Egon Schiele
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| '''Egon Schiele''' ([[June 12]] [[1890]] – [[October 31]] [[1918]]) (pronounced approximately SHEE-luh) was an [[Austria]]n [[painters|painter]], a protege of [[Gustav Klimt]], and a major figurative painter of the early 20th century. Due to the [[erotic art|erotic]] nature of his drawings and paintings (he was the first to be convicted for depicting [[female genitalia]]) and his premature death, Schiele has come to epitomise the popular image of the [[tortured artist]]. | '''Egon Schiele''' ([[June 12]] [[1890]] – [[October 31]] [[1918]]) (pronounced approximately SHEE-luh) was an [[Austria]]n [[painters|painter]], a protege of [[Gustav Klimt]], and a major figurative painter of the early 20th century. Due to the [[erotic art|erotic]] nature of his drawings and paintings (he was the first to be convicted for depicting [[female genitalia]]) and his premature death, Schiele has come to epitomise the popular image of the [[tortured artist]]. | ||
| + | |||
| + | ==Style== | ||
| + | Some view Schiele's work as being grotesque, erotic, pornographic, or disturbing, focusing on sex, death, and discovery. He focused on portraits of others as well as himself. In his later years, while he still worked often with nudes, they were done in a more realist fashion. He also painted tributes to [[Van Gogh]]'s ''Sunflowers'' as well as landscapes and still lifes.<ref>{{Cite document|title= Egon Schiele: Erotic, Grotesque and on Display|publisher=ARTINFO|date= 1 April 2005|url= http://www.artinfo.com/news/story/108/egon-schiele-erotic-grotesque-and-on-display/|accessdate=2008-04-17|postscript= <!--None--> }}</ref> | ||
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| + | ==Controversy== | ||
| + | In 1911, Schiele met the seventeen-year-old Valerie (Wally) Neuzil, who lived with him in Vienna and served as model for some of his most striking paintings. Very little is known of her, except that she had previously modelled for Gustav Klimt and might have been one of his mistresses. Schiele and Wally wanted to escape what they perceived as the claustrophobic Viennese milieu, and went to the small town of [[Český Krumlov|Český Krumlov (Krumau)]] in southern [[Bohemia]]. Krumau was the birthplace of Schiele's mother; today it is the site of a museum dedicated to Schiele. Despite Schiele's family connections in Krumau, he and his lover were driven out of the town by the residents, who strongly disapproved of their lifestyle, including his alleged employment of the town's teenage girls as models. | ||
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| + | Together they moved to [[Neulengbach]], 35 km west of Vienna, seeking inspirational surroundings and an inexpensive studio in which to work. As it was in the capital, Schiele's studio became a gathering place for Neulengbach's delinquent children. Schiele's way of life aroused much animosity among the town's inhabitants, and in April 1912 he was arrested for seducing a young girl below the age of consent. | ||
| + | [[Image:Egon Schiele 015.jpg|thumb|left|''Die kleine Stadt II''. View of [[Český Krumlov|Krumau an der Moldau]], 1912-1913]] | ||
| + | When they came to his studio to place him under arrest, the police seized more than a hundred drawings which they considered [[pornography|pornographic]]. Schiele was imprisoned while awaiting his trial. When his case was brought before a judge, the charges of seduction and abduction were dropped, but the artist was found guilty of exhibiting erotic drawings in a place accessible to children. In court, the judge burned one of the offending drawings over a candle flame. The twenty-one days he had already spent in custody were taken into account, and he was sentenced to only three days' imprisonment. While in prison, Schiele created a series of 12 paintings depicting the difficulties and discomfort of being locked in a jail-cell. | ||
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| + | [[Image:Egon Schiele 012.jpg|thumb|''Tod und Mädchen (Death and the Maiden)'', 1915]]In 1914, Schiele glimpsed the sisters Edith and Adéle Harms, who lived with their parents across the street from his studio in the Viennese suburb of Hietzing, 101 Hietzinger Hauptstrasse. They were a middle-class family and [[Protestant]] by faith; their father was a master locksmith. In 1915, Schiele chose to marry the more socially acceptable Edith, but had apparently expected to maintain a relationship with Wally. However, when he explained the situation to Wally, she left him immediately and never saw him again. This abandonment led him to paint ''Death and the Maiden'', where Wally's portrait is based on a previous pairing, but Schiele's is newly struck. (In February 1915, Schiele wrote a note to his friend [[Arthur Roessler]] stating: "I intend to get married, advantageously. Not to Wally.") Despite some opposition from the Harms family, Schiele and Edith were married on 17 June 1915, the anniversary of the wedding of Schiele's parents. | ||
