Hydropathes  

From The Art and Popular Culture Encyclopedia

Revision as of 09:27, 11 July 2007; view current revision
←Older revision | Newer revision→
Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Shop


Featured:

Les Hydropathes was a Parisian literary club parisien which existed from 1878 to 1880. It was a precursor to the symbolist movement.

End of the Hydropathes

Émile Cohl married on November 12, 1881; his wife later left him for an author. At the same time, André Gill was committed to the Charenton mental asylum. He managed to recover in a few months and in 1882 submitted his first serious painting, "Le Fou" (The Madman) to the Salon. The painting's poor reception by the artists of the Salon sent him back to Charenton.

Meanwhile, the Hydropathes had disbanded in 1882. Their place in Cohl's life was replaced by the Incoherents. The group was founded by Jules Lévy, who coined the phrase "les arts incohérents" as a contrast to the common expression "les arts décoratifs". The Incoherents were even less politically-minded than the Hydropathes. Their slogan was "Gaity is properly French, so let's be French". The focus was absurdism, nightmares, and the drawing style of children. Cohl's Incoherent art joined his caricatures and satiric news reporting at La Nouvelle Lune, where he had become the major contributor and acting editor. He became editor in chief on November 30, 1883.

By November 1883, the Incoherents had become so big that an exhibit was arranged at the Vivienne Gallery, open to the public. It was called "an exhibition of drawings by people who do not know how to draw." Émile Cohl's contribution was titled Portrait garanti ressemblant (Portrait--Resemblance Guaranteed). The exhibit accepted any and all entries, so long as they were not obscene or serious. The public was taken with the show, and the profits were donated to public assistance. There was a second show in 1884, and the 1885 show was replaced by a masked ball (Cohl went as an artichoke). In 1886, Cohl produced his most bizarre and characteristic work in the Incoherent vein: Abus des metaphors, a collection of more than a dozen colorful expressions brought to life.

L'héritage

De nombreux jeunes artistes de l'époque furent membres du club, parmi lesquels :




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Hydropathes" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools