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-Over the past few days I've been mulling over [[Siri Hustvedt]] title essay ''[[A Plea for Eros]]'' which is a rumination on the [[effability|effability and ineffability]] of [[sex]] in connection with the [[Antioch Ruling]]. Since [[January 1]], [[2006]], the [[Antioch College]] in Ohio, United States requires students to gain [[consent]] at each stage of a [[sexual encounter]]. +[[Image:Matsys Ugly Duchess.jpg|thumb|right|200px|''[[The Ugly Duchess]]'' by [[Matsys]], see [[ugly women]]]]
 +[[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]], see [[painting consciousness]]]]
 +[[Image:The central water-bound globe in the middle panel's of the Garden of Earthly Delights.jpg|thumb|right|200px|The central water-bound globe in the middle pane from Hieronymus Bosch's ''[[The Garden of Earthly Delights]]'' (c. 1490-1510)]]
 +[[Image:Josephine Baker dancing the Charleston to an Art Deco-styole background.jpg|thumb|right|200px|[[Josephine Baker]], see [[African-American music]]]]
 +[[Image:Blackface.jpg|thumb|right|200px|"[[Je est un autre]]" [I is [[other|another]]] --Arthur Rimbaud. (illustration [[blackface]]).]]
 +[[Image:Les Poires.jpg|200px|thumb|right|''[[Les Poires]]'' (1834) by Daumier after the sketch of Philipon, see [[history of caricature]]]]
 +[[Image:Collection of 21 Simenon romans durs bought at Panoply books, Antwerp, May 2020.jpg|thumb|right|200px|[[The 'romans durs' by Simenon]]]]
 +;The arts
-Hustvedt's exposé on the unreliability and ambiguity of language reminded me of [[Georges Bataille]] when he said that "sex begins where speech [or words] ends", a statement I tend to agree with.+*[[Cult fiction]]
 +*[[Cult of ugliness]]
 +*[[Death of the avant-garde]]
 +*The [[Diableries érotiques|Diablerie]]s of Poitevin
 +*[[Denis Diderot's art criticism|Diderot's art criticism]]
 +*[[Faultlines in 20th century art ]]
 +*[[Five Maidens of Croton]]
 +*[[Ill-Matched Lovers]]
 +*[[Infrathin]]
 +*[[Silence in painting]]
 +*[[Style war]]s
 +*[[Socrates's metaphor of the three beds]]
 +*[[Timeline of surrealism and dada]]
 +*[[What is Classical is healthy; what is Romantic is sick]]
-Which brings me to [[Cronenberg]] penultimate film ''[[A History of Violence (film)|A History of Violence]]'', the ''[[Straw Dogs]]'' of the 2000s. It is the story of Tom Stall, his wife Edie and their two children. Tom is a good-hearted [[impostor]] with [[organized crime]] roots. After his family finds out his true identity they initially reject him. He is finally accepted in a superb silent scene which is a celebration of the [[nuclear family]]; but not until after an emotionally charged fight between Tom and Edie followed by [[rough sex]] on the stairs. Notice the absence of adherence to the [[Antioch Ruling]].+;Literature
 +*[[Antifeminist literature of the Middle Ages]]
 +*''[[The Characters]]''
 +*[[Cult poetry]]
 +*[[Facetiae]]
 +*[[Fou littéraire]]
 +*''[[Reflections on the Novel]]''
 +*''[[The Romantic Agony]]''
 +*[[Somatopia]]
 +*[[Stranger than fiction]]
 +*[[Thematic literary criticism]]
-However, as Hustvedt points out at the beginning ofher essay, an Antioch world can be full of erotic possibilities. Imagine asking a female love interest "May I touch your left breast?"; patiently and eagerly waiting for the answer. Dutch director Warmerdam's cult film ''[[Little Tony]]'' predates Hustdvedt's sentiments by 8 years. In this [[tragicomedy]] the erotic possibilities of explicitness in sexual encounters is illustrated by a key scene in which Brand, the protagonist illiterate farmer asks Lena, the school teacher who has been hired by Brand's wife, "May I see your left breast?". After a putative "Why?" by Lena, Brand answers: "So I can remain curious about the right one."<p align="center"> [http://www.artandpopularculture.com/Template:Featured_article?title=Template:Featured_article&action=edit edit]+;Visual arts
