Negrophilia
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
| Revision as of 08:18, 15 March 2008 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 10:03, 15 March 2008 Jahsonic (Talk | contribs) Next diff → |
||
| Line 8: | Line 8: | ||
| == See also == | == See also == | ||
| + | *[[American immigration to Europe]] | ||
| *[[Nancy Cunard]] | *[[Nancy Cunard]] | ||
| *[[Paul Guillaume]] | *[[Paul Guillaume]] | ||
Revision as of 10:03, 15 March 2008
|
Related e |
|
Featured: |
Black culture was very much in vogue in avant-garde Paris in the 1920s Années Folles as white artists celebrated it as a means of escaping bourgeois values. At the same time, an emphasis on the "primitive" often reduced blacks to racist stereotypes.
See also
- Negrophilia: Avant-Garde Paris and Black Culture in the 1920s (2000) by Petrine Archer-Straw.
- Michel Fabre's From Harlem to Paris (91),
- Tyler Stovall's Paris Noir: African Americans in the City of Light (96).
See also
- American immigration to Europe
- Nancy Cunard
- Paul Guillaume
- Man Ray
- Music of the African diaspora
- African art's influence on Western art
- Negrophilia: Avant-Garde Paris and Black Culture in the 1920s
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Negrophilia" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
