D. H. Lawrence
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| + | [[Image:Edgar Allan Poe.jpg|thumb|left|200px|[[Edgar Allan Poe]] is an [[icon]] of [[19th century in literature|American literature]]]] | ||
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| + | "What did the [[Pilgrim Fathers]] come for, then, when they came so gruesomely over the black sea? Oh, it was in a black spirit. A black revulsion from Europe, from the old authority of Europe, from kings and bishops and popes. And more. When you look into it, more. They were black, masterful men, they wanted something else. No kings, no bishops maybe. Even no God Almighty. But also, no more of this new "humanity" which followed the Renaissance. None of this new liberty which was to be so pretty in Europe. Something grimmer, by no means free-and-easy."--"[[The Spirit of Place]]" () D. H. Lawrence | ||
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| - | '''David Herbert Lawrence''' ([[11 September]], [[1885]] - [[2 March]], [[1930]]) was a [[controversial]] [[English writer]] of the [[20th century]], best known for his book ''[[Lady Chatterley's Lover]]''. He also wrote the essay "[[Pornography and Obscenity]]". | + | '''D. H. Lawrence''' (1885 - 1930) was an [[English writer]] known for such novels as ''[[Lady Chatterley's Lover]]'' and essays such as "[[Pornography and Obscenity]]". |
| - | His prolific and diverse output included [[novel]]s, [[short story|short stories]], [[poetry|poems]], [[drama|play]]s, [[essay]]s, [[travel book]]s, [[painting]]s, translations, [[literary criticism]] and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of [[modernity]] and [[industrialisation]]. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour. | + | His collected works represent an extended reflection upon the [[dehumanizing]] effects of [[modernity]] and [[industrialisation]]. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour. |
| Lawrence's unsettling opinions earned him many enemies and he endured hardships, official persecution, [[censorship]] and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. [[E. M. Forster]], in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential [[Cambridge]] critic [[F. R. Leavis]] championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the [[canonical]] "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of [[modernism]] in English literature, although some [[feminists]] object to the attitudes toward [[women and sexuality]] found in his works. | Lawrence's unsettling opinions earned him many enemies and he endured hardships, official persecution, [[censorship]] and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. [[E. M. Forster]], in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential [[Cambridge]] critic [[F. R. Leavis]] championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the [[canonical]] "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of [[modernism]] in English literature, although some [[feminists]] object to the attitudes toward [[women and sexuality]] found in his works. | ||
Revision as of 15:44, 12 December 2022
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"What did the Pilgrim Fathers come for, then, when they came so gruesomely over the black sea? Oh, it was in a black spirit. A black revulsion from Europe, from the old authority of Europe, from kings and bishops and popes. And more. When you look into it, more. They were black, masterful men, they wanted something else. No kings, no bishops maybe. Even no God Almighty. But also, no more of this new "humanity" which followed the Renaissance. None of this new liberty which was to be so pretty in Europe. Something grimmer, by no means free-and-easy."--"The Spirit of Place" () D. H. Lawrence |
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D. H. Lawrence (1885 - 1930) was an English writer known for such novels as Lady Chatterley's Lover and essays such as "Pornography and Obscenity".
His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour.
Lawrence's unsettling opinions earned him many enemies and he endured hardships, official persecution, censorship and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works.
See also
