Exhibitions of the Arts Incohérents
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+ | [[Image:Mona Lisa Smoking a Pipe.jpg|thumb|right|200px|''[[Mona Lisa Smoking a Pipe]]'' (1883) by [[Eugène Bataille]]]] | ||
+ | [[Image:Combat de nègres dans un tunnel.jpg|thumb|left|200px|''[[Negroes Fighting in a Tunnel at Night]]'' (1882) by [[Paul Bilhaud]], here shown in the 1887 version [[appropriation|appropriate]]d by [[Alphonse Allais]] as published in ''[[Album primo-avrilesque]]'' (April fool-ish Album)]] | ||
+ | [[Image:Marche Funèbre composée pour les Funérailles d'un grand homme sourd.jpg|thumb|right|200px|''[[Funeral March for the Obsequies of a Deaf Man]]'' (1884), a composition by [[Alphonse Allais]]. It consists of nine [[blank]] measures and predates comparable works by [[John Cage]] ("[[4′33″]]") by a considerable margin.]] | ||
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There were a number of "Salon des Incohérents": 1882, 1883, 1884, 1886, 1889[http://gallica.bnf.fr/ark:/12148/cb327380232/date]. The [[Incoherents]] were a short-lived Parisian art collective. | There were a number of "Salon des Incohérents": 1882, 1883, 1884, 1886, 1889[http://gallica.bnf.fr/ark:/12148/cb327380232/date]. The [[Incoherents]] were a short-lived Parisian art collective. |
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There were a number of "Salon des Incohérents": 1882, 1883, 1884, 1886, 1889[1]. The Incoherents were a short-lived Parisian art collective.
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1882
Exposition des Arts Incohérents was an informal exhibition held in Paris on October 1, 1882, in the house of Jules Lévy (rue Antoine-Dubois)[2].
It featured a all black painting by the poet Paul Bilhaud titled Combat de nègres dans un tunnel.
1883
In the second show (1883) Eugène Bataille contributed an 'augmented' Mona Lisa (Mona Lisa Smoking a Pipe).
1884
The 1884 exhibition showed "Récolte de la tomate, sur le bord de la mer Rouge par des Cardinaux apoplectiques" and Les grandes douleurs sont muettes. — Marche funèbre incohérente, both by Alphonse Allais.
See Catalogue illustré de l'exposition des arts incohérents (1884)
See also