Fantasy: The Literature of Subversion  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 09:28, 15 November 2013
Jahsonic (Talk | contribs)

← Previous diff
Revision as of 19:14, 30 June 2021
Jahsonic (Talk | contribs)

Next diff →
Line 1: Line 1:
 +{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
 +| style="text-align: left;" |
 +"Only the perverse fantasy can still save us."--Goethe
 +
 +"Literature of the fantastic is concerned to describe desire in its excessive forms as well as in its various transformations or perversions."--Todorov
 +
 +"When our eye sees a monstrous deed, our soul stands still."--Fassbinder
 +
 +"The only thing you can do if you are trapped in a reflection is to invert the image."--Juliet Mitchell
 +
 +--[[epigraph]]s
 +|}
{{Template}} {{Template}}
'''''Fantasy: The Literature of Subversion''''' (1981) is a [[literary study]] of [[fantastic literature]] by [[Rose Jackson]]. On the cover of some editions is the [[Tree-Man]], a detail from Bosch's ''[[The Garden of Earthly Delights]]''. '''''Fantasy: The Literature of Subversion''''' (1981) is a [[literary study]] of [[fantastic literature]] by [[Rose Jackson]]. On the cover of some editions is the [[Tree-Man]], a detail from Bosch's ''[[The Garden of Earthly Delights]]''.

Revision as of 19:14, 30 June 2021

"Only the perverse fantasy can still save us."--Goethe

"Literature of the fantastic is concerned to describe desire in its excessive forms as well as in its various transformations or perversions."--Todorov

"When our eye sees a monstrous deed, our soul stands still."--Fassbinder

"The only thing you can do if you are trapped in a reflection is to invert the image."--Juliet Mitchell

--epigraphs

Related e

Wikipedia
Wiktionary
Shop


Featured:

Fantasy: The Literature of Subversion (1981) is a literary study of fantastic literature by Rose Jackson. On the cover of some editions is the Tree-Man, a detail from Bosch's The Garden of Earthly Delights.

From the publisher:

This study argues against vague interpretations of fantasy as mere escapism and seeks to define it as a distinct kind of narrative. A general theoretical section introduces recent work on fantasy, notably Tzvetan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). Dr Jackson, however, extends Todorov's ideas to include aspects of psychoanalytical theory. Seeing fantasy as primarily an expression of unconscious drives, she stresses the importance of the writings of Freud and subsequent theorists when analysing recurrent themes, such as doubling or multiplying selves, mirror images, metamorphosis and bodily disintegration. Gothic fiction, classic Victorian fantasies, the 'fantastic realism' of Dickens and Dostoevsky, tales by Mary Shelley, James Hogg, E.T.A. Hoffmann, George Eliot, Henry James, Joseph Conrad, R. L. Stevenson, Franz Kafka, Mervyn Peake and Thomas Pynchon are among the texts covered. Through a reading of these frequently disquieting works, Dr Jackson moves towards a definition of fantasy expressing cultural unease. These issues are discussed in relation to a wide range of fantasies with varying images of desire and disenchantment.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Fantasy: The Literature of Subversion" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools