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-[[Image:Eiffel tower transparent GIF.gif|thumb|right|200px|[[Eiffel Tower]] in [[Paris]], [[France]]]][[Image:Eugène Delacroix - La liberté guidant le peuple.jpg|thumb|200px|The [[French Revolution]] was in origin an uprising of the [[commoner]]s against the [[nobility]] and the [[clergy]] (''[[Liberty Leading the People]]'' by [[Eugène Delacroix]])]]+[[Image:Eiffel tower transparent GIF.gif|thumb|left|200px|[[Eiffel Tower]] in [[Paris]], [[France]]]]
 +{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
 +| style="text-align: left;" |
 +"There are three authors whose works should be perused before entering France: [[Commentarii de Bello Gallico|Caesar, for its ancient history]]; [[Froissart]], for its feudal history; and [[Arthur Young]], for the picture of France before the revolution: his vivid local descriptions hold good to the present day.
 + 
 +To those who would attain some insight into the French character, previously to any personal intercourse with the people, no more agreeable or useful work can be recommended than “[[A Comparative View of the Social Condition of England and France]],” by the Editor of [[Madame du Deffand]]’s Letters, the author of which has studied the national character through the double medium of long personal intercourse with the highest classes of society — and of an intimate acquaintance with the history of the country."--''[[Hand-book for Travellers in France]]'' (1843) by John Murray
 +<hr>
 +"What’s [[heaven]]? Heaven is where the [[police]] are [[Britishness|British]], the [[chef]]s are [[France|French]], the [[mechanics]] are [[Germany|German]], the [[lover]]s are [[Italy|Italian]] and the [[bank|banker]]s are [[Switzerland|Swiss]].
 + 
 +So then, what’s [[hell]]? Hell is where the police are German, the chefs are British, the mechanics are French, the lovers are Swiss and the bankers are Italian." [[Heaven is where the police are British|[...]]]
 +<hr>
 +"The Persian “[[sages]]” inform us, in their wisdom, that “[[Frangistan]]” is a large country, governed by several kings, and consisting of various tribes, which shave their chins, wear hats and tight clothes, drink wine, eat pork, worship images, and do not believe in [[Mohammed]]."--''[[The Modern History and Condition of Egypt]]'' (1843) by William Holt Yates
 +<hr>
 +; Key people
 +[[Georges Bataille]] - [[Charles Baudelaire]] - [[Louis-Ferdinand Céline|Céline]] - [[Gilles Deleuze]] - [[Marquis de Sade]] - [[Marcel Duchamp]] - [[Serge Gainsbourg]] - [[Alain Robbe-Grillet]] - [[Michel Houellebecq]] - [[Éric Losfeld]]
 + 
 +;Related
 +[[Barbarella (character)|Barbarella]] - [[cabaret]] - [[cinéma vérité]] - [[Cahiers du Cinéma]] - [[Cinémathèque Française|Cinémathèque]] - [[Emmanuelle]] - [[Fascination (magazine)|Fascination]] - [[le fantastique|fantastique]] - [[Fantômas]] - [[femme fatale]] - [[film noir]] - ''[[L'Histoire d'O]]'' - [[May 68]] - [[Moulin Rouge]] - [[Midi Minuit Fantastique]] - [[négritude]] - [[French New Wave|Nouvelle Vague]] - [[noir]] - [[Obelisk Press]] - [[Olympia Press]] - [[Paris]] - [[Radio Nova]] - [[Salon des Refusés]] - [[Série noire]] - ''[[Le Sexe qui parle]]'' - [[fin de siècle]] - [[French Revolution]] - [[vaudeville]]
