Charles Burns (cartoonist)
From The Art and Popular Culture Encyclopedia
Revision as of 14:32, 10 May 2020 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 00:09, 13 December 2021 Jahsonic (Talk | contribs) Next diff → |
||
Line 15: | Line 15: | ||
{{GFDL}} | {{GFDL}} | ||
+ | [[Canon]] |
Revision as of 00:09, 13 December 2021
Related e |
Featured: |
Charles Burns (born September 27, 1955 in Washington, D.C.) is an award-winning U.S. cartoonist and illustrator. He is renowned for his meticulous, high-contrast and creepy artwork and stories. He lives in Philadelphia with his wife, painter Susan Moore, and their two young daughters.
His father was an oceanographer for the government. They moved around a lot, including Boulder, Colorado, Maryland and Missouri before settling in Seattle when Burns was in grade five.
Comics works
Charles Burns' earliest prominent works include illustrations for the Sub Pop fanzine and contributions to Art Spiegelman's comic magazine RAW.
Most of his short stories, published in various supports over the decades, have been collected in the three volumes of the "Charles Burns' Library" (hardcovers from Fantagraphics Books): El Borbah (1999), Big Baby (2000), and Skin Deep (2001). (A fourth and last volume, Bad Vibes, has yet to be published, which would have the Library collecting the entirety of his pre-Black Hole comics work.)
From 1993 to 2004, he serialized the 12 chapters of his Harvey Award-winning graphic novel Black Hole (12 issues from Fantagraphics Books). In October 2005, he released a slightly remastered collection of Black Hole (hardcover from Pantheon Books).
Illustration works
Burns' high-profile illustrations include work for the Iggy Pop album Brick by Brick. Burns's style was a source of inspiration for Martin Ander's artwork for Fever Ray, Karin Dreijer Andersson's solo project. His art was also licensed by The Coca-Cola Company to illustrate product and advertising material for their failed OK Soda product. More recently, he has worked on advertising campaigns for Altoids and portrait illustrations for The Believer. In the early 1990s, his Dogboy stories were adapted by MTV as a live-action serial for Liquid Television. In 1991, choreographer Mark Morris commissioned him to create illustrations that were then used as a basis for his version of Tchaikovsky's Nutcracker, calling it The Hard Nut.