Triptych
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| + | [[Image:Hell.jpg|thumb|right|200px|"[[Hell]]" detail from [[Hieronymus Bosch]]'s ''[[The Garden of Earthly Delights]]'' (c. 1490-1510)]] | ||
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| A '''triptych''' (pronounced ''"trip-tick,"'' from the [[Greek language|Greek]] ''tri-'' "three" + ''ptychē'' "fold") is a work of [[art]] (usually a [[panel painting]]) which is divided into three sections, or three [[Wood carving|carved]] panels which are hinged together. The central panel is the most important one, and this is flanked on either side by two lesser but related paintings. The whole is intended to be greater than the sum of the parts. | A '''triptych''' (pronounced ''"trip-tick,"'' from the [[Greek language|Greek]] ''tri-'' "three" + ''ptychē'' "fold") is a work of [[art]] (usually a [[panel painting]]) which is divided into three sections, or three [[Wood carving|carved]] panels which are hinged together. The central panel is the most important one, and this is flanked on either side by two lesser but related paintings. The whole is intended to be greater than the sum of the parts. | ||
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| While the root of the word is the ancient Greek "triptychos", the word arose into the [[medieval period]] from the name for an [[Ancient Rome|Ancient Roman]] writing tablet, which had two hinged panels flanking a central one. The form can also be used for [[pendant]] jewelry. | While the root of the word is the ancient Greek "triptychos", the word arose into the [[medieval period]] from the name for an [[Ancient Rome|Ancient Roman]] writing tablet, which had two hinged panels flanking a central one. The form can also be used for [[pendant]] jewelry. | ||
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| + | ==In art== | ||
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| + | The triptych form arises from early Christian art, and was a popular standard format for altar paintings from the [[Middle Ages]] onwards. Its geographical range was from the eastern [[Byzantine]] churches to the English Celtic churches in the west. [[Renaissance]] [[Painting|painter]]s and [[sculpture|sculptors]] such as [[Hans Memling]] and [[Hieronymus Bosch]] used the form. Triptych forms also allow ease of transport. | ||
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| + | From the [[gothic architecture|Gothic]] period onward, both in Europe and elsewhere, [[altarpiece]]s in [[Church (building)|churches]] and [[cathedral]]s were often in triptych form. One such cathedral with an altarpiece triptych is [[Llandaff Cathedral]]. The [[Cathedral of Our Lady (Antwerp)|Cathedral of Our Lady]] in [[Antwerp (city)|Antwerp]], Belgium, contains two examples by [[Peter Paul Rubens|Rubens]], and [[Notre Dame de Paris]] is another example of the use of triptych in architecture. One can also see the form echoed by the structure of many ecclesiastical [[stained glass window]]s. Although most famous as an altarpiece form, triptyches outside that context have been created, most prominently by [[Hieronymus Bosch]], [[Max Beckmann]], and [[Francis Bacon]]. | ||
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| + | == Examples == | ||
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| + | * [[Annunciation#Gallery of Annunciation in art|The Annunciation and Two Saints]] - [[Simone Martini]] | ||
| + | * The [[Merode Altarpiece]] - [[Robert Campin]] | ||
| + | * [[The Garden of Earthly Delights]] and [[The Haywain Triptych]] - [[Hieronymus Bosch]] | ||
| + | * The [[Portinari Altarpiece]] - [[Hugo Van Der Goes]] | ||
| + | * [[The Elevation of the Cross (Rubens)|The Raising of the Cross]] - [[Peter Paul Rubens]] | ||
| + | * Departure - [[Max Beckmann]] | ||
| + | * [[Three Studies for Figures at the Base of a Crucifixion]] - [[Francis Bacon (artist)|Francis Bacon]] | ||
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| + | ==See also== | ||
| + | * [[Diptych]] | ||
| + | * [[Triptychs of Francis Bacon]] | ||
| + | * [[Polyvision]] simultaneously projects three reels of film arrayed in a horizontal row and was developed and used by [[Abel Gance]] in the final [[reel]] of his 1927 film [[Napoléon (1927 film)|Napoléon]] | ||
| + | *[[Tradition of Netherlandish triptych painting]] | ||
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A triptych (pronounced "trip-tick," from the Greek tri- "three" + ptychē "fold") is a work of art (usually a panel painting) which is divided into three sections, or three carved panels which are hinged together. The central panel is the most important one, and this is flanked on either side by two lesser but related paintings. The whole is intended to be greater than the sum of the parts.
The triptych form arises from early Christian art, and was the standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches throughout to the English Celtic church in the west. Renaissance painters and sculptors such as Hans Memling and Hieronymus Bosch used the form.
Altarpieces in churches and cathedrals, both in Europe and elsewhere, since the Gothic period were often in triptych-form. One such cathedral with an altarpiece triptych is Llandaff Cathedral. The Cathedral of Our Lady in Antwerp, Belgium contains two examples by Rubens and Notre Dame de Paris is an example of the use of triptych in architecture. One can also see the form echoed by the structure of many ecclesiastical stained glass windows. The triptych form has since influenced contemporary painters and art photographers.
While the root of the word is the ancient Greek "triptychos", the word arose into the medieval period from the name for an Ancient Roman writing tablet, which had two hinged panels flanking a central one. The form can also be used for pendant jewelry.
In art
The triptych form arises from early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the English Celtic churches in the west. Renaissance painters and sculptors such as Hans Memling and Hieronymus Bosch used the form. Triptych forms also allow ease of transport.
From the Gothic period onward, both in Europe and elsewhere, altarpieces in churches and cathedrals were often in triptych form. One such cathedral with an altarpiece triptych is Llandaff Cathedral. The Cathedral of Our Lady in Antwerp, Belgium, contains two examples by Rubens, and Notre Dame de Paris is another example of the use of triptych in architecture. One can also see the form echoed by the structure of many ecclesiastical stained glass windows. Although most famous as an altarpiece form, triptyches outside that context have been created, most prominently by Hieronymus Bosch, Max Beckmann, and Francis Bacon.
Examples
- The Annunciation and Two Saints - Simone Martini
- The Merode Altarpiece - Robert Campin
- The Garden of Earthly Delights and The Haywain Triptych - Hieronymus Bosch
- The Portinari Altarpiece - Hugo Van Der Goes
- The Raising of the Cross - Peter Paul Rubens
- Departure - Max Beckmann
- Three Studies for Figures at the Base of a Crucifixion - Francis Bacon
See also
- Diptych
- Triptychs of Francis Bacon
- Polyvision simultaneously projects three reels of film arrayed in a horizontal row and was developed and used by Abel Gance in the final reel of his 1927 film Napoléon
- Tradition of Netherlandish triptych painting
