German underground horror
From The Art and Popular Culture Encyclopedia
|
"The weird pleasure the Germans take in evoking horror can perhaps be ascribed to the excessive and very Germanic desire to submit to discipline, together with a certain proneness to Sadism. In 'Dichtung und Wahrheit' Goethe deplores the 'unfortunate pedagogical principle which tends to free children early in life from their fear of mystery and the invisible by accustoming them to terrifying spectacles'." This insight into the 'sublimity' of the German soul is put forward by Lotte Eisner, the famous film historian, in her epochal work on the German film of the 20’s, "The Haunted Screen". --Ingo Petzke 1992 via [1] [Oct 2005] "All of this combined make the early German cinema the natural birthplace of the horror film." --Immoral Tales: European Sex & Horror Movies 1956-1984 by Tohill, Tombs |
|
Related e |
|
Featured: |
German underground horror is a sub-genre of the horror film, which has achieved cult popularity since first appearing in the mid-1980s.
Horror films produced by the German underground scene are usually trademarked by their intensity, taking on topics that are culturally taboo such as rape, necrophilia, and extreme violence. Films that glorify violence are not technically illegal in Germany, but certain titles are banned by the government and Zollkriminalamt. Distribution, import, or creation of specific films can constitute steep fines.
History of German underground horror
In an attempt to shed its violent image, horror films were very rarely made in Germany after the fall of the Third Reich. Movies such as Ein Toter hing im Netz/Horrors of Spider Island, Schlangengrube und das Pendel, and The Head were filmed and released in the decades following World War II, but to very little success.
In 1987, amateur filmmaker Andreas Schnaas made the movie Violent Shit for a reported $2000. Released as Germany's first direct-to-video film, it was a modest hit amongst fans of independent horror. The same year, filmmaker Jörg Buttgereit wrote and directed Nekromantik. Both films were banned by the German government, but their popularity influenced other filmmakers such as Olaf Ittenbach to bring Germany's underground horror film scene further into the media spotlight.
Since then, many other filmmakers have emerged from the German underground horror scene, including Uwe Boll and Timo Rose. Uwe Boll is notable as the only underground German director who has gone on to a career in big budget cinema.
Ratings' effect on German underground horror
Once a film has been rated by the German ratings board, that is its rating for both cinema and video releases. It is legal to have two versions of a film. Often, there is a cut "16" version (equivalent to the R-rating by the MPAA) released in cinemas and an uncut "18" version (equivalent to an NC-17 rating) on video. Films rated "18" are not stocked by all video shops, which affects rentals of violent German horror.
In Germany, there is also a category above "18" entitled 'indiziert' or "on the index" (Unrated). Distribution companies, cinemas, and video shops cannot advertise these films, nor can they be openly on display - unless a shop is open to 'adults only'. However, it is legal to sell and buy such material. Many video rental stores have back rooms or basements for such merchandise.
Examples of 'indizierte' films include Cannibal Ferox, Cannibal Holocaust, Last House on the Left, From Dusk Till Dawn, and Dario Argento's Profondo Rosso. Several of these films were released uncut in Germany, but were subject to the limitations listed. Others were edited and then released as 'indizierte'.
See also
