The Romantic Rebellion
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
Revision as of 19:23, 4 May 2022 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 19:25, 4 May 2022 Jahsonic (Talk | contribs) Next diff → |
||
Line 16: | Line 16: | ||
*[[Romanticism versus Classicism]] | *[[Romanticism versus Classicism]] | ||
*[[History of aesthetics before the 20th century]] | *[[History of aesthetics before the 20th century]] | ||
+ | ==Full text[https://archive.org/stream/TheRomanticRebellion/TheRomanticRebellion_djvu.txt]== | ||
{{GFDL}} | {{GFDL}} |
Revision as of 19:25, 4 May 2022
"The fact remains that almost every element in what I may call the 'iconography of romanticism' was used by Goya – witches, tortures, shipwrecks, assassinations – the whole works; but used, of course, with incomparably greater..."--The Romantic Rebellion (1973) by Kenneth Clark |
Related e |
Featured: |
The Romantic Rebellion (1973) is a book by Kenneth Clark on Romanticism in the arts.
In the book, Clark refers to the Parnassus fresco of Mengs as "insipid . . . fundamentally frivolous. It does not reflect life, but some vapid dream of connoisseurs and collectors."
The protagonists of the story are David, Piranesi, Fuseli, Goya, Ingres, Blake, Géricault, Delacroix, Turner, Constable, Millet, Degas and Rodin.
See also
- Thoughts on the Imitation of Greek Works in Painting and Sculpture (1755) by Winckelmann
- A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) by Burke
- Romanticism in painting
- Romanticism versus Classicism
- History of aesthetics before the 20th century
Full text[1]
Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Romantic Rebellion" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.