Ruins
From The Art and Popular Culture Encyclopedia
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+ | [[Image:Ruins of the château de Lacoste (early 20th century).jpg|thumb|left|200px|Ruins of the [[Château de Lacoste]] of Marquis de Sade]] | ||
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+ | "[[Hail]], solitary [[ruin]]s! holy [[sepulcrum|sepulchres]], and silent walls! you I invoke; to you I address my prayer. While your aspect averts, with secret [[terror]], the vulgar regard, it excites in my heart the charm of delicious sentiments--[[sublime]] contemplations."--''[[The Ruins, or, Meditation on the Revolutions of Empires and the Law of Nature]]'' (1791) by Volney | ||
+ | |} | ||
+ | [[Image:Western face of the Greek Parthenon.jpg|thumb|right|200px|This page '''''{{PAGENAME}}''''' is part of the [[Ancient Greece]] series.<br><small>Photo: western face of the [[Parthenon]]</small>]] | ||
+ | [[Image:Machecoul.jpg|thumb|200px|[[Ruin]] of the [[Castle of Machecoul]] of [[Gilles de Rais]]]] | ||
[[Image:Carl Blechen Heidelberg ruins.jpg|right|thumb|200px| | [[Image:Carl Blechen Heidelberg ruins.jpg|right|thumb|200px| | ||
''Der gesprengte Turm des Heidelberger Schlosses'' (''The Ruined Tower of [[Heidelberg Castle]]'', c. 1830) by [[Carl Blechen]]]] | ''Der gesprengte Turm des Heidelberger Schlosses'' (''The Ruined Tower of [[Heidelberg Castle]]'', c. 1830) by [[Carl Blechen]]]] | ||
- | [[Image:Ancient Rome (1757) by Giovanni Paolo Panini.jpg|thumb|right|200px|''[[Ancient Rome (painting)|Ancient Rome]]'' (1757) by [[Giovanni Paolo Panini]]]] | + | [[Image:Ancient Rome (1757) by Giovanni Paolo Panini.jpg|thumb|right|200px|''[[Ancient Rome (painting)|Ancient Rome]]'' (1757) by Giovanni Paolo Panini]] |
[[Image:The Sphinx by Maxime Du Camp, 1849.jpg|thumb|right|200px|The [[Great Sphinx]] by [[Maxime Du Camp]], [[1849]], taken when he traveled in [[Egypt]] with [[Gustave Flaubert]].]] | [[Image:The Sphinx by Maxime Du Camp, 1849.jpg|thumb|right|200px|The [[Great Sphinx]] by [[Maxime Du Camp]], [[1849]], taken when he traveled in [[Egypt]] with [[Gustave Flaubert]].]] | ||
[[Image:Antichità Romane.jpg|thumb|right|200px|[[Giovanni Battista Piranesi|Piranesi]], Deuxième frontispice - [[Le Antichità Romane]], tome II]] | [[Image:Antichità Romane.jpg|thumb|right|200px|[[Giovanni Battista Piranesi|Piranesi]], Deuxième frontispice - [[Le Antichità Romane]], tome II]] | ||
[[Image:The Artist Moved by the Grandeur of Ancient Ruins.jpg|thumb|right|200px| | [[Image:The Artist Moved by the Grandeur of Ancient Ruins.jpg|thumb|right|200px| | ||
''[[The artist's despair before the grandeur of ancient ruins]]'' ([[1778]]-[[1779|79]]) by [[Fuseli|Henry Fuseli]]]] | ''[[The artist's despair before the grandeur of ancient ruins]]'' ([[1778]]-[[1779|79]]) by [[Fuseli|Henry Fuseli]]]] | ||
- | [[Image:Capriccio with the Colosseum (1743-44) - B. Bellotto.jpg|thumb|right|200px|''[[Capriccio with the Colosseum]]'' (1743-44) - [[Bernardo Bellotto]]]] | + | [[Image:Capriccio with the Colosseum (1743-44) - B. Bellotto.jpg|thumb|right|200px|''[[Capriccio with the Colosseum]]'' (1743-44) - Bernardo Bellotto]] |
- | [[Image:Meissonier Ruins of the Tuileries.jpg|right|thumb|200px| | + | [[Image:Meissonier Ruins of the Tuileries.jpg|right|thumb|200px|''[[Ruins of the Tuileries]]'' (1871) by Jean-Louis-Ernest Meissonier]] |
- | ''[[Ruins of the Tuileries]]'' ([[1871]]) by [[Jean-Louis-Ernest Meissonier]]]] | + | |
- | [[Image:Western face of the Greek Parthenon.jpg|thumb|right|200px| | + | |
- | This page '''''{{PAGENAME}}''''' is part of the [[Ancient Greece]] series. | + | |
- | <br> | + | |
- | <small> | + | |
- | Photo: western face of the [[Parthenon]]</small>]] | + | |
{{Template}} | {{Template}} | ||
- | '''Ruins''' is a term used to describe the remains of man-made [[architecture]]: structures that were at one time complete but which have either been deliberately [[destroyed]] or fallen into a state of disrepair over time due to the action of [[weathering]] and lack of [[Maintenance, repair and operations|maintenance]]. | + | '''Ruins''' is a term used to describe the [[remain]]s of [[man-made]] [[architecture]]: structures that were at one time complete but which have either been deliberately [[destroyed]] or fallen into a state of disrepair over time due to the action of [[weathering]] and lack of [[Maintenance, repair and operations|maintenance]]. |
