Fernando Botero  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 09:30, 16 September 2023
Jahsonic (Talk | contribs)

← Previous diff
Revision as of 09:31, 16 September 2023
Jahsonic (Talk | contribs)

Next diff →
Line 3: Line 3:
"[[Krauss]]'s and [[Danto]]'s commentaries on Botero's art. So does the mantra of the artist's questionable position in relation to the [[art world]]. The context for Krauss's commentary is a 1998 edition of CBS's ''[[60 Minutes]]'' on Botero's work ..."--''[[Constructing the Nation]]'' (2009) by Mariana Ortega, ‎Linda Martín Alcoff "[[Krauss]]'s and [[Danto]]'s commentaries on Botero's art. So does the mantra of the artist's questionable position in relation to the [[art world]]. The context for Krauss's commentary is a 1998 edition of CBS's ''[[60 Minutes]]'' on Botero's work ..."--''[[Constructing the Nation]]'' (2009) by Mariana Ortega, ‎Linda Martín Alcoff
<hr> <hr>
-"I think [[Fernando Botero|Botero]]'s work is terrible. I think his work is the [[Pillsbury Doughboy]]."--[[Rosalind Krauss]] cited in the 1998 Don Millar documentary on Botero+"I think [[Fernando Botero|Botero]]'s work is terrible. I think his work is the [[Pillsbury Doughboy]]."--[[Rosalind E. Krauss]] cited in the 1998 Don Millar documentary on Botero
|} |}
{{Template}} {{Template}}

Revision as of 09:31, 16 September 2023

"Krauss's and Danto's commentaries on Botero's art. So does the mantra of the artist's questionable position in relation to the art world. The context for Krauss's commentary is a 1998 edition of CBS's 60 Minutes on Botero's work ..."--Constructing the Nation (2009) by Mariana Ortega, ‎Linda Martín Alcoff


"I think Botero's work is terrible. I think his work is the Pillsbury Doughboy."--Rosalind E. Krauss cited in the 1998 Don Millar documentary on Botero

Related e

Wikipedia
Wiktionary
Shop


Featured:

Fernando Botero (1932 – 2023) was a Colombian painter known for his figurative paintings during a time ruled by abstract art. He often painted and sculpted overweight people.

Style and themes

He paints and draws in a style somewhat similar to Pablo Picasso "Deux femmes courant sur la plage" (The Course). He strives in all his work to capture an essential part of himself and his subjects through color and form. His work includes still-life and landscapes, but Botero tends to primarily focus on situational portraiture. His paintings and sculptures are, on first examination, noted for their exaggerated proportions and the corpulence of the human figures and animal figures. The "fat people" are often thought by critics to satirize the subjects and situations that Botero chooses to paint. Botero explains his use of obese figures and forms as such: "An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it." He is an abstract artist in the most fundamental sense of the word, choosing what colors, shapes, and proportions to use based on intuitive aesthetic thinking. This being said, his works are informed by a Colombian upbringing and social commentary is woven throughout his work.

Abu Ghraib paintings

In early 2005, Botero revealed a series of 50 paintings that graphically represent the controversial Abu Ghraib incident, expressing the rage and shock that the incident provoked in the artist. The works were initially presented at the Palazzo Venezia in Rome, and later in Germany and Greece. In October 2006, they were displayed at the Marlborough Gallery in New York City, their first showing in the United States. In 2007, the Abu Ghraib series was exhibited at The Center for Latin American Studies at the University of California in Berkeley. Botero has stated that he does not plan to sell the paintings, but instead intends to donate them to museums as a reminder of the events depicted within.

Linking in at time of death

Abu Ghraib (disambiguation), Adam (Botero), Adela Micha, Alejandro Obregón, Ana Maria de Martinez, Anna Walinska, April 19, Art Plural Gallery, Azalea Quiñones, Barbara McGivern, Barranquilla, Berkeley Art Museum and Pacific Film Archive, Berrío Park station, Berrío Park, Big Beautiful Woman, Big Sleeping, Bijan (designer), Bill Shipsey, Birmingham Museum of Art, Bogotá Museum of Modern Art, Botero Plaza, Botero, Bowers Museum, Cafesjian Museum of Art, California Lutheran University, Calle de Génova, Cartagena, Colombia, Casa de Nariño, Celso Zubire, Chapultepec, Chryssa, Colombia, Colombian art, Colombian National Museum, Cultural references to Pierrot, Dafen Village, David Brillembourg, David Gerstein (Israeli artist), DEmo (artist), Documenta 6, Ekebergparken Sculpture Park, El Raval, Elena Cué, Empire Towers, Encore Las Vegas, Enrique Grau, Fabio Ochoa Restrepo, Fairchild Tropical Botanic Garden, Fat feminism, Federal Reserve Bank Building (Seattle), Four Seasons Hotel Miami, Francisco Luque, Galería Casas Riegner, Gary Nader, George Economou (shipbuilder), Georgy Shishkin, Gerard Cafesjian, Heinz Günter Mebusch, History of art, History of the nude in art, International Best Dressed Hall of Fame List, International Sculpture Center, Jacob Elbaz, Jean-Paul Réti, Jesse A. Fernández, John Baxter (author), Jonathan Novak, Josef Levi, Kistefos Museum and Sculpture Park, La Candelaria, Bogotá, La paloma de la paz, Latin America, Latin American art, Leo Matiz, Lowe Art Museum, Lucky Frog, Madrid, Marcel Paquet, Marta Traba, Mayoral Gallery, Medellín, Miguel Urrutia Art Museum, Milagros Maldonado, Modern art, Modern sculpture, Mona Lisa replicas and reinterpretations, Museo Botero, Museo de Arte del Tolima, Museum of Antioquia, Museum of Art - DeLand, Naked Pueblo, National security of Colombia, National University of Colombia, Nueva Figuración, Oakland University, Olympic Museum, Olympic Order, Outline of sculpture, Pablo Escobar, Paisa (region), Palmer Museum of Art, Parque Thays, Paseo de Recoletos, Pastel, Pera Museum, Pierrot lunaire (book), Pietrasanta, Plaza de la Escandalera, Real Academia de Bellas Artes de San Fernando, Recoleta, Buenos Aires, Rhode Island School of Design Museum, Ricardo Brennand Institute, Rosenbaum Contemporary, Salon of Colombian Artists, Scheringa Museum of Realist Art, Sculpture, Silvia Lemus, Sofía Ímber, Sophia Vari, South America, Tamanyan Street, The Hand (Botero), Timeline of art, Timeline of Colombian history, Ulrich Museum, UOB Plaza, Venezuelan art, Wojciech Fangor, Woman with Mirror, World Erotic Art Museum, Yerevan Cascade



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Fernando Botero" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools