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A prolific literary critic, Richard Howard's monumental 1969 volume Alone With America stretches to 594 pages and profiles 41 American poets who had published at least two books each and "have come into a characteristic and—as I see it—consequential identity since the time, say, of the Korean War." Howard would later tell an interviewer

I wrote the book not for the sense of history, but for myself, knowing that a relation to one's moment was essential to getting beyond the moment. As I quoted Shaw in the book's preface, if you cannot believe in the greatness of your own age and inheritance, you will fall into confusion of mind and contrariety of spirit. The book was a rescuing anatomy of such belief, the construction of a credendum—articles of faith, or at least appreciation.