The Crime of Padre Amaro (2002 film)
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Featured: |
The Crime of Padre Amaro is a 2002 Mexican-Spanish drama film directed by Carlos Carrera. It is very loosely based on the novel O Crime do Padre Amaro (1875) by 19th-century Portuguese writer José Maria de Eça de Queiroz. The film starred Gael García Bernal, Ana Claudia Talancón and Sancho Gracia. It premiered on 16 August 2002 in Mexico City.
Plot
Recently ordained a priest, 24-year-old Father Amaro (Gael García Bernal) arrives in Los Reyes, a small town in the fictional state of Aldama, to start his life serving the church. He is a protégé of a ruthless political bishop, while the local priest, Father Benito (Sancho Gracia), is having a long ongoing affair with a local restaurant owner. Benito is building a large hospital and recuperation center, which is partially funded by a cartel's drug lord. Meanwhile, another priest in the area, Father Natalio (Damián Alcázar), the only clergyman portrayed positively in the film, is under investigation for supporting left-wing insurgents in his secluded rural church area.
Amélia (Ana Claudia Talancón), a local 16-year-old girl, teaches catechism to the young children in the town, and is the daughter of Benito's mistress. At the start of the story, she is contemplating marriage to Rubén (Andrés Montiel), a young journalist beginning his career, but tension is depicted as Rubén is a non-believer and Amélia is strongly Catholic. Rubén's father is an avowed anti-clerical atheist who is unpopular within the town for his strong opinions.
Amaro soon becomes infatuated with Amélia, who is strongly attracted to him and asks awkward questions about love and sin in the confessional, admitting that she masturbates to Jesus. She later touches his hand while serving him at the restaurant. The newspaper is tipped off about Benito baptising the drug lord's newborn child, and Rubén is asked to write about the scandals in his hometown. With the aid of mountains of evidence compiled by his father, he publishes a story about Benito's hospital being a front for money laundering. The church has Amaro write a denial and Rubén is then sacked by the newspaper under pressure from the Catholic lobby. Amélia then phones Rubén and dumps him, berating him with a string of obscenities. Rubén's family home is vandalized by devout Catholics and when he returns home, he assaults Amaro when he sees him in the street. Amaro decides not to press charges, and Rubén avoids jail time.
The film delves into the struggle priests have between desire and obedience. Amaro is plagued with guilt about his feelings for Amélia. When the local press begins to reveal the secrets of the parish, Amaro turns to his superior, Benito.
Amaro and Amélia start an affair, and Amaro cites verses from the Song of Songs as he seduces her. Later he drapes a robe meant for the statue of Virgin Mary over Amélia during a secret meeting. After Amélia becomes pregnant with Amaro's child, he tries to convince her to leave town to protect him. Later, she decides to try to trick the town by trying to pass off Rubén as the father. She tries to reunite with him and organize a wedding at short notice so that the baby can be attributed to him, but he tells her he is no longer interested.
When Benito threatens to report Amaro, Amaro threatens to retaliate over Benito's affair. During an ensuing scuffle, Benito is injured by a fall and is subsequently hospitalized. Eventually, Amaro arranges for a backstreet abortion in the middle of the night. It goes wrong, and Amélia begins to bleed out. Amaro drives her to the hospital in a large city, but she dies before they get there. Amaro weeps.
The lurid details of the case are suppressed, but Benito and a cynical old woman know what has happened. A false story is passed around the town, blaming Rubén for impregnating Amélia before marriage, and praising Amaro for breaking into the abortion clinic and liberating Amélia in a failed attempt to save her and her child. Amaro presides over Amélia's funeral, packed with mourners. Benito, now using a wheelchair, turns and rolls away in disgust.
Cast
- Gael García Bernal – Padre Amaro
- Ana Claudia Talancón – Amélia
- Sancho Gracia – Padre Benito
- Template:Ill – Dionisia
- Andrés Montiel – Rubén
- Damián Alcázar – Padre Natalio
- Ernesto Gómez Cruz – Bishop
- Gastón Melo – Martin
- Angélica Aragón – Augustina Sanjuanera
