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From The Art and Popular Culture Encyclopedia
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| - | [[Image:The Turkish Bath by Ingres.jpg|thumb|right|200px|''[[The Turkish Bath]]'' ([[1862]]) - [[Jean Auguste Dominique Ingres]]]] | + | <small> |
| - | When [[Jean Auguste Dominique Ingres]], director of the French ''Académie de peinture'' painted a highly-colored vision of a [[turkish bath]] (''illustration, right''), he made his [[eroticize]]d [[Orient]] publicly acceptable by his diffuse generalizing of the female forms, who might all have been of the same model. If his [[painting]] had simply been retitled "In a Paris Brothel," it would have been [[controversial|far less acceptable]]. Sensuality was seen as acceptable in the [[exotic]] Orient. | + | [[Image:Matsys Ugly Duchess.jpg|thumb|right|200px|''[[The Ugly Duchess]]'' by [[Matsys]], see [[ugly women]]]] |
| + | [[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]], see [[painting consciousness]]]] | ||
| + | [[Image:The central water-bound globe in the middle panel's of the Garden of Earthly Delights.jpg|thumb|right|200px|The central water-bound globe in the middle pane from Hieronymus Bosch's ''[[The Garden of Earthly Delights]]'' (c. 1490-1510)]] | ||
| + | [[Image:Josephine Baker dancing the Charleston to an Art Deco-styole background.jpg|thumb|right|200px|[[Josephine Baker]], see [[African-American music]]]] | ||
| + | [[Image:Blackface.jpg|thumb|right|200px|"[[Je est un autre]]" [I is [[other|another]]] --Arthur Rimbaud. (illustration [[blackface]]).]] | ||
| + | [[Image:Les Poires.jpg|200px|thumb|right|''[[Les Poires]]'' (1834) by Daumier after the sketch of Philipon, see [[history of caricature]]]] | ||
| + | [[Image:Collection of 21 Simenon romans durs bought at Panoply books, Antwerp, May 2020.jpg|thumb|right|200px|[[The 'romans durs' by Simenon]]]] | ||
| + | ;The arts | ||
| - | ''The Turkish Bath'' was finished in a rectangular format in [[1859]], was revised in [[1860]] before being turned into a ''[[tondo]]''. Ingres signed and dated it in [[1862]], although he made additional revisions in [[1863]]. (Prat, 2004, p. 90.) | + | *[[Cult fiction]] |
| - | [[Category:PD]] | + | *[[Cult of ugliness]] |
| + | *[[Death of the avant-garde]] | ||
| + | *The [[Diableries érotiques|Diablerie]]s of Poitevin | ||
| + | *[[Denis Diderot's art criticism|Diderot's art criticism]] | ||
| + | *[[Faultlines in 20th century art ]] | ||
| + | *[[Five Maidens of Croton]] | ||
| + | *[[Ill-Matched Lovers]] | ||
| + | *[[Infrathin]] | ||
| + | *[[Silence in painting]] | ||
| + | *[[Style war]]s | ||
| + | *[[Socrates's metaphor of the three beds]] | ||
| + | *[[Timeline of surrealism and dada]] | ||
| + | *[[What is Classical is healthy; what is Romantic is sick]] | ||
| + | |||
| + | ;Literature | ||
| + | *[[Antifeminist literature of the Middle Ages]] | ||
| + | *''[[The Characters]]'' | ||
| + | *[[Cult poetry]] | ||
| + | *[[Facetiae]] | ||
| + | *[[Fou littéraire]] | ||
| + | *''[[Reflections on the Novel]]'' | ||
| + | *''[[The Romantic Agony]]'' | ||
| + | *[[Somatopia]] | ||
| + | *[[Stranger than fiction]] | ||
| + | *[[Thematic literary criticism]] | ||
| + | |||
| + | ;Visual arts | ||
| + | |||
| + | *[[The contest of Zeuxis and Parrhasius ]] | ||
| + | *[[The monomanies series by Géricault]] | ||
| + | *[[19th century art]] | ||
| + | *[[Hans Baldung Grien's witches]] | ||
| + | *[[Klecksographie ]] | ||
| + | *[[Ornamental print]] | ||
| + | *[[Painting within a painting]] | ||
| + | *[[Possible originary dates for the birth of modern art ]] | ||
| + | *[[Surrealist photography]] | ||
| + | *[[The Pears]], famous French caricature | ||
| + | *[[Gallery painting]] | ||
| + | *[[Virgineum vultum]] | ||
| + | |||
| + | ;Philosophy | ||
| + | |||
| + | *[[The ancient quarrel between philosophy and poetry]] | ||
| + | *[[Faux dictionaries and encyclopedias]] | ||
| + | *[[General economy]] | ||
| + | *[[Disinterestedness|Kant's disinterestedness]] | ||
| + | *[[Language is a virus]] | ||
| + | *[[Morosophy]] | ||
| + | *[[Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin]] | ||
| + | *[[Tedium vitae]] | ||
| + | *[[To be governed is ...]] | ||
| + | *[[Volksgeist]] | ||
| + | *[[The linguistic sign is not arbitrary]] | ||
| + | *[[The Metaphysics of Sexual Love]] | ||