 + 
 +;People, a checklist
 +A - [[Guillaume Apollinaire]] - B - [[Gaston Bachelard]] - [[Brigitte Bardot]] - [[Roland Barthes]] - [[Georges Bataille]] - [[André Bazin]] - [[Sylvia Beach]] - [[José Bénazéraf]] - [[Catherine Robbe-Grillet|Jean de Berg]] - [[Henri Bergson]] - [[Gilles Berquet]] - [[Alfred Binet]] - [[Michel Blanc]] - [[Bertrand Blier]] - [[François Boucher]] - [[Charles Baudelaire]] - [[Jean Baudrillard]] - [[Pierre Bourdieu]] - [[Guy Bourdin]] - [[Étienne-Louis Boullée]] - [[Robert Bresson]] - [[André Breton]] - [[Nicolas Restif de la Bretonne|Restif de la Bretonne]] - [[Catherine Breillat]] - [[Charles de Brosses]] - C - [[François-Rupert Carabin|Rupert Carabin]] - [[Pierre Cardin]] - [[Paul Émile Chabas|Paul Chabas]] - [[Claude Chabrol]] - [[Manu Chao]] - [[Louis-Ferdinand Céline|Céline]] - [[Jean Cocteau]] - [[Gustave Courbet]] - [[André Courrèges]] - D - [[Dalida]] - [[Anatole Dauman]] - [[Honoré Daumier]] - [[Guy Debord]] - [[Régis Debray]] - [[Claude Debussy]] - [[Gilles Deleuze]] - [[Gérard Depardieu]] - [[Gilles de Rais]] - [[Jacques Derrida]] - [[René Descartes]] - [[Robert Desnos]] - [[Achille Devéria]] - [[Denis Diderot]] - [[Gustave Doré]] - [[Marcel Duchamp]] - [[Germaine Dulac]] - E - [[Paul Éluard]] - [[Jean Epstein]] - F - [[Louis Feuillade]] - [[Gustave Flaubert]] - [[Michel Foucault]] - [[Georges Franju]] - [[Emmanuel Frémiet]] - G - [[Abel Gance]] - [[Serge Gainsbourg]] - [[Théophile Gautier]] - [[Jean-Léon Gérôme]] - [[Jean Giraud]] - [[Maurice Girodias]] - [[Jean-Luc Godard]] - [[Alain Goraguer]] - [[Urbain Grandier]] - [[Jean Ignace Isidore Gérard Grandville|Grandville]] - [[Alain Robbe-Grillet]] - [[Félix Guattari]] - H - [[Michel Houellebecq]] - [[Joris Karl Huysmans]] - I - [[Ingres]] - [[Luce Irigaray]] - J - [[Just Jaeckin]] - [[Alfred Jarry]] - K - [[François Kevorkian]] - [[Yves Klein]] - [[Pierre Klossowski]] - [[Julia Kristeva]] - [[Adonis A. Kyrou|Ado Kyrou]] - L - [[Jacques Lacan]] - [[Henri Langlois]] - [[René Laloux]] - [[Comte de Lautréamont|Lautréamont]] - [[Henri de Toulouse-Lautrec|Toulouse-Lautrec]] - [[Patrice Leconte]] - [[Henri Lefebvre]] - [[Jean-Jacques Lequeu]] - [[Gaston Leroux]] - [[Éric Losfeld]] - [[Jean-François Lyotard|Lyotard]] - M - [[Louis Malle]] - [[André Pieyre de Mandiargues]] - [[Édouard Manet]] - [[Georges Méliès]] - [[Henri Michaux]] - [[Octave Mirbeau]] - [[Pierre Molinier]] - N - [[André-Robert Andréa de Nerciat|Nerciat]] - [[Gilles Néret]] - [[Gaspar Noé]] - O - [[Orlan]] - [[François Ozon]] - P - [[Jean-Jacques Pauvert|Pauvert]] - [[Francis Picabia]] - [[Richard Pinhas]] - [[Georges Pichard]] - [[Max Pécas]] - R - [[Paco Rabanne]] - [[Pauline Réage]] - [[Jean Renoir]] - [[Alain Resnais]] - [[Janine Reynaud]] - [[Bettina Rheims]] - [[Jacques Rivette]] - [[Albert Robida]] - [[Jean Rollin]] - [[Jean-Jacques Rousseau]] - S - [[Pierre Schaeffer]] - [[Barbet Schroeder]] - [[Marquis de Sade]] - [[Jean-Paul Sartre]] - [[Delphine Seyrig]] - [[Georges Simenon]] - [[Romain Slocombe]] - [[Stendhal]] - T - [[Clovis Trouille]] - [[Jacques Tardi]] - [[Jacques Tati]] - [[François Truffaut]] - U - [[Octave Uzanne]] - V - [[Roger Vadim]] - [[Paul Valéry]] - [[Edgar Varèse]] - [[Jules Verne]] - [[Boris Vian]] - [[Paul Virilio]] - W - [[Georges Wolinski]] - Z - [[Régine Zylberberg]]
