Beau Brummell  

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 +"Some two thousand years later [[Beau Brummell |Brummell]] in an age when extravagance and effeminacy often marked the fashions of men, introduced a new ideal of unobtrusive simplicity, extreme cleanliness (with avoidance of perfumes), and exquisite good taste; he abhorred all eccentricity, and may be said to have constituted a tradition which Englishmen have ever since sought, more or less successfully to follow; he was idolized by women."--''[[Studies in the Psychology of Sex, Volume 4]]'' (1905) Havelock Ellis
 +<hr>
 +"This celebrated leader of fashion in the times of the Regency--[[Beau Brummell|George Bryan Brummel]]--was born June 7, 1778. His grandfather was a pastrycook in Bury Street, St. James's, who, by letting off a large portion of his house, became a moneyed man. While Brummel's father was yet a boy, Mr. Jenkinson came to lodge there, and this led to the lad being employed in a Government office, when his lodger and patron had attained to eminence; he was subsequently private secretary to Lord Liverpool, and at his death, left the Beau little less than 30,000_l._ Brummel was sent to Eton, and thence to Oxford, and at sixteen he was gazetted to a cornetcy in the 10th Hussars, at that time commanded by the Prince of Wales, to whom he had been presented on the Terrace at Windsor, when the Beau was a boy at Eton. He became an associate of the Prince, then two-and-thirty, but who, according to Mr. Thomas Raikes, disdained not to take lessons in dress from Brummel at his lodgings. Thither would the future King of nations wend his way, where, absorbed in the mysteries of the toilet, he would remain till so late an hour that he sometimes sent his horses away, and insisted on Brummel giving him a quiet dinner, which generally ended in a deep potation."--''[[English Eccentrics and Eccentricities]]'' (1866) by John Timbs
 +|}
{{Template}} {{Template}}
-'''George Bryan "Beau" Brummell''' (7 June 1778 – 30 March 1840) was an [[iconic]] figure in [[Regency England]], the arbiter of [[men's fashion]], and a friend of the Prince Regent, the future [[George IV of the United Kingdom|King George IV]]. He established the mode of dress for men that rejected overly ornate fashions for one of understated, but perfectly fitted and tailored [[bespoke]] garments. This look was based on dark coats, full-length trousers rather than knee breeches and stockings, and above all immaculate shirt linen and an elaborately knotted [[cravat]].+'''Beau Brummell''' (1778 – 1840) was an [[important figure]] in [[Regency era|Regency England]] and, for many years, the arbiter of [[men's fashion]]. At one time, he was a close friend of the Prince Regent, the future [[George IV of the United Kingdom|King George IV]], but after the two quarrelled and Brummell got into debt, he had to take refuge in France. Eventually, he died shabby and insane in [[Caen]].
-Beau Brummell is credited with introducing, and establishing as fashion, the modern men's suit, worn with a necktie. He claimed he took five hours a day to dress, and recommended that boots be polished with champagne. His style of dress is often referred to as [[dandyism]].+Brummell was remembered afterwards as the preeminent example of the [[dandy]], and a whole literature was founded upon his manner and witty sayings, which have persisted until today. His name is still associated with style and good looks and has been given to a variety of modern products to suggest their high quality.
