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From The Art and Popular Culture Encyclopedia
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| ;The arts | ;The arts | ||
| + | |||
| + | *[[Aetas Ovidiana]] | ||
| + | *[[Dadameter ]] | ||
| + | *[[Death of the avant-garde]] | ||
| *[[Diablerie]] | *[[Diablerie]] | ||
| + | *[[Faultlines in 20th century art ]] | ||
| *[[Farnese Collection]] | *[[Farnese Collection]] | ||
| - | *[[Infrathin]] | + | *[[Female nude]] |
| - | *[[Death of the avant-garde]] | + | *[[Five Maidens of Croton]] |
| - | *[[Genre theory, corpus and tautology]] | + | *[[Ill-Matched Lovers]] |
| - | *[[Timeline of surrealism and dada]] | + | *[[Infrathin]], a concept by Duchamp |
| - | *[[Faultlines in 20th century art ]] | + | |
| *[[Karlheinz Stockhausen on 9/11]] | *[[Karlheinz Stockhausen on 9/11]] | ||
| + | *[[Silence in painting]] | ||
| + | *[[Socrates's metaphor of the three beds]] | ||
| + | *[[The Death of Cleopatra]] | ||
| *[[The Loves of the Gods]] | *[[The Loves of the Gods]] | ||
| + | *[[Timeline of surrealism and dada]] | ||
| + | *[[What is Surrealism?]] | ||
| + | |||
| ;Literature | ;Literature | ||
| + | *[[Alcide Bonneau]] | ||
| + | *[[Alfred Delvau]] | ||
| + | *''[[Apocalypse Culture]]'' | ||
| *[[Antifeminist literature of the Middle Ages]] | *[[Antifeminist literature of the Middle Ages]] | ||
| - | *[[Facetiae]] | ||
| - | *[[Cult poetry]] | ||
| *''[[The Characters]]'' | *''[[The Characters]]'' | ||
| + | *[[Cult poetry]] | ||
| + | *[[Facetiae]] | ||
| + | *[[Grammar of the Decameron]] | ||
| + | *[[The history of American erotica: the Falstaff and Panurge presses]] | ||
| *''[[Reflections on the Novel]]'' | *''[[Reflections on the Novel]]'' | ||
| + | *[[Reviewing nonexistent books]] | ||
| *''[[The Romantic Agony]]'' | *''[[The Romantic Agony]]'' | ||
| + | *[[Somatopia]] | ||
| + | *[[Stranger than fiction]] | ||
| *[[Thematic literary criticism]] | *[[Thematic literary criticism]] | ||
| + | *[[Underground literature]] | ||
| + | *[[Woman writer]] | ||
| ;Visual arts | ;Visual arts | ||
| + | |||
| + | *[[The contest of Zeuxis and Parrhasius ]] | ||
| + | *[[Art horror]] | ||
| + | *[[The monomanies series by Géricault]] | ||
| + | *[[Mythological painting]] | ||
| + | *[[Illustrated art history book]] | ||
| + | *[[19th century art]] | ||
| *[[Pretexts for prurience in art]] | *[[Pretexts for prurience in art]] | ||
| + | *[[Death and Disaster (Andy Warhol)]] | ||
| + | *[[Discussing the Divine Comedy with Dante]] | ||
| + | *[[Hans Baldung Grien's witches]] | ||
| + | *[[Icons of erotic art]] | ||
| *[[Painting within a painting]] | *[[Painting within a painting]] | ||
| *[[Surrealist photography]] | *[[Surrealist photography]] | ||
| + | *[[The Pears]], famous French caricature | ||
| + | *[[A Manifesto of Visionary Art ]] | ||
| *[[Eve Babitz]] | *[[Eve Babitz]] | ||
| *[[Imaginary Prisons]] | *[[Imaginary Prisons]] | ||
| + | *[[Imaginary galleries]] | ||
| + | *[[British caricature]] | ||
| + | *[[Virgineum vultum]] | ||
| ;Philosophy | ;Philosophy | ||
| - | *[[Language is a virus]] | + | *[[To be governed is ...]] |
| - | *''[[The Metaphysics of Sexual Love]]'' | + | *[[Philosophy of horror]] |
| - | *[[Moral lesson]] | + | |
| *[[Volksgeist]] | *[[Volksgeist]] | ||
| + | *[[Moral lesson]] | ||
| + | *[[Beautiful loser]] | ||
| + | *[[Language is a virus]] | ||
| + | *[[Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin]] | ||
| + | |||
| ;Morality | ;Morality | ||
| + | *[[Amour fou]] | ||
| + | *[[Anthropologica]] | ||
| + | *[[Enfer de la BNF]] and other [[private case]]s | ||
| + | *[[The world, the flesh, and the Devil]] | ||
| + | *[[European etiquette]] | ||
| *[[Beneficial side effects of censorship]] | *[[Beneficial side effects of censorship]] | ||
| *[[Do what thou wilt]] | *[[Do what thou wilt]] | ||
| Line 45: | Line 90: | ||
| *[[Mad emperors of Rome]] | *[[Mad emperors of Rome]] | ||
| *[[Nothing is true, everything is permitted]] | *[[Nothing is true, everything is permitted]] | ||
| + | *[[Catholic–Protestant Schism ]] | ||
| + | *[[Qu'il n'y avait de bon en amour que le physique]] | ||
| *[[Sittengeschichte]] | *[[Sittengeschichte]] | ||
| + | *[[Strindberg's misogyny]] | ||
| + | *[[Upon some verses of Virgil]] by [[Montaigne]] | ||
| *[[Venus Caelestis and Venus Naturalis]] | *[[Venus Caelestis and Venus Naturalis]] | ||
| - | *[[War of the sexes]] | + | *[[What Brantôme was to the age of Francis I, Tallement is for that of Henry IV and Louis XIII]] |
| + | *[[Moral lesson]] | ||
| + | *[[Never mind the bollocks, here's Rabelais]] | ||
| + | *[[The Widow of Ephesus]] | ||
| ;Cinema | ;Cinema | ||
