Neo-Avantgarde and Culture Industry
From The Art and Popular Culture Encyclopedia
Revision as of 14:33, 25 March 2020 Jahsonic (Talk | contribs) ← Previous diff |
Current revision Jahsonic (Talk | contribs) |
||
Line 2: | Line 2: | ||
''[[Neo-Avantgarde and Culture Industry]]'' (2000) is a book by [[Benjamin Heinz-Dieter Buchloh]], a collection of eighteen essays on major figures of postwar art written since the late 1970s. It covers [[Nouveau Réalisme]] in [[France]] ([[Arman]], [[Yves Klein]], [[Jacques de la Villeglé]]), postwar German art ([[Joseph Beuys]], [[Sigmar Polke]], [[Gerhard Richter]]), American [[Fluxus]] and [[Pop Art]] ([[Robert Watts_(artist)|Robert Watts]] and [[Andy Warhol]]), [[minimalism]] and postminimal art ([[Michael Asher (artist)|Michael Asher]] and [[Richard Serra]]), and European and American [[conceptual art]] ([[Daniel Buren]], [[Dan Graham]]). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, [[Nancy Spero]] and [[Lawrence Weiner]]. About others, he asks more general questions concerning the development of models of [[institutional critique]] ([[Hans Haacke]]) and the theorization of the [[museum]] ([[Marcel Broodthaers]]); and addresses the formation of historical memory in postconceptual art ([[James Coleman (Irish artist)|James Coleman]]). | ''[[Neo-Avantgarde and Culture Industry]]'' (2000) is a book by [[Benjamin Heinz-Dieter Buchloh]], a collection of eighteen essays on major figures of postwar art written since the late 1970s. It covers [[Nouveau Réalisme]] in [[France]] ([[Arman]], [[Yves Klein]], [[Jacques de la Villeglé]]), postwar German art ([[Joseph Beuys]], [[Sigmar Polke]], [[Gerhard Richter]]), American [[Fluxus]] and [[Pop Art]] ([[Robert Watts_(artist)|Robert Watts]] and [[Andy Warhol]]), [[minimalism]] and postminimal art ([[Michael Asher (artist)|Michael Asher]] and [[Richard Serra]]), and European and American [[conceptual art]] ([[Daniel Buren]], [[Dan Graham]]). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, [[Nancy Spero]] and [[Lawrence Weiner]]. About others, he asks more general questions concerning the development of models of [[institutional critique]] ([[Hans Haacke]]) and the theorization of the [[museum]] ([[Marcel Broodthaers]]); and addresses the formation of historical memory in postconceptual art ([[James Coleman (Irish artist)|James Coleman]]). | ||
==See also== | ==See also== | ||
- | *[[Neo-avant-garde]] | + | *[[Neo avant-garde]] |
{{GFDL}} | {{GFDL}} |
Current revision
Related e |
Featured: |
Neo-Avantgarde and Culture Industry (2000) is a book by Benjamin Heinz-Dieter Buchloh, a collection of eighteen essays on major figures of postwar art written since the late 1970s. It covers Nouveau Réalisme in France (Arman, Yves Klein, Jacques de la Villeglé), postwar German art (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and Pop Art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); and addresses the formation of historical memory in postconceptual art (James Coleman).
See also