There are famous ruins all over the world, from ancient sites in [[Judea]] to [[Ancient Greece|ancient Greek]] and [[Ancient Rome|Roman]] sites in the [[Mediterranean Sea]], and [[Inca Empire|Incan]] sites in [[Peru]]. Ruins can be [[fortification]]s, [[Place of worship|places of worship]], or remnants of houses, storehouses, or other buildings, or even entire cities and towns. Ruins are important for the studying of the past, in particular history and archaeology. There are also substantial ruins in modern cities such as [[Rome]] and [[Athens]]. | There are famous ruins all over the world, from ancient sites in [[Judea]] to [[Ancient Greece|ancient Greek]] and [[Ancient Rome|Roman]] sites in the [[Mediterranean Sea]], and [[Inca Empire|Incan]] sites in [[Peru]]. Ruins can be [[fortification]]s, [[Place of worship|places of worship]], or remnants of houses, storehouses, or other buildings, or even entire cities and towns. Ruins are important for the studying of the past, in particular history and archaeology. There are also substantial ruins in modern cities such as [[Rome]] and [[Athens]]. | ||
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Ruins remain a popular subject for [[painting]] and creative [[photography]] and are often romanticized in film and literature, providing scenic backdrops or used as [[metaphor]]s for other forms of decline or decay. | Ruins remain a popular subject for [[painting]] and creative [[photography]] and are often romanticized in film and literature, providing scenic backdrops or used as [[metaphor]]s for other forms of decline or decay. | ||
====Painting==== | ====Painting==== | ||
- | The ruins of [[Dunstanburgh Castle]] in [[England]] inspired [[J. M. W. Turner|Turner]] to create several paintings. [[Joseph Michael Gandy]] completed for [[Sir John Soane]] in 1832 an atmospheric watercolor of the architect's vast [[Bank of England]] rotunda as a [[picturesque]]ly overgrown ruin, that is an icon of [[Romanticism]]. | + | The ruins of [[Dunstanburgh Castle]] in [[England]] inspired [[J. M. W. Turner|Turner]] to create several paintings. [[Joseph Michael Gandy]] completed for [[Sir John Soane]] in 1832 an atmospheric watercolor of the architect's vast [[Bank of England]] [[rotunda]] as a [[picturesque]]ly overgrown ruin[JM Gandy's aerial view of Sir John Soane's Bank of England in ruins. 1830. [http://commons.wikimedia.org/wiki/File:Aerial_cutaway_view_of_Soane%27s_Bank_of_England_by_JM_Gandy_1830.jpg], that is an icon of [[Romanticism]]. |
*''[[Ancient Rome (painting)|Ancient Rome]]'' by [[Pannini]] | *''[[Ancient Rome (painting)|Ancient Rome]]'' by [[Pannini]] | ||
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- | ===Folly=== | + | ===Follies and fake ruins=== |
- | :''[[folly (architecture)]]'' | + | :''[[folly (architecture)]], [[artificial ruins]]'' |
- | Ruins are frequently present in architectural follies. The canonical examples pretend to be the remains of an old building but were in fact constructed in that state. Many of the great estates of the late 16th century and early 17th century had ruins of monastic houses (in England) and Roman villas (in Italy). See [[Ruinenberg]] at [[Sanssouci]]. A contemporary example is ''[[Piazza d'Italia]]''. | + | Ruins are frequently present in architectural follies. The canonical examples pretend to be the remains of an old building but were in fact constructed in that state. Many of the great estates of the late 16th century and early 17th century had ruins of monastic houses (in England) and Roman villas (in Italy). See [[Ruinenberg]] at [[Sanssouci]]. A contemporary example is ''[[Piazza d'Italia]]'', which has been called the first "postmodern ruin". |
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==Relics of steel and wooden towers== | ==Relics of steel and wooden towers== | ||
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The basements of large wooden towers such as [[transmitter Ismaning]] may also be left behind, because removing them would be difficult. | The basements of large wooden towers such as [[transmitter Ismaning]] may also be left behind, because removing them would be difficult. | ||
- | + | ==Examples== | |
+ | *[[Machu Picchu]] | ||
+ | *[[Desert of Retz]] | ||
==See also== | ==See also== | ||
* [[Capriccio (art)]] | * [[Capriccio (art)]] |
Current revision
"Hail, solitary ruins! holy sepulchres, and silent walls! you I invoke; to you I address my prayer. While your aspect averts, with secret terror, the vulgar regard, it excites in my heart the charm of delicious sentiments--sublime contemplations."--The Ruins, or, Meditation on the Revolutions of Empires and the Law of Nature (1791) by Volney |
Related e |
Featured: |
Ruins is a term used to describe the remains of man-made architecture: structures that were at one time complete but which have either been deliberately destroyed or fallen into a state of disrepair over time due to the action of weathering and lack of maintenance.