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| ==Legacy== | ==Legacy== | ||
| Schiele has been the subject of a biographical film, ''Excess & Punishment'' (aka ''[[Egon Schiele Exzess und Bestrafung]]''), a 1980 film originating in Germany with a European cast that explores Schiele's artistic demons leading up to his early death. The film is directed by [[Herbert Vesely]] and stars [[Mathieu Carriere]] as Egon Schiele with [[Jane Birkin]] as his early artistic muse and [[Christine Kaufman]] as his wife and [[Kristina Van Eyck]] as her sister. | Schiele has been the subject of a biographical film, ''Excess & Punishment'' (aka ''[[Egon Schiele Exzess und Bestrafung]]''), a 1980 film originating in Germany with a European cast that explores Schiele's artistic demons leading up to his early death. The film is directed by [[Herbert Vesely]] and stars [[Mathieu Carriere]] as Egon Schiele with [[Jane Birkin]] as his early artistic muse and [[Christine Kaufman]] as his wife and [[Kristina Van Eyck]] as her sister. | ||
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| In 1914, Schiele glimpsed the sisters Edith and Adéle Harms, who lived with their parents across the street from his studio in the Viennese suburb of Hietzing, 101 Hietzinger Hauptstrasse. They were a middle-class family and [[Protestant]] by faith; their father was a master locksmith. In 1915, Schiele and the more socially acceptable Edith were engaged, and the faithful Wally seems to have been abruptly dropped by Schiele. (In February 1915, Schiele wrote a note to his friend [[Arthur Roessler]] stating: "I intend to get married, advantageously, perhaps not to Wally.") Despite some opposition from the Harms family, Schiele and Edith were married on June 17 1915, the anniversary of the wedding of Schiele's parents. | In 1914, Schiele glimpsed the sisters Edith and Adéle Harms, who lived with their parents across the street from his studio in the Viennese suburb of Hietzing, 101 Hietzinger Hauptstrasse. They were a middle-class family and [[Protestant]] by faith; their father was a master locksmith. In 1915, Schiele and the more socially acceptable Edith were engaged, and the faithful Wally seems to have been abruptly dropped by Schiele. (In February 1915, Schiele wrote a note to his friend [[Arthur Roessler]] stating: "I intend to get married, advantageously, perhaps not to Wally.") Despite some opposition from the Harms family, Schiele and Edith were married on June 17 1915, the anniversary of the wedding of Schiele's parents. | ||
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| + | ==See also== | ||
| + | * [[Painting the Century: 101 Portrait Masterpieces 1900–2000]] | ||
| + | * [[Self portrait]] | ||
| + | * [[List of Austrian artists and architects]] | ||
| + | * [[List of Austrians]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 20:12, 4 May 2011
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Egon Schiele (June 12 1890 – October 31 1918) (pronounced approximately SHEE-luh) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Due to the erotic nature of his drawings and paintings (he was the first to be convicted for depicting female genitalia) and his premature death, Schiele has come to epitomise the popular image of the tortured artist.
Contents |
Style
Some view Schiele's work as being grotesque, erotic, pornographic, or disturbing, focusing on sex, death, and discovery. He focused on portraits of others as well as himself. In his later years, while he still worked often with nudes, they were done in a more realist fashion. He also painted tributes to Van Gogh's Sunflowers as well as landscapes and still lifes.<ref>Template:Cite document</ref>
Controversy
In 1911, Schiele met the seventeen-year-old Valerie (Wally) Neuzil, who lived with him in Vienna and served as model for some of his most striking paintings. Very little is known of her, except that she had previously modelled for Gustav Klimt and might have been one of his mistresses. Schiele and Wally wanted to escape what they perceived as the claustrophobic Viennese milieu, and went to the small town of Český Krumlov (Krumau) in southern Bohemia. Krumau was the birthplace of Schiele's mother; today it is the site of a museum dedicated to Schiele. Despite Schiele's family connections in Krumau, he and his lover were driven out of the town by the residents, who strongly disapproved of their lifestyle, including his alleged employment of the town's teenage girls as models.