 +|}
 +[[Image:Eugène Delacroix - La liberté guidant le peuple.jpg|thumb|200px|''[[Liberty Leading the People]]'' by [[Eugène Delacroix]]]]
[[Image:Arrival of a Train at La Ciotat, 1895.jpg|thumb|right|200px| [[Image:Arrival of a Train at La Ciotat, 1895.jpg|thumb|right|200px|
'''''L'arrivée d'un train en gare de La Ciotat''''' ('''''The Arrival of a Train at La Ciotat Station''''' is an [[1895 in film|1895]] [[France|French]] [[Short subject|short]] [[black-and-white]] [[silent film|silent]] [[documentary film]] directed and produced by [[Auguste and Louis Lumière]]. It was first screened on [[December 28]] [[1895]] in [[Paris]], [[France]], and was shown to a paying audience [[January 6]] [[1896]].]] '''''L'arrivée d'un train en gare de La Ciotat''''' ('''''The Arrival of a Train at La Ciotat Station''''' is an [[1895 in film|1895]] [[France|French]] [[Short subject|short]] [[black-and-white]] [[silent film|silent]] [[documentary film]] directed and produced by [[Auguste and Louis Lumière]]. It was first screened on [[December 28]] [[1895]] in [[Paris]], [[France]], and was shown to a paying audience [[January 6]] [[1896]].]]
[[Image:Eugene Atget.jpg|thumb|right|200px|''Rue de la Colonie'' ([[1900]]) by [[Eugène Atget]]]] [[Image:Eugene Atget.jpg|thumb|right|200px|''Rue de la Colonie'' ([[1900]]) by [[Eugène Atget]]]]
 +[[Image:Marquis de Sade by H. Biberstein, 1866.jpg|thumb|right|200px|''[[Marquis de Sade]]'' ([[1866]]) by [[H. Biberstein]]]]
 +[[Image:The Aigiulle Blaitiere. c. 1856 by John Ruskin.jpg|thumb|200px|''[[The Aiguille Blaitiere]]'' (c. 1856) by John Ruskin, see Aiguilles de Chamonix]]
 +[[Image:View of the Grande Place of Marville, as seen from the window of the chambre espagnole at Auberge de Marville, taken on 19 April 2019.jpg|thumb|right|200px|View of the Grande Place of [[Marville, Meuse |Marville]]]]
 +[[Image:Erik Satie en 1909.jpg|thumb|right|200px|[[Erik Satie]]]]
-[[Image:Marquis de Sade by H. Biberstein, 1866.jpg|thumb|right|200px|''[[Marquis de Sade]]'' ([[1866]]) by [[H. Biberstein]]]] 
{{template}} {{template}}
'''France''' is a [[Europe]]an [[country]] bordered by [[Belgium]], [[Luxembourg]], [[Germany]], [[Switzerland]], [[Italy]], [[Monaco]], [[Andorra]], and [[Spain]]. '''France''' is a [[Europe]]an [[country]] bordered by [[Belgium]], [[Luxembourg]], [[Germany]], [[Switzerland]], [[Italy]], [[Monaco]], [[Andorra]], and [[Spain]].
France is the most visited country in the world, receiving over 75 million [[foreign]] tourists (including business visitors) annually. France is the most visited country in the world, receiving over 75 million [[foreign]] tourists (including business visitors) annually.
 +== Etymology ==
 +Originally applied to the whole [[Francia|Frankish Empire]], the name "France" comes from the [[Latin]] ''[[Francia]]'', or "country of the [[Franks]]". Modern France is still named today ''Francia'' in Italian and Spanish, ''Frankreich'' in German and ''Frankrijk'' in Dutch, all of which have the same historical meaning.
