1840s  

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[[Image:Cover of Sweeney Todd, published by Charles Fox in 48 numbers.jpg|thumb|left|200px|''[[Sweeney Todd]]'' ([[1846]]) is a [[Fictional portrayals of psychopaths in literature|fictional psychopath]]/[[cannibalism in fiction|cannibal]]/[[pulp fiction]] [[anti-hero]].]] [[Image:Cover of Sweeney Todd, published by Charles Fox in 48 numbers.jpg|thumb|left|200px|''[[Sweeney Todd]]'' ([[1846]]) is a [[Fictional portrayals of psychopaths in literature|fictional psychopath]]/[[cannibalism in fiction|cannibal]]/[[pulp fiction]] [[anti-hero]].]]
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 +"The first time that we met [[Charles Baudelaire|Baudelaire]] was towards the middle of the year 1849, at the [[Hôtel de Lauzun|Hotel Pimodan]], where we occupied, near [[Joseph Fernand Boissard de Boisdenier |Fernand Boissard]], a strange [[apartment]] which communicated with his by a private staircase hidden in the thickness of the wall, and which was haunted by the spirits of beautiful women loved long since by Lauzun."--[[Théophile Gautier's preface to the third edition of Les Fleurs du mal|Théophile Gautier's preface to ''Les Fleurs du mal'']]
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[[Image:Napoléon Bonaparte abdicated in Fontainebleau.jpg|thumb|right|200px|[[Napoléon Bonaparte abdicated in Fontainebleau]] (1845) by [[Paul Delaroche]]]] [[Image:Napoléon Bonaparte abdicated in Fontainebleau.jpg|thumb|right|200px|[[Napoléon Bonaparte abdicated in Fontainebleau]] (1845) by [[Paul Delaroche]]]]
[[Image:Venus at the Opera by Grandville.jpg|thumb|200px|''[[Venus at the Opera]]'' (1844) by [[Jean Ignace Isidore Gérard Grandville|Grandville]] (French, 1803 – 1847)]] [[Image:Venus at the Opera by Grandville.jpg|thumb|200px|''[[Venus at the Opera]]'' (1844) by [[Jean Ignace Isidore Gérard Grandville|Grandville]] (French, 1803 – 1847)]]
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[[Image:Akropolis by Leo von Klenze.jpg|thumb|right|200px|''[[The Acropolis of Athens]]'' (1846) is a painting by [[Leo von Klenze]] of the [[Acropolis of Athens]]. It is an [[Idealization|idealized]] [[reconstruction]] of the Acropolis and [[Areopagus]] in Athens.]] [[Image:Akropolis by Leo von Klenze.jpg|thumb|right|200px|''[[The Acropolis of Athens]]'' (1846) is a painting by [[Leo von Klenze]] of the [[Acropolis of Athens]]. It is an [[Idealization|idealized]] [[reconstruction]] of the Acropolis and [[Areopagus]] in Athens.]]
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 +! style="text-align:right; width:310px;"|<< [[1830s]]
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 +! style="text-align:left; width:310px;"|[[1850s]] >>
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The '''1840s''' decade is the 4th decade of the [[19th century]]. It comprises the years [[1840]], [[1841]], [[1842]], [[1843]], [[1844]], [[1845]], [[1846]], [[1847]], [[1848]] and [[1849]]. The '''1840s''' decade is the 4th decade of the [[19th century]]. It comprises the years [[1840]], [[1841]], [[1842]], [[1843]], [[1844]], [[1845]], [[1846]], [[1847]], [[1848]] and [[1849]].
===Technology=== ===Technology===

Current revision

"The first time that we met Baudelaire was towards the middle of the year 1849, at the Hotel Pimodan, where we occupied, near Fernand Boissard, a strange apartment which communicated with his by a private staircase hidden in the thickness of the wall, and which was haunted by the spirits of beautiful women loved long since by Lauzun."--Théophile Gautier's preface to Les Fleurs du mal

Venus at the Opera (1844) by Grandville (French, 1803 – 1847)
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Venus at the Opera (1844) by Grandville (French, 1803 – 1847)
The Acropolis of Athens (1846) is a painting by Leo von Klenze of the Acropolis of Athens. It is an idealized reconstruction of the Acropolis and Areopagus in Athens.
Enlarge
The Acropolis of Athens (1846) is a painting by Leo von Klenze of the Acropolis of Athens. It is an idealized reconstruction of the Acropolis and Areopagus in Athens.

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The 1840s decade is the 4th decade of the 19th century. It comprises the years 1840, 1841, 1842, 1843, 1844, 1845, 1846, 1847, 1848 and 1849.

Contents

Technology

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Births

Odilon Redon - Richard von Krafft-Ebing - Claude Monet - Émile Zola - Henry James - Anthony Comstock - Friedrich Nietzsche - Thomas Eakins - Henri Rousseau - Comte de Lautréamont - Thomas Edison - Octave Mirbeau - Joris Karl Huysmans

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