There are famous ruins all over the world, from ancient sites in Judea to ancient Greek and Roman sites in the Mediterranean Sea, and Incan sites in Peru. Ruins can be fortifications, places of worship, or remnants of houses, storehouses, or other buildings, or even entire cities and towns. Ruins are important for the studying of the past, in particular history and archaeology. There are also substantial ruins in modern cities such as Rome and Athens.
Ruins often occur as a result of natural disaster, war or other forms of depopulation. European cities were in ruins after World War II, especially Berlin, London, Coventry and Dresden.
Contents |
Aesthetics
In the Middle Ages Roman ruins were inconvenient impediments to modern life, quarries for pre-shaped blocks for building projects, or of marble to be burnt for agricultural lime, and subjects for satisfying commentaries on the triumph of Christianity and the general sense of the world's decay, in what was assumed to be its last age, before the Second Coming. With the Renaissance, ruins took on new roles among a cultural elite, as examples for a consciously revived and purified architecture all' antica, and for a new aesthetic appreciation of their innate beauty as objects of venerable decay. The chance discovery of Nero's Domus Aurea at the turn of the sixteenth century, and the early excavations at Herculaneum and Pompeii had marked effects on current architectural styles, in Raphael's Rooms at the Vatican and in neoclassical interiors, respectively. The new sense of historicism that accompanied neoclassicism led some artists and designers to conceive of the modern classicising monuments of their own day as they would one day appear as ruins.
Ruin value
Ruin value is the concept that a building be designed such that if it eventually collapsed, it would leave behind aesthetically pleasing ruins that would last far longer without any maintenance at all. Ruinenwert was popularized in the 20th century by Albert Speer while planning for the 1936 Summer Olympics and published as Die Ruinenwerttheorie ("The Theory of Ruin Value").
In art
Ruins remain a popular subject for painting and creative photography and are often romanticized in film and literature, providing scenic backdrops or used as metaphors for other forms of decline or decay.
Painting
The ruins of Dunstanburgh Castle in England inspired Turner to create several paintings. Joseph Michael Gandy completed for Sir John Soane in 1832 an atmospheric watercolor of the architect's vast Bank of England rotunda as a picturesquely overgrown ruin[JM Gandy's aerial view of Sir John Soane's Bank of England in ruins. 1830. [1], that is an icon of Romanticism.
- Ancient Rome by Pannini
- A capriccio of classical ruins with figures [2] by Leonardo Coccorante (1680–1750)
- Classical Ruins (Hubert Robert)[3] (1798) is a painting by French artist Hubert Robert, in the Montreal Museum of Fine Arts.
- see also
- Hubert_Robert#Robert_and_picturesque_gardens
- Classical
- Italianate landscape
- Picturesque
- Imaginary landscape
- Capriccio (art)
- Neoclassical landscape painting
Film and video games
In 1989 the ruined Dunnottar Castle in Scotland was used for filming of Hamlet. The Civilization series of turn-based strategy computer games features ruins as special tiles which may provide the player with a bonus when explored.
Follies and fake ruins
Ruins are frequently present in architectural follies. The canonical examples pretend to be the remains of an old building but were in fact constructed in that state. Many of the great estates of the late 16th century and early 17th century had ruins of monastic houses (in England) and Roman villas (in Italy). See Ruinenberg at Sanssouci. A contemporary example is Piazza d'Italia, which has been called the first "postmodern ruin".
Relics of steel and wooden towers
As a rule, towers built of steel are dismantled, when not used any more, because their construction can be either rebuilt on a new site or if state of construction does not allow a direct reuse, the metal can be recycled economically. However sometimes tower basements remain, because their removal can sometimes be expensive. One example of such a basement is the basement of the former radio mast of Deutschlandsender Herzberg/Elster.
The basements of large wooden towers such as transmitter Ismaning may also be left behind, because removing them would be difficult.
Examples
See also
- Capriccio (art)
- List of vedutisti
- "Ozymandias"
- Folly (architecture)
- Dissolution of the monasteries
- Modern ruins
- Shipwreck