Sly Dunbar  

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-'''Lowell "Sly" Fillmore Dunbar''' was born on [[10 May]] [[1952]], in [[Kingston, Jamaica]].+'''Lowell "Sly" Fillmore Dunbar''' (born 10 May 1952, [[Kingston, Jamaica|Kingston]], Jamaica) is a drummer, best known as one half of the prolific [[Music of Jamaica|Jamaican]] [[rhythm section]] and reggae production duo [[Sly and Robbie]].
-Working together with [[Robbie Shakespeare]], [[Sly and Robbie]] are considered one of the world's premier rhythm sections for their work in & out of [[reggae]]. They are considered originators of the “Rockers” rhythm. Dunbar & Shakespeare formed their Taxi label in 1980. It has seen releases from many international successful artists, including [[Black Uhuru]], [[Chaka Demus]] & [[Pliers]], [[Ini Kamoze]], [[Beenie Man]] and [[Red Dragon (band)|Red Dragon]].+==Biography==
 +Dunbar began playing at 15 in a band called The Yardbrooms. His first appearance on a [[sound recording and reproduction|recording]] was on the [[Dave and Ansell Collins]] album ''Double Barrel''. Dunbar joined a band Ansell Collins called Skin, Flesh and Bones.
-He has played for [[The Aggrovators]] for [[Bunny Lee]]; [[The Upsetters]] for [[Lee Perry]], [[The Revolutionaries]] for [[Joseph Hoo Kim]]... Recorded for [[Barry O'Hare]] in the [[1990s]].+Speaking on his influences, Sly explains “My mentor was the drummer for [[The Skatalites]], [[Lloyd Knibb]]. And I used to listen a lot to the drummer for [[Booker T. & the M.G.'s]], [[Al Jackson Jr.]], and a lot of Philadelphia. And there are other drummers in Jamaica, like Santa and Carly from [[The Wailers Band]], Winston Bennett, [[Paul Douglas (musician)|Paul Douglas]], Mikey Boo. I respect all these drummers and have learnt a lot from them. From them, I listened and created my own style. They played some things I copied, other things I recreated.
-As a member of [[Word, Sound & Power]] he backed [[Peter Tosh]] on the album ''Mystic Man''. +In 1972, Dunbar met and became friends with [[Robbie Shakespeare]], who was then bass guitarist for [[the Hippy Boys]]. Shakespeare recommended Dunbar to [[Bunny Lee]] as a possible session drummer for [[the Aggrovators]]. Dunbar and Shakespeare decided to continue performing together. They worked with [[Peter Tosh]] and his band until 1981, recording five albums.
-Sly and Robbie also played on [[Bob Dylan]]'s albums ''Infidels'' and ''Empire Burlesque'' (using recordings from ''Infidels'' sessions). [{{GFDL}}+Dunbar noted about [[the Mighty Diamonds]]' song "Right Time": "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become established." According to ''[[The Independent]]'', the entire album ''[[Right Time]]'' was "revolutionary", the breakthrough album of "masters of groove and propulsion" Dunbar and Shakespeare, with "Sly's radical drumming matching the singers' insurrectionary lyrics blow-for-blow."
 + 
 +Dunbar and Shakespeare formed their [[Taxi Records]] [[record label|label]] in 1980. It has seen releases from many international successful artists, including [[Black Uhuru]], [[Chaka Demus and Pliers]], [[Ini Kamoze]], [[Beenie Man]] and [[Red Dragon (musician)|Red Dragon]].
 + 
 +Dunbar played for [[the Aggrovators]] for Bunny Lee, [[the Upsetters]] for [[Lee "Scratch" Perry|Lee Perry]], [[the Revolutionaries]] for [[Joseph Hoo Kim]], and [[sound recording and reproduction|recorded]] for [[Barry O'Hare]] in the 1990s.
 + 
 +Dunbar plays drums on several noteworthy tracks produced by [[Lee "Scratch" Perry|Lee Perry]] including "Night Doctor", [[Junior Murvin]]'s "Police and Thieves", and [[Bob Marley]]'s "[[Punky Reggae Party]]" 12" track (although the track was produced by Perry, Dunbar's drum track was actually recorded at [[Joe Gibbs (producer)|Joe Gibbs]] Duhaney Park studio).
 + 
 +Sly and Robbie also played on [[Bob Dylan]]'s albums ''[[Infidels (Bob Dylan album)|Infidels]]'' and ''[[Empire Burlesque]]'' (using [[sound recording and reproduction|recordings]] from the ''Infidels'' [[music session|sessions]]). Other [[session musician|sessions]] include their appearance on three [[Grace Jones]] albums, and work with [[Herbie Hancock]], [[Joe Cocker]], [[Serge Gainsbourg]] and [[the Rolling Stones]].
 + 
 +In 2008, Sly Dunbar collaborated with [[Larry McDonald (musician)|Larry McDonald]], the Jamaican percussionist, on his debut album ''Drumquestra''.
 + 
 +Dunbar appeared in the 2011 documentary “Reggae Got Soul: The Story of [[Toots and the Maytals]]” which was featured on [[BBC]] and described as “The untold story of one of the most influential artists ever to come out of Jamaica”.
 + 
 +In 1979, [[Brian Eno]] remarked of Sly Dunbar: " (...) So when you buy a reggae record, there's a 90 percent chance the drummer is Sly Dunbar. You get the impression that Sly Dunbar is chained to a studio seat somewhere in Jamaica, but in fact what happens is that his drum tracks are so interesting, they get used again and again."
 + 
 + 
 +{{GFDL}}