| + | |||
| + | ;Morality | ||
| + | *[[Killing a Chinese Mandarin ]] | ||
| + | *[[Alibech and Rustico]] | ||
| + | *[[Amour fou]] | ||
| + | *[[Anthropologica]] | ||
| + | *[[Hidden and secret libraries]] | ||
| + | *[[Beneficial side effects of censorship]] | ||
| + | *[[Catholic–Protestant Schism ]] | ||
| + | *[[Do what thou wilt]] | ||
| + | *[[Mad emperors of Rome]] | ||
| + | *[[Nothing is true, everything is permitted]] | ||
| + | *''[[Psychopathia Sexualis]]'' | ||
| + | *[[Qu'il n'y avait de bon en amour que le physique]] | ||
| + | *[[Sittengeschichte]] | ||
| + | *[[Sous les pavés, la plage!]] | ||
| + | *[[Syneisaktism]] | ||
| + | *[[The urge to jump]] | ||
| + | *[[Upon some verses of Virgil]] by Montaigne | ||
| + | *[[Venus Caelestis and Venus Naturalis]] | ||
| + | *[[The Widow of Ephesus]] | ||
| + | |||
| + | ;Cinema | ||
| + | *[[The Corman Poe cycle]] | ||
| + | *[[cult film|Cult movies]] | ||
| + | *[[Experiments with cinematic time]] | ||
| + | *[[Film clichés]] | ||
| + | *[[Moviedrome]] | ||
| + | |||
| + | ;Narratology | ||
| + | *[[Body genre]] | ||
| + | *[[Eaten heart]] | ||
| + | *[[Fictional portrayals of psychopaths]] | ||
| + | *[[Eros and Thanatos]] | ||
| + | *[[Motif of harmful sensation]] | ||
| + | *[[Power of Women]] | ||
| + | *[[The mad doctor and new flesh plot]] | ||
| + | |||
| + | ;Music | ||
| + | *[[Étude aux chemins de fer]] | ||
| + | *[[Burundi beat]] | ||
| + | *[[Paradise Garage classics]] | ||
| + | *[[The most famous giggles in late 20th century dance music]] | ||
| + | *[[Heavy breathing in music]] | ||
| + | *[[World music classics]] | ||
| + | *[[Jahsonic 1000]] | ||
| + | |||
| + | ;Categories; | ||
| + | *[[:Category:Canon]] | ||
| + | *[[:Category:Dicta]] | ||
| + | *[[:Category:World Cinema Classics]] | ||
| + | *[[:Category:WAC|Category:World Art Classics]] | ||
| + | :::[[Articles unique to this encyclopedia|more...]] | ||
| + | </small> | ||
Current revision
!["Je est un autre" [I is another] --Arthur Rimbaud. (illustration blackface).](/Image:Blackface.jpg)
- The arts
- Cult fiction
- Cult of ugliness
- Death of the avant-garde
- The Diableries of Poitevin
- Diderot's art criticism
- Faultlines in 20th century art
- Five Maidens of Croton
- Ill-Matched Lovers
- Infrathin
- Silence in painting
- Style wars
- Socrates's metaphor of the three beds
- Timeline of surrealism and dada
- What is Classical is healthy; what is Romantic is sick
- Literature
- Antifeminist literature of the Middle Ages
- The Characters
- Cult poetry
- Facetiae
- Fou littéraire
- Reflections on the Novel
- The Romantic Agony
- Somatopia
- Stranger than fiction
- Thematic literary criticism
- Visual arts
- The contest of Zeuxis and Parrhasius
- The monomanies series by Géricault
- 19th century art
- Hans Baldung Grien's witches
- Klecksographie
- Ornamental print
- Painting within a painting
- Possible originary dates for the birth of modern art
- Surrealist photography
- The Pears, famous French caricature
- Gallery painting
- Virgineum vultum
- Philosophy
- The ancient quarrel between philosophy and poetry
- Faux dictionaries and encyclopedias
- General economy
- Kant's disinterestedness
- Language is a virus
- Morosophy
- Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin
- Tedium vitae
- To be governed is ...
- Volksgeist
- The linguistic sign is not arbitrary
- The Metaphysics of Sexual Love
- Morality
- Killing a Chinese Mandarin
- Alibech and Rustico
- Amour fou
- Anthropologica
- Hidden and secret libraries
- Beneficial side effects of censorship
- Catholic–Protestant Schism
- Do what thou wilt
- Mad emperors of Rome
- Nothing is true, everything is permitted
- Psychopathia Sexualis
- Qu'il n'y avait de bon en amour que le physique
- Sittengeschichte
- Sous les pavés, la plage!
- Syneisaktism
- The urge to jump
- Upon some verses of Virgil by Montaigne
- Venus Caelestis and Venus Naturalis
- The Widow of Ephesus
- Cinema
- Narratology
- Body genre
- Eaten heart
- Fictional portrayals of psychopaths
- Eros and Thanatos
- Motif of harmful sensation
- Power of Women
- The mad doctor and new flesh plot
- Music
- Étude aux chemins de fer
- Burundi beat
- Paradise Garage classics
- The most famous giggles in late 20th century dance music
- Heavy breathing in music
- World music classics
- Jahsonic 1000
- Categories;