==Linking in as of 2022== ==Linking in as of 2022==
-[[10th Royal Hussars]], [[1770s]], [[1795–1820 in Western fashion]], [[1800s (decade)]], [[Ambush Bug]], [[An Assembly Such as This]], [[Anthony Eden hat]], [[Art Concret]], [[Arthur Leary]], [[Ascot tie]], [[At Home: A Short History of Private Life]], [[Atkinsons of London]], [[Baccarat]], [[Batfink]], [[Beau (name)]], [[Beau Brummel (1913 film)]], [[Beau Brummel (1924 film)]], [[Beau Brummell (1954 film)]], [[Beau Brummell: This Charming Man]], [[Berry Bros. & Rudd]], [[Birmingham City F.C.]], [[Black Ajax]], [[Blades Club]], [[Blue in culture]], [[Blue]], [[Boodle's]], [[British Invasion]], [[Brooks's]], [[Brumel]], [[Brummel]], [[Brummell (opera)]], [[Brummell]], [[Brummell, George Bryan (redirect page)]], [[Burlington Estate]], [[Bury Street]], [[Catsmeat Potter-Pirbright]], [[Charles Smith (artist)]], [[Chesterfield Street]], [[Christopher Gibbs]], [[Clarence Chesterfield Howerton]], [[Clyde Fitch]], [[Collage]], [[Cork Street]], [[Court shoe]], [[Cultural appropriation]], [[Cultural depictions of George IV of the United Kingdom]], [[Culture of England]], [[Culture of the United Kingdom]], [[Cynthia Harrod-Eagles]], [[Dandy]], [[Donnington Grove]], [[Donnington, Berkshire]], [[Drummonds Bank]], [[Edward Small]], [[Electus Comfort]], [[Ellen Moers]], [[English Eccentrics (opera)]], [[English Eccentrics and Eccentricities]], [[Eric Parker (illustrator)]], [[Ernest Austin]], [[Eton College]], [[Evander Berry Wall]], [[Fashion icon]], [[Fitzwilliam Darcy, Gentleman]], [[Floris of London]], [[Fop]], [[Frank K. Sturgis]], [[Frankie Yale]], [[Fribourg & Treyer]], [[Fritz Umgelter]], [[George IV]], [[George Lashwood]], [[George Richmond (painter)]], [[Gieves & Hawkes]], [[Gottlieb Treyer]], [[Great Male Renunciation]], [[Hanover Square Rooms]], [[History of suits]], [[Horrible Histories (2009 TV series)]], [[Ian Kelly (actor)]], [[ʻIoane ʻŪkēkē]], [[Irena Sedlecká]], [[James Lock & Co.]], [[James Purefoy]], [[James Watson Webb]], [[Jermyn Street]], [[John Barrymore]], [[John Ferneley]], [[John Glassco]], [[Johnny Broderick]], [[Johnny Jack Nounes]], [[Jose Leyson]], [[Joshua Allen, 6th Viscount Allen]], [[Josiah Cottin]], [[Julian Kestrel]], [[June 7]], [[Kamehameha II]], [[L. S. Alexander Gumby]], [[Lord Robert Manners (British Army officer, born 1781)]], [[Lugo Adobe]], [[March 30]], [[Masculinity]], [[Mayfair]], [[Metrosexual]], [[Mrs. Fitzherbert (film)]], [[Na Lani ʻEhā]], [[Nightmare Abbey]], [[On Dandyism and George Brummell]], [[Over-frock coat]], [[Paul Rogers (actor)]], [[Phillips (auctioneers)]], [[Piccadilly Arcade]], [[Prince Charming (Adam and the Ants song)]], [[Prince Oana]], [[Rees Howell Gronow]], [[Regency architecture]], [[Regency Buck]], [[Regency era]], [[Richard Mansfield]], [[Robert Donat]], [[Robert Pizani]], [[Rodney Stone]], [[Roger Boutet de Monvel]], [[Savile Row tailoring]], [[Scrope Berdmore Davies]], [[Shadbelly]], [[Sir Frederick Fletcher-Vane, 2nd Baronet]], [[Slim-fit pants]], [[Snub]], [[Socialite]], [[Sophistication]], [[Tailcoat]], [[The Abominable Snowman (film)]], [[The Beau Brummels]], [[Thomas G. Lingham]], [[Thomas Raikes (dandy)]], [[Ton (society)]], [[Top hat]], [[Trousers]], [[Tudor Wilkinson]], [[Walter de Curzon Poultney]], [[Watier's]], [[Wellington