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- | [http://www.example.com link title]<div style="float:left;margin-right:0.9em"> "In order to follow the traffic in [[obscenity]] in nineteenth-century British [[print culture]], it would be useful to present some basic information about its circulation in the period. While the careers of [[Byron]], [[Richard Francis Burton|Burton]], and [[Beardsley]] will be familiar to many, the [[clandestine]] print communities with which their careers intersected will be less so. Except for [[underground literature|underground]] catalogues, the occasional memoir, and the publications themselves, there is no record keeping on the trade in obscenity: little, especially the street material, has survived the test of time, library policy, or public tolerance. However, crucial, albeit piecemeal, information about this metropolitan print culture is found in legislation, parliamentary debates, trial documents, newspaper law reports, investigative journalism, and [[Home Office]] papers – the documents that flowed from the exercise of jurisprudence. [[Peter Mendes|Mendes]], [[Iain McCalman|McCalman]], and [[Lisa Sigel|Sigel]] have done the most sustained bibliographical and archival research in this field. McCalman shows how a well-defined trade in obscene publications grew out of the postwar political radicalism and republican dissidence of the [[1820s]]. Mendes, meanwhile, explores how book clubs and private subscription lists were central to up-market publishers. This research has helped identify the major underground publishers, from [[George Cannon]], [[John Duncombe]], and [[William Dugdale]] in the first half of the century to [[William Lazenby]], [[Henry Judge]], [[Harry Sidney Nichols]], [[Charles Hirsh]], and [[Charles Carrington]] in the latter half, when the London business shifted to Amsterdam, Rotterdam, and especially Paris, where publishers such as Hirsch, Nichols, and Carrington ran a mail-order postal trade for its wealthier British clientele. But, many of the judicial papers and newspaper reports, some of which I am examining for the first time, reveal a far less scripted print culture and offer insight into how obscenity began to be understood in relation to its trafficking, informing fantasies and fears of relentless circulation" ''[[The Traffic in Obscenity from Byron to Beardsley]]'' | + | <small> |
- | <p align="right">[http://www.artandpopularculture.com/Template:Featured_article?title=Template:Featured_article&action=edit edit] | + | [[Image:Matsys Ugly Duchess.jpg|thumb|right|200px|''[[The Ugly Duchess]]'' by [[Matsys]], see [[ugly women]]]] |
+ | [[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]], see [[painting consciousness]]]] | ||
+ | [[Image:The central water-bound globe in the middle panel's of the Garden of Earthly Delights.jpg|thumb|right|200px|The central water-bound globe in the middle pane from Hieronymus Bosch's ''[[The Garden of Earthly Delights]]'' (c. 1490-1510)]] | ||
+ | [[Image:Josephine Baker dancing the Charleston to an Art Deco-styole background.jpg|thumb|right|200px|[[Josephine Baker]], see [[African-American music]]]] | ||
+ | [[Image:Blackface.jpg|thumb|right|200px|"[[Je est un autre]]" [I is [[other|another]]] --Arthur Rimbaud. (illustration [[blackface]]).]] | ||
+ | [[Image:Les Poires.jpg|200px|thumb|right|''[[Les Poires]]'' (1834) by Daumier after the sketch of Philipon, see [[history of caricature]]]] | ||
+ | [[Image:Collection of 21 Simenon romans durs bought at Panoply books, Antwerp, May 2020.jpg|thumb|right|200px|[[The 'romans durs' by Simenon]]]] | ||
+ | ;The arts | ||
+ | |||
+ | *[[Cult fiction]] | ||
+ | *[[Cult of ugliness]] | ||
+ | *[[Death of the avant-garde]] | ||
+ | *The [[Diableries érotiques|Diablerie]]s of Poitevin | ||
+ | *[[Denis Diderot's art criticism|Diderot's art criticism]] | ||
+ | *[[Faultlines in 20th century art ]] | ||
+ | *[[Five Maidens of Croton]] | ||
+ | *[[Ill-Matched Lovers]] | ||
+ | *[[Infrathin]] | ||
+ | *[[Silence in painting]] | ||
+ | *[[Style war]]s | ||
+ | *[[Socrates's metaphor of the three beds]] | ||
+ | *[[Timeline of surrealism and dada]] | ||
+ | *[[What is Classical is healthy; what is Romantic is sick]] | ||
+ | |||
+ | ;Literature | ||
+ | *[[Antifeminist literature of the Middle Ages]] | ||
+ | *''[[The Characters]]'' | ||
+ | *[[Cult poetry]] | ||
+ | *[[Facetiae]] | ||
+ | *[[Fou littéraire]] | ||
+ | *''[[Reflections on the Novel]]'' | ||
+ | *''[[The Romantic Agony]]'' | ||
+ | *[[Somatopia]] | ||
+ | *[[Stranger than fiction]] | ||
+ | *[[Thematic literary criticism]] | ||
+ | |||
+ | ;Visual arts | ||
+ | |||
+ | *[[The contest of Zeuxis and Parrhasius ]] | ||
+ | *[[The monomanies series by Géricault]] | ||
+ | *[[19th century art]] | ||
+ | *[[Hans Baldung Grien's witches]] | ||
+ | *[[Klecksographie ]] | ||
+ | *[[Ornamental print]] | ||
