Charles Nodier
From The Art and Popular Culture Encyclopedia
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| + | "J'ose dire, au reste, que s'il y a encore un [[livre curieux]] à faire au monde en [[bibliographie]], c'est la ''[[Bibliographie des Fous]]''; et que s'il y a une bibliothéque piquante, curieuse et instructive à composer, c'est celle de leurs ouvrages."--''[[Mélanges tirés d'une petite bibliothèque]]'' (1829) by Charles Nodier | ||
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| - | '''Charles Nodier''' ([[April 29]], [[1780]] – [[January 27]], [[1844]]), was a [[France|French]] [[author]] who introduced a younger generation of [[Romanticism|Romanticists]] to the ''[[fantastique|conte fantastique]]'', le [[roman frénétique]], [[gothic literature]] and [[vampire]] tales. His most anthologized story is ''[[Smarra|Smarra, or The Demons of the Night]]''. | + | '''Charles Nodier''' (1780 – 1844), was a [[French writer]] who introduced a younger generation of [[Romanticism|Romanticists]] to the ''[[conte fantastique]]'', le [[roman frénétique]], [[gothic literature]] and [[vampire]] tales. His most anthologized story is ''[[Smarra|Smarra, or The Demons of the Night]]''. |
| == Biography == | == Biography == | ||
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| The twenty years at the arsenal were by far the most important and fruitful of Nodier's life. He had the advantage of a settled home in which to collect and study rare books; and he was able to supply a centre and rallying place to a knot of young literary men of greater individual talent than himself--the so-called [[Romanticism|Romanticists]] of 1830--and to colour their tastes and work very decidedly with his own predilections. [[Victor Hugo]], [[Alfred de Musset]] and [[Charles Augustin Sainte-Beuve|Sainte-Beuve]] all acknowledged their obligations to him. He was a passionate admirer of | The twenty years at the arsenal were by far the most important and fruitful of Nodier's life. He had the advantage of a settled home in which to collect and study rare books; and he was able to supply a centre and rallying place to a knot of young literary men of greater individual talent than himself--the so-called [[Romanticism|Romanticists]] of 1830--and to colour their tastes and work very decidedly with his own predilections. [[Victor Hugo]], [[Alfred de Musset]] and [[Charles Augustin Sainte-Beuve|Sainte-Beuve]] all acknowledged their obligations to him. He was a passionate admirer of | ||
| - | His best and most characteristic work, some of which is exquisite in its kind, consists partly of short tales of a more or less fantastic character, partly of nondescript articles, half bibliographic, half narrative, the nearest analogue to which in English is to be found in some of the papers of [[Thomas de Quincey]]. The best examples of the latter are to be found in the volume entitled ''Mélanges tirés d'une petite bibliothèque'', published in 1829 and afterwards continued. Of his tales the best are ''Smarra, ou les démons de la nuit'' (1821); ''Trilby, ou le lutin d'Argail'' (1822); ''Histoire du roi de Bohême et de ses sept châteaux'' (1830); ''La Fée aux miettes'' (1832); ''Inès de las Sierras'' (1838); ''Les quatre talismans et la légende de soeur Béatrix'' (1838), together with some fairy stories published in the year of his death, and ''Franciscus Columna'', which appeared after it. The ''Souvenirs de jeunesse'' (1832) are interesting but untrustworthy, and the ''Dictionnaire universel de la langue française'' (1823), which, in the days before [[Émile Littré|Littré]], was one of the most useful of its kind, is said to have been not wholly or mainly Nodier's. There is a so-called collection of ''Œuvres complêtes'', in 12 vols. (1832), but at that time much of the