Jean-Pierre Oudart
From The Art and Popular Culture Encyclopedia
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"Like their peers in literary and art theory, the Cahiers editors began to write texts pitched at a new level of elliptical abstraction. (Positif's most virulent polemicist, Robert Benayoun, dubbed the converted Cahiers crew "les enfants du paradigme.) Some of this work, such as Jean-Pierre Oudart's essays, has enjoyed continuing influence, and one theoretical manifesto, Comolli and Narboni's "Cinema/Ideology/ Criticism" of 1969, has become a canonized work."--Making Meaning (1989) by David Bordwell |
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Jean-Pierre Oudart is a French film critic best known for his essay "Cinema and Suture".
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