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Lowell "Sly" Fillmore Dunbar (born 10 May 1952, Kingston, Jamaica) is a drummer, best known as one half of the prolific Jamaican rhythm section and reggae production duo Sly and Robbie.

Biography

Dunbar began playing at 15 in a band called The Yardbrooms. His first appearance on a recording was on the Dave and Ansell Collins album Double Barrel. Dunbar joined a band Ansell Collins called Skin, Flesh and Bones.

Speaking on his influences, Sly explains “My mentor was the drummer for The Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummers in Jamaica, like Santa and Carly from The Wailers Band, Winston Bennett, Paul Douglas, Mikey Boo. I respect all these drummers and have learnt a lot from them. From them, I listened and created my own style. They played some things I copied, other things I recreated.

In 1972, Dunbar met and became friends with Robbie Shakespeare, who was then bass guitarist for the Hippy Boys. Shakespeare recommended Dunbar to Bunny Lee as a possible session drummer for the Aggrovators. Dunbar and Shakespeare decided to continue performing together. They worked with Peter Tosh and his band until 1981, recording five albums.

Dunbar noted about the Mighty Diamonds' song "Right Time": "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become established." According to The Independent, the entire album Right Time was "revolutionary", the breakthrough album of "masters of groove and propulsion" Dunbar and Shakespeare, with "Sly's radical drumming matching the singers' insurrectionary lyrics blow-for-blow."

Dunbar and Shakespeare formed their Taxi Records label in 1980. It has seen releases from many international successful artists, including Black Uhuru, Chaka Demus and Pliers, Ini Kamoze, Beenie Man and Red Dragon.

Dunbar played for the Aggrovators for Bunny Lee, the Upsetters for Lee Perry, the Revolutionaries for Joseph Hoo Kim, and recorded for Barry O'Hare in the 1990s.

Dunbar plays drums on several noteworthy tracks produced by Lee Perry including "Night Doctor", Junior Murvin's "Police and Thieves", and Bob Marley's "Punky Reggae Party" 12" track (although the track was produced by Perry, Dunbar's drum track was actually recorded at Joe Gibbs Duhaney Park studio).

Sly and Robbie also played on Bob Dylan's albums Infidels and Empire Burlesque (using recordings from the Infidels sessions). Other sessions include their appearance on three Grace Jones albums, and work with Herbie Hancock, Joe Cocker, Serge Gainsbourg and the Rolling Stones.

In 2008, Sly Dunbar collaborated with Larry McDonald, the Jamaican percussionist, on his debut album Drumquestra.

Dunbar appeared in the 2011 documentary “Reggae Got Soul: The Story of Toots and the Maytals” which was featured on BBC and described as “The untold story of one of the most influential artists ever to come out of Jamaica”.

In 1979, Brian Eno remarked of Sly Dunbar: " (...) So when you buy a reggae record, there's a 90 percent chance the drummer is Sly Dunbar. You get the impression that Sly Dunbar is chained to a studio seat somewhere in Jamaica, but in fact what happens is that his drum tracks are so interesting, they get used again and again."





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