-== Culture ==+There are various theories as to the origin of the name Frank. Following the precedents of [[Edward Gibbon]] and [[Jacob Grimm]], the name of the Franks has been linked with the word ''[[frank]]'' (''free'') in English. It has been suggested that the meaning of "free" was adopted because, after the conquest of Gaul, only Franks were free of taxation. Another theory is that it is derived from the [[Proto-Germanic language|Proto-Germanic]] word ''frankon'', which translates as ''javelin'' or ''lance'' as the throwing axe of the Franks was known as a [[francisca]]. However, it has been determined that these weapons were named because of their use by the Franks, not the other way around.
-:''[[Culture of France]]''+
-=== Architecture ===+The [[name of the Franks]] itself is also said to come "the free men", based on the fact that the word ''frank'' meant "free" in the ancient Germanic languages. However, rather than the ethnic name of the Franks coming from the word ''frank'' ("free"), it is more probable that the word ''frank'' ("free") comes from the ethnic name of the Franks, the connection being that only the Franks, as the conquering class, had the status of [[freemen]].
-:''[[French architecture]]''+
-There is, technically speaking, no architecture named ''French Architecture'', although that has not always been true. [[Gothic Architecture]]'s old name was ''French Architecture'' (or Opus Francigenum). The term “Gothic” appeared later as a stylistic insult and was widely adopted. Northern France is the home of some of the most important Gothic [[cathedrals]] and [[basilicas]], the first of these being the [[Saint Denis Basilica]] (used as the royal necropolis); other important French Gothic cathedrals are [[Cathedral of Chartres|Notre-Dame de Chartres]] and [[Amiens Cathedral|Notre-Dame d'Amiens]]. The kings were crowned in another important Gothic church: [[Notre-Dame de Reims]]. Aside from churches, Gothic Architecture had been used for many religious palaces, the most important one being the [[Palais des Papes]] in Avignon.+
- +
-During the Middle Ages, fortified [[castle]]s were built by feudal nobles to mark their powers against their rivals. When [[Philip II of France|King Philip II]] took [[Rouen]] from [[John of England|King John]], for example, he demolished the ducal castle to build a bigger one. Fortified cities were also common, unfortunately most French castles did not survive the passage of time. This is why [[Richard I of England|Richard the Lionheart's]] [[Château-Gaillard]] was demolished, as well as the [[Château de Lusignan]]. Some important French castles that survived are [[Chinon (castle)|Chinon]], [[Château d'Angers]], the massive [[Château de Vincennes]] and the so called [[Cathar castles]].+
- +
-Before the appearance of this architecture France had been using [[Romanesque architecture]] like most of Western Europe (with the exception of the Iberian Peninsula, which used Mooresque architecture). Some of the greatest examples of Romanesque churches in France are the [[Basilique de Saint-Sernin, Toulouse|Saint Sernin Basilica]] in Toulouse and the remains of the [[Cluny Abbey|Cluniac Abbey]] (largely destroyed during the Revolution and the Napoleonic Wars).+
- +
-The end of the Hundred Years' War marked an important stage in the evolution of French architecture. It was the time of the [[French Renaissance]] and several artists from Italy and Spain were invited to the French court; many residential palaces, Italian-inspired, were built, mainly in the Loire Valley. Such residential castles were the [[Château de Chambord]], the [[Château de Chenonceau]], or the [[Château d'Amboise]]. Following the renaissance and the end of the Middle Ages, [[Baroque Architecture]] replaced the gothic one. However, in France, baroque architecture found a greater success in the secular domain than in the religious one. In the secular domain the [[Palace of Versailles]] has many baroque features. [[Jules Hardouin Mansart]] can be said to be the most influential French architect of the baroque style, with his very famous baroque dome of [[Les Invalides]]. Some of the most impressive provincial baroque architecture is found in places that were not yet French such as the [[Place Stanislas]] in [[Nancy]]. On the military architectural side [[Vauban]] designed some of the most efficient fortresses of Europe and became a very influential military architect.+