boot]], [[White tie]], [[White's]], [[William Arden, 2nd Baron Alvanley]], [[William Blezard]], [[William Flintoft]]+[[10th Royal Hussars]], [[1770s]], [[1795–1820 in Western fashion]], [[1800s (decade)]], [[Ambush Bug]], [[An Assembly Such as This]], [[Anthony Eden hat]], [[Art Concret]], [[Arthur Leary]], [[Ascot tie]], [[At Home: A Short History of Private Life]], [[Atkinsons of London]], [[Baccarat]], [[Batfink]], [[Beau (name)]], [[Beau Brummel (1913 film)]], [[Beau Brummel (1924 film)]], [[Beau Brummell (1954 film)]], [[Beau Brummell: This Charming Man]], [[Berry Bros. & Rudd]], [[Birmingham City F.C.]], [[Black Ajax]], [[Blades Club]], [[Blue in culture]], [[Blue]], [[Boodle's]], [[British Invasion]], [[Brooks's]], [[Burlington Estate]], [[Bury Street]], [[Catsmeat Potter-Pirbright]], [[Charles Smith (artist)]], [[Chesterfield Street]], [[Christopher Gibbs]], [[Clarence Chesterfield Howerton]], [[Clyde Fitch]], [[Collage]], [[Cork Street]], [[Court shoe]], [[Cultural appropriation]], [[Cultural depictions of George IV of the United Kingdom]], [[Culture of England]], [[Culture of the United Kingdom]], [[Cynthia Harrod-Eagles]], [[Dandy]], [[Donnington Grove]], [[Donnington, Berkshire]], [[Drummonds Bank]], [[Edward Small]], [[Electus Comfort]], [[Ellen Moers]], [[English Eccentrics (opera)]], [[English Eccentrics and Eccentricities]], [[Eric Parker (illustrator)]], [[Ernest Austin]], [[Eton College]], [[Evander Berry Wall]], [[Fashion icon]], [[Fitzwilliam Darcy, Gentleman]], [[Floris of London]], [[Fop]], [[Frank K. Sturgis]], [[Frankie Yale]], [[Fribourg & Treyer]], [[Fritz Umgelter]], [[George IV]], [[George Lashwood]], [[George Richmond (painter)]], [[Gieves & Hawkes]], [[Gottlieb Treyer]], [[Great Male Renunciation]], [[Hanover Square Rooms]], [[History of suits]], [[Horrible Histories (2009 TV series)]], [[Ian Kelly (actor)]], [[ʻIoane ʻŪkēkē]], [[Irena Sedlecká]], [[James Lock & Co.]], [[James Purefoy]], [[James Watson Webb]], [[Jermyn Street]], [[John Barrymore]], [[John Ferneley]], [[John Glassco]], [[Johnny Broderick]], [[Johnny Jack Nounes]], [[Jose Leyson]], [[Joshua Allen, 6th Viscount Allen]], [[Josiah Cottin]], [[Julian Kestrel]], [[June 7]], [[Kamehameha II]], [[L. S. Alexander Gumby]], [[Lord Robert Manners (British Army officer, born 1781)]], [[Lugo Adobe]], [[March 30]], [[Masculinity]], [[Mayfair]], [[Metrosexual]], [[Mrs. Fitzherbert (film)]], [[Na Lani ʻEhā]], [[Nightmare Abbey]], [[On Dandyism and George Brummell]], [[Over-frock coat]], [[Paul Rogers (actor)]], [[Phillips (auctioneers)]], [[Piccadilly Arcade]], [[Prince Charming (Adam and the Ants song)]], [[Prince Oana]], [[Rees Howell Gronow]], [[Regency architecture]], [[Regency Buck]], [[Regency era]], [[Richard Mansfield]], [[Robert Donat]], [[Robert Pizani]], [[Rodney Stone]], [[Roger Boutet de Monvel]], [[Savile Row tailoring]], [[Scrope Berdmore Davies]], [[Shadbelly]], [[Sir Frederick Fletcher-Vane, 2nd Baronet]], [[Slim-fit pants]], [[Snub]], [[Socialite]], [[Sophistication]], [[Tailcoat]], [[The Abominable Snowman (film)]], [[The Beau Brummels]], [[Thomas G. Lingham]], [[Thomas Raikes (dandy)]], [[Ton (society)]], [[Top hat]], [[Trousers]], [[Tudor Wilkinson]], [[Walter de Curzon Poultney]], [[Watier's]], [[Wellington boot]], [[White tie]], [[White's]], [[William Arden, 2nd Baron Alvanley]], [[William Blezard]], [[William Flintoft]]
{{GFDL}} {{GFDL}}