author's best work had not appeared, and it included but a part of what was actually published. Nodier found an indulgent biographer in [[Prosper Merimée]] on the occasion of the younger man's admission to the academy. | + | His best and most characteristic work, some of which is exquisite in its kind, consists partly of short tales of a more or less fantastic character, partly of [[nondescript]] articles, half bibliographic, half narrative, the nearest analogue to which in English is to be found in some of the papers of [[Thomas de Quincey]]. The best examples of the latter are to be found in the volume entitled ''[[Mélanges tirés d'une petite bibliothèque]]'', published in 1829 and afterwards continued. Of his tales the best are ''Smarra, ou les démons de la nuit'' (1821); ''Trilby, ou le lutin d'Argail'' (1822); ''[[Histoire du roi de Bohême et de ses sept châteaux]]'' (1830); ''La Fée aux miettes'' (1832); ''Inès de las Sierras'' (1838); ''Les quatre talismans et la légende de soeur Béatrix'' (1838), together with some fairy stories published in the year of his death, and ''Franciscus Columna'', which appeared after it. The ''Souvenirs de jeunesse'' (1832) are interesting but untrustworthy, and the ''Dictionnaire universel de la langue française'' (1823), which, in the days before [[Émile Littré|Littré]], was one of the most useful of its kind, is said to have been not wholly or mainly Nodier's. There is a so-called collection of ''Œuvres complêtes'', in 12 vols. (1832), but at that time much of the author's best work had not appeared, and it included but a part of what was actually published. Nodier found an indulgent biographer in [[Prosper Merimée]] on the occasion of the younger man's admission to the academy. |
| - | An account of his share in the Romantic movement is to be found in [[Georg Brandes]]'s ''Main Currents in Nineteenth Century Literature''. His ''Description raisonnée d'une jolie collection de livres'' (1844), which is a catalogue of the books in his library, contains a life by [[Francis Wey]] and a complete bibliography of his numerous works. See also Sainte-Beuve, ''Portraits littéraires'', vol. ii.; Prosper Merimée, ''Portraits historiques et littéraires'' (1874); and A Estignard, ''Correspondance inédite de Charles Nodier, 1796-1844'' (1876), containing his letters to [[Charles Weiss]]. | + | An account of his share in the Romantic movement is to be found in [[Georg Brandes]]'s ''[[Main Currents in Nineteenth Century Literature]]''. His ''[[Description raisonnée d'une jolie collection de livres]]'' (1844), which is a catalogue of the books in his library, contains a life by [[Francis Wey]] and a complete bibliography of his numerous works. See also Sainte-Beuve, ''Portraits littéraires'', vol. ii.; Prosper Merimée, ''Portraits historiques et littéraires'' (1874); and A Estignard, ''Correspondance inédite de Charles Nodier, 1796-1844'' (1876), containing his letters to [[Charles Weiss]]. |
| == Ballet adaptations of Nodier's ''Trilby'' == | == Ballet adaptations of Nodier's ''Trilby'' == | ||
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| *[[1804]] : ''Essais d’un jeune barde'', recueil de poésie | *[[1804]] : ''Essais d’un jeune barde'', recueil de poésie | ||
| *[[1806]] : ''Les Tristes, ou mélanges tirés des tablettes d'un suicidé'' | *[[1806]] : ''Les Tristes, ou mélanges tirés des tablettes d'un suicidé'' | ||
| - | *[[1808]] : ''Dictionnaire des onomatopées françaises'' | + | *[[1808]] : ''[[Dictionnaire des onomatopées françaises]]'' |
| *[[1808]] : ''Apothéoses et imprécations de Pythagore'' | *[[1808]] : ''Apothéoses et imprécations de Pythagore'' | ||
| *[[1810]] : ''Archéologie ou système universel des langues'' | *[[1810]] : ''Archéologie ou système universel des langues'' | ||