- +
-After the Revolution the Republicans favoured [[Neoclassicism]] although neoclassicism was introduced in France prior to the revolution with such building as the [[Panthéon, Paris|Parisian Pantheon]] or the [[Capitole de Toulouse]]. Built during the French Empire the [[Arc de Triomphe]] and [[Église de la Madeleine|Sainte Marie-Madeleine]] represent this trend the best.+
- +
-Under Napoleon III a new wave of urbanism and architecture was given birth. If some very extravagant buildings such as the [[neo-baroque]] [[Palais Garnier]] were built, the urban planning of the time was very organised and rigorous. For example [[Baron Haussmann]] [[Haussmann's renovation of Paris|rebuilt Paris]]. The architecture associated to this era is named [[Second Empire (architecture)|Second Empire]] in the English speaking world, the term being taken from the [[Second French Empire]]. These times also saw a strong Gothic-Revival trend across Europe, in France the associated architect was [[Eugène Viollet-le-Duc]]. In the late 19th century [[Gustave Eiffel]] designed many bridges (like the [[Garabit viaduct]]) and remains one of the most influential bridge designer of his time, although he is best remembered for the [[Eiffel Tower]].+
- +
-In the 20th century the Swiss Architect [[Le Corbusier]] designed several buildings in France. More recently French architects have combined both modern and old architectural styles. The [[Louvre Pyramid]] is a good example of modern architecture added to an older building. Certainly the most difficult buildings to integrate within French cities are skyscrapers, as they are visible from afar. France's largest financial district is [[La Defense]], where a significant number of skyscrapers are located. Other massive buildings that are a challenge to integrate into their environment are large bridges; a good example of the way this has been done is the [[Millau Viaduct]]. Some famous modern French architects include [[Jean Nouvel]] or [[Paul Andreu]].+
 +== Culture ==
=== Literature === === Literature ===
:''[[French literature]]'' :''[[French literature]]''
Line 44: Line 57:
=== Art === === Art ===
:''[[French art]]'' :''[[French art]]''
-=== Marianne === 
- 
-'''Marianne''' is a symbol of the French Republic. She is an allegorical figure of liberty and the Republic and first appeared at the time of the [[French Revolution]]. The earliest representations of Marianne are of a woman wearing a [[Phrygian cap]]. The origins of the name Marianne are unknown, but Marie-Anne was a very common first name in the 18th century. Anti-revolutionaries of the time derisively called her La Gueuse (the Commoner). It is believed that revolutionaries from the South of France adopted the Phrygian cap as it symbolised liberty, having been worn by freed slaves in both Greece and Rome. Mediterranean seamen and convicts manning the galleys also wore a similar type of cap. 
- 
-Under the Third Republic, statues, and especially busts, of Marianne began to proliferate, particularly in town halls. She was represented in several different manners, depending on whether the aim was to emphasise her revolutionary nature or her “[[wisdom]]”. Over time, the Phrygian cap was felt to be too seditious, and was replaced by a [[diadem]] or a [[crown (headgear)|crown]]. In recent times, famous French women have been used as the model for those busts. Recent ones include [[Sophie Marceau]], and [[Laetitia Casta]]. She also features on everyday articles such as [[postage stamps]] and [[coins]]. 
- 
-== History == 
-:''[[French history]]'' 
-=== Rome to revolution === 
-The borders of modern France are approximately the same as those of ancient [[Gaul]], which was inhabited by [[Celt]]ic ''Gauls''. Gaul was conquered for [[Roman Empire|Rome]] by [[Julius Caesar]] in the 1st century BC, and the Gauls eventually adopted [[Romance languages|Roman]] speech ([[Latin]], from which the [[French language]] evolved) and Roman culture. [[History of Christianity|Christianity]] first appeared in the 2nd and 3rd centuries AD, and became so firmly established by the fourth and fifth centuries that [[St. Jerome]] wrote that Gaul was the only region “free from heresy”. 