| - | *[[Experiments with cinematic time]] | + | *[[Film clichés]] |
| *[[Moviedrome]] | *[[Moviedrome]] | ||
| - | *[[World cinema classics]] | + | *[[The Corman Poe cycle]] |
| + | *[[Experiments with cinematic time]] | ||
| + | *[[In search of the cinematic Losfeld]] | ||
| + | *[[World cinema classics]] | ||
| + | *[[Jahsonic's film canon|250 films you could read about before you die]] | ||
| + | |||
| + | |||
| ;Narratology | ;Narratology | ||
| + | *[[Body genre]] | ||
| + | *[[Eaten heart]] | ||
| + | *[[Fictional portrayals of psychopaths]] | ||
| *[[Eros and Thanatos]] | *[[Eros and Thanatos]] | ||
| - | *[[Power of Women]] | + | *[[Genre theory, corpus and tautology]] |
| *[[Loves of Zeus]] | *[[Loves of Zeus]] | ||
| - | *[[Fictional portrayals of psychopaths]] | + | *[[Motif of harmful sensation]] |
| + | *[[Power of Women]] | ||
| + | *[[Slowed down time and literature ]] | ||
| + | *[[The mad doctor and new flesh plot]] | ||
| ;Music | ;Music | ||
| + | *[[Étude aux chemins de fer]] | ||
| *[[Burundi beat]] | *[[Burundi beat]] | ||
| *[[Paradise Garage classics]] | *[[Paradise Garage classics]] | ||
| + | *[[The most famous giggles in late 20th century dance music]] | ||
| *[[Heavy breathing in music]] | *[[Heavy breathing in music]] | ||
| *[[World music classics]] | *[[World music classics]] | ||
| + | ;Varia | ||
| + | |||
| + | *[[Klecksographie ]] | ||
| + | *[[Pierre Bourgeade]] | ||
| + | *[[Sholem Stein]] | ||
| + | *[[YouTube copyright controversy]] | ||
| + | |||
| ;Categories; | ;Categories; | ||
| *[[:Category:Canon]] | *[[:Category:Canon]] | ||
Revision as of 23:57, 18 November 2012
!["Je est un autre" [I is another] --Arthur Rimbaud. (illustration blackface).](/Image:Blackface.jpg)
- The arts
- Aetas Ovidiana
- Dadameter
- Death of the avant-garde
- Diablerie
- Faultlines in 20th century art
- Farnese Collection
- Female nude
- Five Maidens of Croton
- Ill-Matched Lovers
- Infrathin, a concept by Duchamp
- Karlheinz Stockhausen on 9/11
- Silence in painting
- Socrates's metaphor of the three beds
- The Death of Cleopatra
- The Loves of the Gods
- Timeline of surrealism and dada
- What is Surrealism?
- Literature
- Alcide Bonneau
- Alfred Delvau
- Apocalypse Culture
- Antifeminist literature of the Middle Ages
- The Characters
- Cult poetry
- Facetiae
- Grammar of the Decameron
- The history of American erotica: the Falstaff and Panurge presses
- Reflections on the Novel
- Reviewing nonexistent books
- The Romantic Agony
- Somatopia
- Stranger than fiction
- Thematic literary criticism
- Underground literature
- Woman writer
- Visual arts
- The contest of Zeuxis and Parrhasius
- Art horror
- The monomanies series by Géricault
- Mythological painting
- Illustrated art history book
- 19th century art
- Pretexts for prurience in art
- Death and Disaster (Andy Warhol)
- Discussing the Divine Comedy with Dante
- Hans Baldung Grien's witches
- Icons of erotic art
- Painting within a painting
- Surrealist photography
- The Pears, famous French caricature
- A Manifesto of Visionary Art
- Eve Babitz
- Imaginary Prisons
- Imaginary galleries
- British caricature
- Virgineum vultum
- Philosophy
- To be governed is ...
- Philosophy of horror
- Volksgeist
- Moral lesson
- Beautiful loser
- Language is a virus
- Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin
- Morality
- Amour fou
- Anthropologica
- Enfer de la BNF and other private cases
- The world, the flesh, and the Devil
- European etiquette
- Beneficial side effects of censorship
- Do what thou wilt
- Du Fétichisme dans l’amour
- Machlosophy
- Mad emperors of Rome
- Nothing is true, everything is permitted
- Catholic–Protestant Schism
- Qu'il n'y avait de bon en amour que le physique
- Sittengeschichte
- Strindberg's misogyny
- Upon some verses of Virgil by Montaigne
- Venus Caelestis and Venus Naturalis
- What Brantôme was to the age of Francis I, Tallement is for that of Henry IV and Louis XIII
- Moral lesson
- Never mind the bollocks, here's Rabelais
- The Widow of Ephesus
- Cinema
- Film clichés
- Moviedrome
- The Corman Poe cycle
- Experiments with cinematic time
- In search of the cinematic Losfeld
- World cinema classics
- 250 films you could read about before you die
- Narratology
- Body genre
- Eaten heart
- Fictional portrayals of psychopaths
- Eros and Thanatos
- Genre theory, corpus and tautology
- Loves of Zeus
- Motif of harmful sensation
- Power of Women
- Slowed down time and literature
- The mad doctor and new flesh plot
- Music
- Étude aux chemins de fer
- Burundi beat
- Paradise Garage classics
- The most famous giggles in late 20th century dance music
- Heavy breathing in music
- World music classics
- Varia
- Categories;