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| *[[1827]] et [[1829]] : ''Poésies diverses'' | *[[1827]] et [[1829]] : ''Poésies diverses'' | ||
| *[[1828]] : ''[[Faust]]'', drame | *[[1828]] : ''[[Faust]]'', drame | ||
| - | *[[1829]] : ''Mélanges tirés d’une petite bibliothèque'' | + | *[[1829]] : ''[[Mélanges tirés d’une petite bibliothèque]]'' |
| - | *[[1830]] : ''Histoire du roi de Bohême et de ses sept châteaux'' | + | *[[1830]] : ''[[Histoire du roi de Bohême et de ses sept châteaux]]'' |
| *[[1830]] : ''De quelques phénomènes du sommeil'' | *[[1830]] : ''De quelques phénomènes du sommeil'' | ||
| - | *[[1831]] : ''Souvenirs, épisodes et portraits pour servir à l'histoire de la Révolution et de l'Empire'', 2 volumes | + | *[[1831]] : ''[[Souvenirs, épisodes et portraits pour servir à l'histoire de la Révolution et de l'Empire]]'', 2 volumes |
| *[[1832]] : ''La Fée aux miettes'', conte fantastique | *[[1832]] : ''La Fée aux miettes'', conte fantastique | ||
| *[[1832]] : ''Mademoiselle de Marsan'', conte fantastique | *[[1832]] : ''Mademoiselle de Marsan'', conte fantastique | ||
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| *[[1833]] : ''Le dernier banquet des Girondins'' | *[[1833]] : ''Le dernier banquet des Girondins'' | ||
| *[[1833]] : ''Trésors des fèves et fleurs des pois'' | *[[1833]] : ''Trésors des fèves et fleurs des pois'' | ||
| - | *[[1834]] : ''Notions élémentaires de linguistique'' | + | *[[1834]] : ''[[Notions élémentaires de linguistique]]'' |
| *[[1834]] : ''Du langage factice appelé [[macaronique]]'' | *[[1834]] : ''Du langage factice appelé [[macaronique]]'' | ||
| *[[1834]] : ''M. [[Cazotte]]'' | *[[1834]] : ''M. [[Cazotte]]'' | ||
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| *[[1838]] : ''Les quatre talismans et la légende de sœur Béatrix'' | *[[1838]] : ''Les quatre talismans et la légende de sœur Béatrix'' | ||
| *[[1839]] : ''La neuvaine de la chandeleur et de Lydie'' | *[[1839]] : ''La neuvaine de la chandeleur et de Lydie'' | ||
| - | *[[1840]] : ''Souvenirs et portraits de la Révolution'' | + | *[[1840]] : ''[[Souvenirs et portraits de la Révolution]]'' |
| *[[1842]] : ''Description raisonnée d'une jolie collection de livres'' | *[[1842]] : ''Description raisonnée d'une jolie collection de livres'' | ||
| *[[1844]] : ''Journal de l'expédition des Portes de Fer'' | *[[1844]] : ''Journal de l'expédition des Portes de Fer'' | ||
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"J'ose dire, au reste, que s'il y a encore un livre curieux à faire au monde en bibliographie, c'est la Bibliographie des Fous; et que s'il y a une bibliothéque piquante, curieuse et instructive à composer, c'est celle de leurs ouvrages."--Mélanges tirés d'une petite bibliothèque (1829) by Charles Nodier |
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Charles Nodier (1780 – 1844), was a French writer who introduced a younger generation of Romanticists to the conte fantastique, le roman frénétique, gothic literature and vampire tales. His most anthologized story is Smarra, or The Demons of the Night.
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Biography
He was born at Besançon. His father, on the outbreak of the French Revolution, was appointed mayor of Besançon and consequently chief police magistrate; he seems to have become an instrument of the tyranny of the Jacobins without sharing their principles; but his son was for a time an ardent citizen, and is said to have been a Jacobin Club member at the age of twelve. In 1793 Charles saved the life of a lady guilty of sending money to an emigré, declaring to his father that if she were condemned he would take his own life. He was sent to Strasbourg, where he lived in the house of Eulogius Schneider, the notorious Jacobin governor of Alsace, but a good Greek scholar.
