Urination  

"The sexually symbolic nature of the act of urination for many people is indicated by the existence, according to Bloch, who enumerates various kinds of indecent photographs, of a group which he terms "the notorious pisseuses." It is further indicated by several of the reproductions in Fuchs's Erotische Element in der Karikatur, such as Delorme's "La Necessitê n'a point de Loi." (It should be added that such a scene by no means necessarily possesses any erotic symbolism, as we may see in Rembrandt's etching commonly called "La Femme qui Pisse," in which the reflected lights on the partly shadowed stream furnish an artistic motive which is obviously free from any trace of obscenity.) In the case which Krafft-Ebing quotes from Maschka of a young man who would induce young girls to dance naked in his room, to leap, and to urinate in his presence, whereupon seminal ejaculation would take place, we have a typical example of urolagnic symbolism in a form adequate to produce complete gratification. A case in which the urolagnic form of scatalogic symbolism reached its fullest development as a sexual perversion has been described in Russia by Sukhanoff (summarized in Archives d'Anthropologie Criminelle, November, 1900, and Annales Medico-psychologiques, February, 1901), that of a young man of 27, of neuropathic temperament, who when he once chanced to witness a woman urinating experienced voluptuous sensations. From that moment he sought close contact with women urinating, the maximum of gratification being reached when he could place himself in such a position that a woman, in all innocence, would urinate into his mouth. All his amorous adventures were concerned with the search for opportunities for procuring this difficult gratification. Closets in which he was able to hide, winter weather and dull days he found most favorable to success. (A somewhat similar case is recorded in the Archives de Neurologie, 1902, p. 462.)"--Studies in the Psychology of Sex, Volume 5 (1906) by Havelock Ellis