie of groups and individuals associated with Industrial Records, it broadened to include artists influenced by the original movement or using an "industrial" aesthetic. | ||
| ==See also== | ==See also== | ||
| *''[[Industrial Culture Handbook|Re/Search #6/7: Industrial Culture Handbook]]'' | *''[[Industrial Culture Handbook|Re/Search #6/7: Industrial Culture Handbook]]'' | ||
Revision as of 15:08, 13 February 2022
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Industrial music is a genre of music that draws on harsh, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'EV. On Throbbing Gristle's 1977 debut album The Second Annual Report, they coined the slogan "industrial music for industrial people". Chicago-based independent label Wax Trax Records featured a heavy roster of industrial music acts. The precursors that influenced the development of the genre included acts such as German electronic groups Faust, Neu! and Kraftwerk, experimental rock acts such as Pink Floyd and Frank Zappa, psychedelic rock artists such as Jimi Hendrix, lounge music acts such as Martin Denny, pop music such as ABBA and composers such as John Cage, Karlheinz Stockhausen or the ONCE Group. Musicians also cite writers such as William S. Burroughs, artists such as Brion Gysin and philosophers such as Friedrich Nietzsche as influences.
While the term was self-applied by a small coterie of groups and individuals associated with Industrial Records in the late 1970s, it was broadened to include artists influenced by the original movement or using an "industrial" aesthetic. Over time, the genre's influence spread into and blended with styles including ambient, synth music and rock such as Front 242, Front Line Assembly, KMFDM, and Sister Machine Gun from the Chicago-based Wax Trax Records. Electro-industrial music is a primary subgenre that developed in the 1980s, with the most notable bands in the genre being Front Line Assembly and Skinny Puppy. The two other most notable hybrid genres are industrial rock and industrial metal, which include bands such as Nine Inch Nails, Ministry, Rammstein, and Fear Factory, the first three of which released platinum-selling albums in the 1990s.
See also
- Re/Search #6/7: Industrial Culture Handbook
- Cassette culture
- Post-punk
- Assimilate: A Critical History of Industrial Music
- Cassette culture
- Experimental music
- Rivethead
- Steampunk
- List of industrial music festivals
- List of industrial music bands
- List of industrial music genres
