Sortes Homericae  

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"For frequently by a Homeric lottery have many hit upon their destinies; as is testified in the person of Socrates, who, whilst he was in prison, hearing the recitation of this verse of Homer, said of Achilles in the Ninth of the Iliads—

Emati ke tritato Phthien eribolon ikoimen,
We, the third day, to fertile Pthia came—

thereby foresaw that on the third subsequent day he was to die. Of the truth whereof he assured Aeschines; as Plato, in Critone, Cicero, in Primo, de Divinatione, Diogenes Laertius, and others, have to the full recorded in their works."

--Gargantua and Pantagruel

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The Sortes Homericae (Latin for "Homeric lots"), a type of divination by bibliomancy, involved drawing a random sentence or line from the works of Homer (usually the Iliad) to answer a question or to predict the future. In the Roman world it co-existed with the various forms of the sortes, such as the Sortes Virgilianae and their Christian successor the Sortes Sanctorum.

Socrates reportedly used this practice to determine the day of his execution. Brutus also is reported to have used this practice, which informed him Pompey would lose the battle of Pharsalus (48 BCE). The emperor Marcus Opellius Macrinus (Template:Reign) is also known to have used sortes Homericae, learning that he would not last long on the imperial throne. However, unlike the Sortes Virgilianae, sortes Homericae did not have an established status as a concept and practice. There are only three known uses of this, separated by centuries and of doubtful authenticity, and of those, two don't involve opening the Iliad at random and randomly choosing a passage, as is established in bibliomancy, and in Sortes Virgilianae specifically. Rather, they involve the person dreaming or thinking about the passage, as occurred with Socrates and Brutus respectively.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Sortes Homericae" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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