Eroticism and Female Imagery in Nineteenth-Century Art
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- | "'''Eroticism and Female Imagery in Nineteenth-Century Art'''" (1972) is a text by [[Linda Nochlin]] first brought as a speech to the [[College Art Association]] and later collected in ''[[Woman as Sex Object]]'' (1972). In it, she juxtaposed ''[[Achetez des Pommes]]''[https://commons.wikimedia.org/wiki/File:Achetez_des_pommes_ca1890_France.jpg] [Buy Apples], a French erotic photograph masquerading as an advertisment for apples, with a selfmade photograph (Buy My Bannas) of a nude man offering bananas in a similar way to prove that "erotic art" means "erotic-for-men". | + | "'''Eroticism and Female Imagery in Nineteenth-Century Art'''" (1972) is a text by [[Linda Nochlin]] first brought as a speech to the [[College Art Association]] and later collected in ''[[Woman as Sex Object]]'' (1972). In it, she juxtaposed ''[[Achetez des Pommes]]''[https://commons.wikimedia.org/wiki/File:Achetez_des_pommes_ca1890_France.jpg] [Buy Apples], a French erotic photograph masquerading as an advertisment for apples, with a selfmade photograph (Buy My Bannas) of a nude man offering bananas in a similar way to prove that "[[erotic art]]" means "erotic-for-men". |
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Revision as of 11:32, 25 February 2018
"In 1972, Linda Nochlin enlivened an annual convention of the CAA with a now-famous paper asserting that the term "erotic" as applied to traditional imagery of women really means "erotic-for-men." In her introduction to a session on "Eroticism and Female Imagery in Nineteenth-Century Art," Nochlin illustrated (partly by " --Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology, Ann Olga Koloski-Ostrow, Claire L. Lyons, with an epilogue by Natalie Boymel Kampen, 2003. "Consider for example the connections between Paul Gauguin's Two Tahitian Women with Mango Blossoms (1899) and Achetez des Pommes[1] , a nineteenth-century advertisement used by Linda Nochlin to explore the connections between spectatorship, gender and desire in her essay 'Eroticism and Female Imagery in Nineteenth-Century Art' (1972). Nochlin paired Achetez des Pommes with a photograph she made herself, titled Achetez des Bananes and showing a naked male .." --Sarah Lucas: Au Naturel - page 71, see Sarah Lucas |
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"Eroticism and Female Imagery in Nineteenth-Century Art" (1972) is a text by Linda Nochlin first brought as a speech to the College Art Association and later collected in Woman as Sex Object (1972). In it, she juxtaposed Achetez des Pommes[2] [Buy Apples], a French erotic photograph masquerading as an advertisment for apples, with a selfmade photograph (Buy My Bannas) of a nude man offering bananas in a similar way to prove that "erotic art" means "erotic-for-men".