Together they moved to Neulengbach, 35 km west of Vienna, seeking inspirational surroundings and an inexpensive studio in which to work. As it was in the capital, Schiele's studio became a gathering place for Neulengbach's delinquent children. Schiele's way of life aroused much animosity among the town's inhabitants, and in April 1912 he was arrested for seducing a young girl below the age of consent.
When they came to his studio to place him under arrest, the police seized more than a hundred drawings which they considered pornographic. Schiele was imprisoned while awaiting his trial. When his case was brought before a judge, the charges of seduction and abduction were dropped, but the artist was found guilty of exhibiting erotic drawings in a place accessible to children. In court, the judge burned one of the offending drawings over a candle flame. The twenty-one days he had already spent in custody were taken into account, and he was sentenced to only three days' imprisonment. While in prison, Schiele created a series of 12 paintings depicting the difficulties and discomfort of being locked in a jail-cell.
Legacy
Schiele has been the subject of a biographical film, Excess & Punishment (aka Egon Schiele Exzess und Bestrafung), a 1980 film originating in Germany with a European cast that explores Schiele's artistic demons leading up to his early death. The film is directed by Herbert Vesely and stars Mathieu Carriere as Egon Schiele with Jane Birkin as his early artistic muse and Christine Kaufman as his wife and Kristina Van Eyck as her sister.
Controversy
In 1911, Schiele met the seventeen-year-old Valerie (Wally) Neuzil, who lived with him in Vienna and served as model for some of his most striking paintings. Very little is known of her, except that she had previously modelled for Gustav Klimt and might have been one of his mistresses. Schiele and Wally wanted to escape what they perceived as the claustrophobic Viennese milieu, and went to the small town of Český Krumlov (Krumau) in southern Bohemia (the place where Schiele's mother was born, and nowadays the site of a museum dedicated to Schiele). Despite Schiele's family connections in Krumau, he and his lover were driven out of the town by the residents, who strongly disapproved of their lifestyle, including his alleged employment of the town's teenage girls as models.
Together they moved to Neulengbach, 35 km west of Vienna, seeking inspirational surroundings and an inexpensive studio in which to work. As it was in the capital, Schiele's studio became a gathering place for Neulengbach's delinquent children. Schiele's way of life aroused much animosity among the town's inhabitants, and in April 1912 he was arrested for seducing a young girl below the age of consent.
When they came to his studio to place him under arrest, the police seized more than a hundred drawings which they considered pornographic. Schiele was imprisoned while awaiting his trial. When his case was brought before a judge, the charges of seduction and abduction were dropped, but the artist was found guilty of exhibiting erotic drawings in a place accessible to children. In court, the judge burned one of the offending drawings over a candle flame. The twenty-one days he had already spent in custody were taken into account, and he was sentenced to only three days' imprisonment. While in prison, Schiele created a series of 12 paintings depicting the difficulties & discomfort of being locked in a jail-cell.
In 1914, Schiele glimpsed the sisters Edith and Adéle Harms, who lived with their parents across the street from his studio in the Viennese suburb of Hietzing, 101 Hietzinger Hauptstrasse. They were a middle-class family and Protestant by faith; their father was a master locksmith. In 1915, Schiele and the more socially acceptable Edith were engaged, and the faithful Wally seems to have been abruptly dropped by Schiele. (In February 1915, Schiele wrote a note to his friend Arthur Roessler stating: "I intend to get married, advantageously, perhaps not to Wally.") Despite some opposition from the Harms family, Schiele and Edith were married on June 17 1915, the anniversary of the wedding of Schiele's parents.
See also
- Painting the Century: 101 Portrait Masterpieces 1900–2000
- Self portrait
- List of Austrian artists and architects
- List of Austrians