- 
-In the 4th century AD, Gaul’s eastern frontier along the [[Rhine]] was overrun by [[Germanic peoples|Germanic tribes]], principally the [[Franks]], from whom the ancient name of “Francie” was derived. The modern name “France” derives from the name of the feudal domain of the [[House of Capet|Capetian]] Kings of France around Paris. The Franks were the first tribe among the Germanic conquerors of Europe after the fall of the Roman Empire to convert to [[Catholic Church|Catholic]] Christianity rather than [[Arianism]] (their King [[Clovis I|Clovis]] did so in 498); thus France obtained the title “Eldest daughter of the Church” (''La fille ainée de l’Église''), and the French would adopt this as justification for calling themselves “the Most Christian Kingdom of France”. 
- 
-Existence as a separate entity began with the [[Treaty of Verdun]] (843), with the division of [[Charlemagne]]'s [[Carolingian Empire]] into [[East Francia]], [[Middle Francia]] and [[Western Francia]]. Western Francia approximated the area occupied by modern France and was the precursor to modern France. 
- 
-The [[Carolingian dynasty]] ruled France until 987, when [[Hugh Capet of France|Hugh Capet]], Duke of France and Count of Paris, was crowned [[King of France]]. His descendants, the [[House of Capet|Direct Capetians]], the [[House of Valois]] and the [[House of Bourbon]], progressively unified the country through a series of wars and dynastic inheritance. The [[Albigensian Crusade]] was launched in 1209 to eliminate the heretical [[Cathars]] of [[Occitania]] (the south of modern-day France). In the end, both the Cathars and the independence of southern France were exterminated. 
-In 1066, the Duke of Normandy became King of England, and separated Normandy from France and marked it as English territory. He then increased that territory to cover over half of what France is today, being the North, Centre and West of France. The height of this was around the reign of Henry II in the 1170s. However, after then, territories continued to change but since the Wars of the Roses held England weak, France won back that territory and the last territory England held in France was Calais, but after Henry VIII this was lost to the Spanish Netherlands. +The origins of French art were very much influenced by [[Flemish art]] and by [[Italian art]] at the time of the Renaissance. [[Jean Fouquet]], the most famous medieval French painter, is said to have been the first to travel to Italy and experience the Early Renaissance at first hand. The Renaissance painting [[School of Fontainebleau]] was directly inspired by Italian painters such as [[Primaticcio]] and [[Rosso Fiorentino]], who both worked in France. Two of the most famous French artists of the time of [[Baroque era]], [[Nicolas Poussin]] and [[Claude Lorrain]], lived in Italy.
-Charles IV (The Fair) died without heir in 1328. Under the rule adopted in 1316, the crown of France could not pass to a woman, nor could the line of kinfship pass through the female line. This became known as the Salic Law. Accordingly, the crown passed to cousin of Charles, Philip of Valois, rather than passing though the female line to Charles' nephew, Edward, who would soon become Edward III of England. Under the reign of Phillip Valois who was then Philip IV, the French monarchy reached the height of its medieval power. However, Philip's seat on the throne was contested by Edward III of England and in 1337, on the eve of the first wave of the [[Black Death]], England and France went to war in what would become known as the [[Hundred Years' War]].+The 17th century was the period when French painting became prominent and individualized itself through classicism. Louis XIV's prime minister [[Jean-Baptiste Colbert]] founded in 1648 the [[Royal Academy of Painting and Sculpture]] to protect these artists, and in 1666 he created the still-active [[French Academy in Rome]] to have direct relations with Italian artists.
-In the most notorious incident during the [[French Wars of Religion]] (1562–98), thousands of [[Huguenots]] were murdered in the [[St. Bartholomew's Day massacre]] of 1572.+French artists developed the [[rococo]] style in the 18th century, as a more intimate imitation of old baroque style, the works of the court-endorsed artists [[Antoine Watteau]], [[François Boucher]] and [[Jean-Honoré Fragonard]] being the most representative in the country. The French Revolution brought great changes, as [[Napoleon]] favoured artists of [[neoclassicism|neoclassic style]] such as [[Jacques-Louis David]] and the highly influential [[Académie des Beaux-Arts]] defined the style known as [[Academism]]. At this time France had become a centre of artistic creation, the first half of the 19th century being dominated by two successive movements, at first [[Romanticism]] with [[Théodore Géricault]] and [[Eugène Delacroix]], and [[Realism (arts)|Realism]] with [[Camille Corot]], [[Gustave Courbet]] and [[Jean-François Millet]], a style that eventually evolved into [[Naturalism (arts)|Naturalism]].