 + 
 +*[[The contest of Zeuxis and Parrhasius ]]
 +*[[The monomanies series by Géricault]]
 +*[[19th century art]]
 +*[[Hans Baldung Grien's witches]]
 +*[[Klecksographie ]]
 +*[[Ornamental print]]
 +*[[Painting within a painting]]
 +*[[Possible originary dates for the birth of modern art ]]
 +*[[Surrealist photography]]
 +*[[The Pears]], famous French caricature
 +*[[Gallery painting]]
 +*[[Virgineum vultum]]
 + 
 +;Philosophy
 + 
 +*[[The ancient quarrel between philosophy and poetry]]
 +*[[Faux dictionaries and encyclopedias]]
 +*[[General economy]]
 +*[[Disinterestedness|Kant's disinterestedness]]
 +*[[Language is a virus]]
 +*[[Morosophy]]
 +*[[Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin]]
 +*[[Tedium vitae]]
 +*[[To be governed is ...]]
 +*[[Volksgeist]]
 +*[[The linguistic sign is not arbitrary]]
 +*[[The Metaphysics of Sexual Love]]
 + 
 +;Morality
 +*[[Killing a Chinese Mandarin ]]
 +*[[Alibech and Rustico]]
 +*[[Amour fou]]
 +*[[Anthropologica]]
 +*[[Hidden and secret libraries]]
 +*[[Beneficial side effects of censorship]]
 +*[[Catholic–Protestant Schism ]]
 +*[[Do what thou wilt]]
 +*[[Mad emperors of Rome]]
 +*[[Nothing is true, everything is permitted]]
 +*''[[Psychopathia Sexualis]]''
 +*[[Qu'il n'y avait de bon en amour que le physique]]
 +*[[Sittengeschichte]]
 +*[[Sous les pavés, la plage!]]
 +*[[Syneisaktism]]
 +*[[The urge to jump]]
 +*[[Upon some verses of Virgil]] by Montaigne
 +*[[Venus Caelestis and Venus Naturalis]]
 +*[[The Widow of Ephesus]]
 + 
 +;Cinema
 +*[[The Corman Poe cycle]]
 +*[[cult film|Cult movies]]
 +*[[Experiments with cinematic time]]
 +*[[Film clichés]]
 +*[[Moviedrome]]
 + 
 +;Narratology
 +*[[Body genre]]
 +*[[Eaten heart]]
 +*[[Fictional portrayals of psychopaths]]
 +*[[Eros and Thanatos]]
 +*[[Motif of harmful sensation]]
 +*[[Power of Women]]
 +*[[The mad doctor and new flesh plot]]
 + 
 +;Music
 +*[[Étude aux chemins de fer]]
 +*[[Burundi beat]]
 +*[[Paradise Garage classics]]
 +*[[The most famous giggles in late 20th century dance music]]
 +*[[Heavy breathing in music]]
 +*[[World music classics]]
 +*[[Jahsonic 1000]]
 + 
 +;Categories;
 +*[[:Category:Canon]]
 +*[[:Category:Dicta]]
 +*[[:Category:World Cinema Classics]]
 +*[[:Category:WAC|Category:World Art Classics]]
 +:::[[Articles unique to this encyclopedia|more...]]
 +</small>

Current revision

The central water-bound globe in the middle pane from Hieronymus Bosch's The Garden of Earthly Delights (c. 1490-1510)
Enlarge
The central water-bound globe in the middle pane from Hieronymus Bosch's The Garden of Earthly Delights (c. 1490-1510)
"Je est un autre" [I is another] --Arthur Rimbaud. (illustration blackface).
Enlarge
"Je est un autre" [I is another] --Arthur Rimbaud. (illustration blackface).
Les Poires (1834) by Daumier after the sketch of Philipon, see history of caricature
Enlarge
Les Poires (1834) by Daumier after the sketch of Philipon, see history of caricature
The arts
Literature
Visual arts
Philosophy
Morality
Cinema
Narratology
Music
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more...

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