Current revision

"Some two thousand years later Brummell in an age when extravagance and effeminacy often marked the fashions of men, introduced a new ideal of unobtrusive simplicity, extreme cleanliness (with avoidance of perfumes), and exquisite good taste; he abhorred all eccentricity, and may be said to have constituted a tradition which Englishmen have ever since sought, more or less successfully to follow; he was idolized by women."--Studies in the Psychology of Sex, Volume 4 (1905) Havelock Ellis


"This celebrated leader of fashion in the times of the Regency--George Bryan Brummel--was born June 7, 1778. His grandfather was a pastrycook in Bury Street, St. James's, who, by letting off a large portion of his house, became a moneyed man. While Brummel's father was yet a boy, Mr. Jenkinson came to lodge there, and this led to the lad being employed in a Government office, when his lodger and patron had attained to eminence; he was subsequently private secretary to Lord Liverpool, and at his death, left the Beau little less than 30,000_l._ Brummel was sent to Eton, and thence to Oxford, and at sixteen he was gazetted to a cornetcy in the 10th Hussars, at that time commanded by the Prince of Wales, to whom he had been presented on the Terrace at Windsor, when the Beau was a boy at Eton. He became an associate of the Prince, then two-and-thirty, but who, according to Mr. Thomas Raikes, disdained not to take lessons in dress from Brummel at his lodgings. Thither would the future King of nations wend his way, where, absorbed in the mysteries of the toilet, he would remain till so late an hour that he sometimes sent his horses away, and insisted on Brummel giving him a quiet dinner, which generally ended in a deep potation."--English Eccentrics and Eccentricities (1866) by John Timbs

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Beau Brummell (1778 – 1840) was an important figure in Regency England and, for many years, the arbiter of men's fashion. At one time, he was a close friend of the Prince Regent, the future King George IV, but after the two quarrelled and Brummell got into debt, he had to take refuge in France. Eventually, he died shabby and insane in Caen.

Brummell was remembered afterwards as the preeminent example of the dandy, and a whole literature was founded upon his manner and witty sayings, which have persisted until today. His name is still associated with style and good looks and has been given to a variety of modern products to suggest their high quality.

Linking in as of 2022

10th Royal Hussars, 1770s, 1795–1820 in Western fashion, 1800s (decade), Ambush Bug, An Assembly Such as This, Anthony Eden hat, Art Concret, Arthur Leary, Ascot tie, At Home: A Short History of Private Life, Atkinsons of London, Baccarat, Batfink, Beau (name), Beau Brummel (1913 film), Beau Brummel (1924 film), Beau Brummell (1954 film), Beau Brummell: This Charming Man, Berry Bros. & Rudd, Birmingham City F.C., Black Ajax, Blades Club, Blue in culture, Blue, Boodle's, British Invasion, Brooks's, Burlington Estate, Bury Street, Catsmeat Potter-Pirbright, Charles Smith (artist), Chesterfield Street, Christopher Gibbs, Clarence Chesterfield Howerton, Clyde Fitch, Collage, Cork Street, Court shoe, Cultural appropriation, Cultural depictions of George IV of the United Kingdom, Culture of England, Culture of the United Kingdom, Cynthia Harrod-Eagles, Dandy, Donnington Grove, Donnington, Berkshire, Drummonds Bank, Edward Small, Electus Comfort, Ellen Moers, English Eccentrics (opera), English Eccentrics and Eccentricities, Eric Parker (illustrator), Ernest Austin, Eton College, Evander Berry Wall, Fashion icon, Fitzwilliam Darcy, Gentleman, Floris of London, Fop, Frank K. Sturgis, Frankie Yale, Fribourg & Treyer, Fritz Umgelter, George IV, George Lashwood, George Richmond (painter), Gieves & Hawkes, Gottlieb Treyer, Great Male Renunciation, Hanover Square Rooms, History of suits, Horrible Histories (2009 TV series), Ian Kelly (actor), ʻIoane ʻŪkēkē, Irena Sedlecká, James Lock & Co., James Purefoy, James Watson Webb, Jermyn Street, John Barrymore, John Ferneley, John Glassco, Johnny Broderick, Johnny Jack Nounes, Jose Leyson, Joshua Allen, 6th Viscount Allen, Josiah Cottin, Julian Kestrel, June 7, Kamehameha II, L. S. Alexander Gumby, Lord Robert Manners (British Army officer, born 1781), Lugo Adobe, March 30, Masculinity, Mayfair, Metrosexual, Mrs. Fitzherbert (film), Na Lani ʻEhā, Nightmare Abbey, On Dandyism and George Brummell, Over-frock coat, Paul Rogers (actor), Phillips (auctioneers), Piccadilly Arcade, Prince Charming (Adam and the Ants song), Prince Oana, Rees Howell Gronow, Regency architecture, Regency Buck, Regency era, Richard Mansfield, Robert Donat, Robert Pizani, Rodney Stone, Roger Boutet de Monvel, Savile Row tailoring, Scrope Berdmore Davies, Shadbelly, Sir Frederick Fletcher-Vane, 2nd Baronet, Slim-fit pants, Snub, Socialite, Sophistication, Tailcoat, The Abominable Snowman (film), The Beau Brummels, Thomas G. Lingham, Thomas Raikes (dandy), Ton (society), Top hat, Trousers, Tudor Wilkinson, Walter de Curzon Poultney, Watier's, Wellington boot, White tie, White's, William Arden, 2nd Baron Alvanley, William Blezard, William Flintoft




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