During the Reign of Terror his father put him under the care of Girod de Chautrans, with whom he studied English and German. His love of books began very early, and he combined with it a strong interest in nature. He became librarian in his native town, but his exertions in the cause of suspected persons brought him under suspicion. An inspection of his papers by the police, however, revealed nothing more dangerous than a dissertation on the antennae of insects. Entomology continued to be a favourite study with him, but he varied it with philology and pure literature and even political writing. For a skit on Napoleon, in 1803, he was imprisoned for some months.
He then left Paris, where he had gone after losing his position at Besançon, and for some years lived a very unsettled life at Besançon, Dole, where he married, and in other places in the Jura. During these wanderings he wrote Le peintre de Salzbourg, journal des émotions d'un coeur souffrant, suivi des Meditations du cloître (1803). The hero, Charles, who is a variation of the Werther type, desires the restoration of the monasteries, to afford a refuge from the woes of the world.
In 1811 Nodier appears in Ljubljana, then the seat of Illyrian provinces, as editor of a polyglot journal, the Illyrian Telegraph (Télégraph officiel) published in French, German, Italian and Slovenian. On the evacuation of the Illyrian provinces he returned to Paris, and the restoration found him a royalist, though he retained something of republican sentiment. In 1824 he was appointed to the librarianship of the Bibliothèque de l'Arsenal. He was elected a member of the Académie française in 1833, and made a member of the Legion of Honour in 1843, a year before his death.
The twenty years at the arsenal were by far the most important and fruitful of Nodier's life. He had the advantage of a settled home in which to collect and study rare books; and he was able to supply a centre and rallying place to a knot of young literary men of greater individual talent than himself--the so-called Romanticists of 1830--and to colour their tastes and work very decidedly with his own predilections. Victor Hugo, Alfred de Musset and Sainte-Beuve all acknowledged their obligations to him. He was a passionate admirer of
His best and most characteristic work, some of which is exquisite in its kind, consists partly of short tales of a more or less fantastic character, partly of nondescript articles, half bibliographic, half narrative, the nearest analogue to which in English is to be found in some of the papers of Thomas de Quincey. The best examples of the latter are to be found in the volume entitled Mélanges tirés d'une petite bibliothèque, published in 1829 and afterwards continued. Of his tales the best are Smarra, ou les démons de la nuit (1821); Trilby, ou le lutin d'Argail (1822); Histoire du roi de Bohême et de ses sept châteaux (1830); La Fée aux miettes (1832); Inès de las Sierras (1838); Les quatre talismans et la légende de soeur Béatrix (1838), together with some fairy stories published in the year of his death, and Franciscus Columna, which appeared after it. The Souvenirs de jeunesse (1832) are interesting but untrustworthy, and the Dictionnaire universel de la langue française (1823), which, in the days before Littré, was one of the most useful of its kind, is said to have been not wholly or mainly Nodier's. There is a so-called collection of Œuvres complêtes, in 12 vols. (1832), but at that time much of the author's best work had not appeared, and it included but a part of what was actually published. Nodier found an indulgent biographer in Prosper Merimée on the occasion of the younger man's admission to the academy.
An account of his share in the Romantic movement is to be found in Georg Brandes's Main Currents in Nineteenth Century Literature. His Description raisonnée d'une jolie collection de livres (1844), which is a catalogue of the books in his library, contains a life by Francis Wey and a complete bibliography of his numerous works. See also Sainte-Beuve, Portraits littéraires, vol. ii.; Prosper Merimée, Portraits historiques et littéraires (1874); and A Estignard, Correspondance inédite de Charles Nodier, 1796-1844 (1876), containing his letters to Charles Weiss.
Ballet adaptations of Nodier's Trilby
Nodier's 1822 novel Trilby, ou le lutin d'Argail provided the inspiration for La Sylphide, 1822, to a scenario devised by Adolphe Nourrit. In 1870 Trilby was adapated into a ballet titled Trilby by the great choreographer Marius Petipa, Balletmaster and choreographer of the Tsar's Imperial Ballet of St. Petersburg, Russia.