+ | *[[Painting within a painting]] | ||
+ | *[[Possible originary dates for the birth of modern art ]] | ||
+ | *[[Surrealist photography]] | ||
+ | *[[The Pears]], famous French caricature | ||
+ | *[[Gallery painting]] | ||
+ | *[[Virgineum vultum]] | ||
+ | |||
+ | ;Philosophy | ||
+ | |||
+ | *[[The ancient quarrel between philosophy and poetry]] | ||
+ | *[[Faux dictionaries and encyclopedias]] | ||
+ | *[[General economy]] | ||
+ | *[[Disinterestedness|Kant's disinterestedness]] | ||
+ | *[[Language is a virus]] | ||
+ | *[[Morosophy]] | ||
+ | *[[Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin]] | ||
+ | *[[Tedium vitae]] | ||
+ | *[[To be governed is ...]] | ||
+ | *[[Volksgeist]] | ||
+ | *[[The linguistic sign is not arbitrary]] | ||
+ | *[[The Metaphysics of Sexual Love]] | ||
+ | |||
+ | ;Morality | ||
+ | *[[Killing a Chinese Mandarin ]] | ||
+ | *[[Alibech and Rustico]] | ||
+ | *[[Amour fou]] | ||
+ | *[[Anthropologica]] | ||
+ | *[[Hidden and secret libraries]] | ||
+ | *[[Beneficial side effects of censorship]] | ||
+ | *[[Catholic–Protestant Schism ]] | ||
+ | *[[Do what thou wilt]] | ||
+ | *[[Mad emperors of Rome]] | ||
+ | *[[Nothing is true, everything is permitted]] | ||
+ | *''[[Psychopathia Sexualis]]'' | ||
+ | *[[Qu'il n'y avait de bon en amour que le physique]] | ||
+ | *[[Sittengeschichte]] | ||
+ | *[[Sous les pavés, la plage!]] | ||
+ | *[[Syneisaktism]] | ||
+ | *[[The urge to jump]] | ||
+ | *[[Upon some verses of Virgil]] by Montaigne | ||
+ | *[[Venus Caelestis and Venus Naturalis]] | ||
+ | *[[The Widow of Ephesus]] | ||
+ | |||
+ | ;Cinema | ||
+ | *[[The Corman Poe cycle]] | ||
+ | *[[cult film|Cult movies]] | ||
+ | *[[Experiments with cinematic time]] | ||
+ | *[[Film clichés]] | ||
+ | *[[Moviedrome]] | ||
+ | |||
+ | ;Narratology | ||
+ | *[[Body genre]] | ||
+ | *[[Eaten heart]] | ||
+ | *[[Fictional portrayals of psychopaths]] | ||
+ | *[[Eros and Thanatos]] | ||
+ | *[[Motif of harmful sensation]] | ||
+ | *[[Power of Women]] | ||
+ | *[[The mad doctor and new flesh plot]] | ||
+ | |||
+ | ;Music | ||
+ | *[[Étude aux chemins de fer]] | ||
+ | *[[Burundi beat]] | ||
+ | *[[Paradise Garage classics]] | ||
+ | *[[The most famous giggles in late 20th century dance music]] | ||
+ | *[[Heavy breathing in music]] | ||
+ | *[[World music classics]] | ||
+ | *[[Jahsonic 1000]] | ||
+ | |||
+ | ;Categories; | ||
+ | *[[:Category:Canon]] | ||
+ | *[[:Category:Dicta]] | ||
+ | *[[:Category:World Cinema Classics]] | ||
+ | *[[:Category:WAC|Category:World Art Classics]] | ||
+ | :::[[Articles unique to this encyclopedia|more...]] | ||
+ | </small> |
Current revision
- The arts
- Cult fiction
- Cult of ugliness
- Death of the avant-garde
- The Diableries of Poitevin
- Diderot's art criticism
- Faultlines in 20th century art
- Five Maidens of Croton
- Ill-Matched Lovers
- Infrathin
- Silence in painting
- Style wars
- Socrates's metaphor of the three beds
- Timeline of surrealism and dada
- What is Classical is healthy; what is Romantic is sick
- Literature
- Antifeminist literature of the Middle Ages
- The Characters
- Cult poetry
- Facetiae
- Fou littéraire
- Reflections on the Novel
- The Romantic Agony
- Somatopia
- Stranger than fiction
- Thematic literary criticism
- Visual arts
- The contest of Zeuxis and Parrhasius
- The monomanies series by Géricault
- 19th century art
- Hans Baldung Grien's witches
- Klecksographie
- Ornamental print
- Painting within a painting
- Possible originary dates for the birth of modern art
- Surrealist photography
- The Pears, famous French caricature
- Gallery painting
- Virgineum vultum
- Philosophy
- The ancient quarrel between philosophy and poetry
- Faux dictionaries and encyclopedias
- General economy
- Kant's disinterestedness
- Language is a virus
- Morosophy
- Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin
- Tedium vitae
- To be governed is ...
- Volksgeist
- The linguistic sign is not arbitrary
- The Metaphysics of Sexual Love
- Morality
- Killing a Chinese Mandarin
- Alibech and Rustico
- Amour fou
- Anthropologica
- Hidden and secret libraries
- Beneficial side effects of censorship
- Catholic–Protestant Schism
- Do what thou wilt
- Mad emperors of Rome
- Nothing is true, everything is permitted
- Psychopathia Sexualis
- Qu'il n'y avait de bon en amour que le physique
- Sittengeschichte
- Sous les pavés, la plage!
- Syneisaktism
- The urge to jump
- Upon some verses of Virgil by Montaigne
- Venus Caelestis and Venus Naturalis
- The Widow of Ephesus
- Cinema
- Narratology
- Body genre
- Eaten heart
- Fictional portrayals of psychopaths
- Eros and Thanatos
- Motif of harmful sensation
- Power of Women
- The mad doctor and new flesh plot
- Music
- Étude aux chemins de fer
- Burundi beat
- Paradise Garage classics
- The most famous giggles in late 20th century dance music
- Heavy breathing in music
- World music classics
- Jahsonic 1000
- Categories;