-The monarchy reached its height during the 17th century and the reign of [[Louis XIV of France|Louis XIV]]. At this time France possessed the largest population in Europe and had tremendous influence over European politics, economy, and culture. French became, and remained until the 20th century, the common language of diplomacy in international affairs. Much of the [[Age of Enlightenment|Enlightenment]] occurred in French intellectual circles, and major scientific breakthroughs were achieved by French scientists in the 18th century. In addition, France obtained many overseas possessions in the Americas, Africa and Asia.+In the second part of the 19th century, France's influence over painting became even more important, with the development of new styles of painting such as [[Impressionism]] and [[Symbolism (arts)|Symbolism]]. The most famous impressionist painters of the period were [[Camille Pissarro]], [[Édouard Manet]], [[Edgar Degas]], Claude Monet and [[Auguste Renoir]]. The second generation of impressionist-style painters, [[Paul Cézanne]], [[Paul Gauguin]], [[Toulouse-Lautrec]] and [[Georges Seurat]], were also at the avant-garde of artistic evolutions, as well as the [[fauvism|fauvist artists]] [[Henri Matisse]], [[André Derain]] and [[Maurice de Vlaminck]].
-=== Monarchy to Republic ===+At the beginning of 20th century, Cubism was developed by [[Georges Braque]] and the Spanish painter [[Pablo Picasso]], living in Paris. Other foreign artists also settled and worked in or near Paris, such as [[Vincent van Gogh]], [[Marc Chagall]], [[Amedeo Modigliani]] and [[Wassily Kandinsky]].
-The monarchy ruled France until the [[French Revolution]]. It did not fall immediately after the storming of the Bastille on 14 July 1789, but endured until the creation of the First Republic in September 1792. [[Louis XVI of France|Louis XVI]] and his wife, [[Marie Antoinette]], were executed (in 1793), along with thousands of other French citizens during the [[Reign of Terror]]. A guerrilla war and [[counterrevolution]], known as the [[Revolt in the Vendée]], cost more than 100,000 lives before it was crushed in 1796. After a series of short-lived governmental schemes, [[Napoleon I of France|Napoleon Bonaparte]] seized control of the Republic in 1799, making himself [[First Consul]], and later [[Emperor]] of what is now known as the [[First French Empire|First Empire]] (1804–1814). In the course of [[Napoleonic Wars|several wars]], his armies conquered most of continental Europe, with members of the [[Bonaparte]] family being appointed as monarchs of newly established kingdoms. About a million Frenchmen died during the Napoleonic wars.+Many museums in France are entirely or partly devoted to sculptures and painting works. A huge collection of old masterpieces created before or during the 18th century are displayed in the state-owned [[Musée du Louvre]], such as [[Mona Lisa]], also known as La Joconde. While the [[Louvre Palace]] has been for a long time a museum, the Musée d'Orsay was inaugurated in 1986 in the old railway station [[Gare d'Orsay]], in a major reorganization of national art collections, to gather French paintings from the second part of the 19th century (mainly Impressionism and Fauvism movements).
-Following Napoleon's final defeat in 1815 at the [[Battle of Waterloo]], the French monarchy was re-established, but with new constitutional limitations. In 1830, a [[July Revolution|civil uprising]] established the [[constitutional monarchy|constitutional]] [[July Monarchy]], which lasted until 1848. The short-lived [[French Second Republic|Second Republic]] ended in 1852 when [[Napoleon III of France|Louis-Napoléon Bonaparte]] proclaimed the [[Second French Empire|Second Empire]]. Louis-Napoléon was unseated following defeat in the [[Franco-Prussian War|Franco-Prussian war]] of 1870 and his regime was replaced by the [[French Third Republic|Third Republic]].+Modern works are presented in the [[Musée National d'Art Moderne]], which moved in 1976 to the [[Centre Georges Pompidou]]. These three state-owned museums welcome close to 17&nbsp;million people a year. Other national museums hosting paintings include the [[Grand Palais]] (1.3&nbsp;million visitors in 2008), but there are also many museums owned by cities, the most visited being the [[Musée d'Art Moderne de la Ville de Paris]] (0.8&nbsp;million entries in 2008), which hosts contemporary works.