Works
Incomplete list of this prolific author
- 1798 : Dissertation sur l'usage des antennes dans les insectes
- 1800 : Pensées de Shakespeare extraites de ses ouvrages
- 1801 : Bibliographie entomologique
- 1802 : La Napoléone, pamphlet
- 1802 : Stella ou les proscrits, roman
- 1803 : Le peintre de Salzbourg, journal des émotions d’un cœur souffrant, roman
- 1804 : Prophétie contre Albion
- 1804 : Essais d’un jeune barde, recueil de poésie
- 1806 : Les Tristes, ou mélanges tirés des tablettes d'un suicidé
- 1808 : Dictionnaire des onomatopées françaises
- 1808 : Apothéoses et imprécations de Pythagore
- 1810 : Archéologie ou système universel des langues
- 1812 : Questions de littérature légale
- 1815 : Histoire des sociétés secrètes de l'armée
- 1815 : Napoléon et ses constitutions
- 1816 : Le vingt et un janvier
- 1818 : Jean Sbogar, histoire d’un bandit illyrien mystérieux
- 1819 : Thérèse Aubert, roman d’amour pendant les guerres vendéennes
- 1820 : Le Vampire, mélodrame
- 1820 : Mélanges de littérature et de critique, 2 volumes
- 1820 : Adèle, roman
- 1820 : Voyages pittoresques et romantiques dans l'ancienne France, avec le baron Taylor,
- 1820 : Romans, nouvelles et mélanges, 4 volumes
- 1821 : Smarra, ou les démons de la nuit, conte fantastique
- 1821 : Promenade de Dieppe aux montagnes d’Écosse
- 1821 : Le Délateur, drame
- 1821 : Bertram, ou le château de Saint-Aldobrand, tragédie
- 1822 : Trilby ou le Lutin d'Argail, conte fantastique
- 1823 : Essai sur le gaz hydrogène et les divers modes d'éclairage artificiel
- 1823 : Dictionnaire universel de la Langue française
- 1826 : Bibliothèque sacrée grecque-latine de Moïse à saint Thomas d'Aquin
- 1827 et 1829 : Poésies diverses
- 1828 : Faust, drame
- 1829 : Mélanges tirés d’une petite bibliothèque
- 1830 : Histoire du roi de Bohême et de ses sept châteaux
- 1830 : De quelques phénomènes du sommeil
- 1831 : Souvenirs, épisodes et portraits pour servir à l'histoire de la Révolution et de l'Empire, 2 volumes
- 1832 : La Fée aux miettes, conte fantastique
- 1832 : Mademoiselle de Marsan, conte fantastique
- 1832 : Jean-François les Bas-bleus
- 1832 : Rêveries littéraires, morales et fantastiques
- 1832 : Souvenirs de la jeunesse
- 1833 : Le dernier banquet des Girondins
- 1833 : Trésors des fèves et fleurs des pois
- 1834 : Notions élémentaires de linguistique
- 1834 : Du langage factice appelé macaronique
- 1834 : M. Cazotte
- 1835 : La Péninsule, tableau pittoresque, contes en prose et en vers
- 1835-1836 : La Saône et ses bords
- 1836-1837 : La Seine et ses bords
- 1837-1840 : Paris historique, 3 volumes
- 1837 : Inès de Las Sierras
- 1838 : Les quatre talismans et la légende de sœur Béatrix
- 1839 : La neuvaine de la chandeleur et de Lydie
- 1840 : Souvenirs et portraits de la Révolution
- 1842 : Description raisonnée d'une jolie collection de livres
- 1844 : Journal de l'expédition des Portes de Fer
- 1844 : Franciscus Columna
References
- Oliver, A. Richard, (1964). Charles Nodier: Pilot of Romanticism (Syracuse, N.Y.: Syracuse University Press)
- Loving, M. (2003). Charles Nodier: The Romantic Librarian. Libraries & Culture, 38(2), 166-188.