-France had [[French colonial empire|colonial possessions]], in various forms, since the beginning of the 17th century until the 1960s. In the 19th and 20th centuries, its [[global Empire|global]] overseas colonial empire was the second largest in the world behind the [[British Empire]]. At its peak, between 1919 and 1939, the second French colonial empire extended over 12,347,000 square kilometres (4,767,000&nbsp;sq&nbsp;mi) of land. Including [[metropolitan France]], the total area of land under French [[sovereignty]] reached 12,898,000 square kilometres (4,980,000&nbsp;sq&nbsp;mi) in the 1920s and 1930s, which is 8.6% of the world's land area.+Outside Paris, all the large cities have a Museum of Fine Arts with a section dedicated to European and French painting. Some of the finest collections are in [[Musée des Beaux-Arts de Lyon|Lyon]], [[Palais des Beaux-Arts de Lille|Lille]], [[Musée des Beaux-Arts de Rouen|Rouen]], [[Musée des Beaux-Arts de Dijon|Dijon]], [[Musée des Beaux-Arts de Rennes|Rennes]] and [[Museum of Grenoble|Grenoble]].
-France was an occupied nation in [[World War I]] and [[World War II]]. The human and material losses in the first war, which left 1.4 million French soldiers dead, exceeded largely those of the second, even though only a minor part of its territory was occupied during World War I. The interbellum phase was marked by a variety of social reforms introduced by the Popular Front government. Following the [[Nazi Germany|German]] ''[[blitzkrieg]]'' campaign in World War II [[metropolitan France]] was divided in an [[German occupation of France during World War II|occupation zone in the north]] and [[Vichy France]], a puppet regime loyal to Germany, in the south.+=== Philosophy ===
 +:''[[French philosophy]]''
 +Medieval philosophy was dominated by [[Scholasticism]] until the emergence of [[Humanism in France|Humanism]] in the Renaissance. [[Modern philosophy]] began in France in the 17th century with the philosophy of [[René Descartes]], [[Blaise Pascal]], and [[Nicolas Malebranche]]. Descartes revitalised [[Western philosophy]], which had been declined after the Greek and Roman eras. His ''[[Meditations on First Philosophy]]'' changed the primary object of philosophical thought and raised some of the most fundamental problems for foreigners such as [[Spinoza]], [[Gottfried Wilhelm Leibniz|Leibniz]], [[David Hume|Hume]], [[George Berkeley|Berkeley]], and [[Immanuel Kant|Kant]].
-The [[French Fourth Republic|Fourth Republic]] was established after World War II and, despite spectacular economic growth (''les [[Trente Glorieuses]]''), it struggled to maintain its political status as a dominant [[Nation-state|nation state]]. France attempted to hold on to its [[colonial empires|colonial empire]], but soon ran into trouble. The half-hearted 1946 attempt at regaining control of [[French Indochina]] resulted in the [[First Indochina War]], which ended in French defeat at the [[Battle of Dien Bien Phu]] in 1954. Only months later, France faced a new, even harsher [[Algerian War|conflict in Algeria]].+During the 18th century, French philosophers produced one of the most important works of the [[Age of Enlightenment]]. In ''[[The Spirit of the Laws]]'', [[Baron de Montesquieu]] theorized the principle of [[separation of powers]], which has been implemented in all [[liberal democracy|liberal democracies]] since [[Separation of powers under the United States Constitution|it was first applied in the United States]]. In ''[[Du contrat social ou Principes du droit politique|The Social Contract]]'', [[Jean-Jacques Rousseau]] openly criticized the European [[Divine right monarchy|divine right monarchies]] and strongly affirmed the principle of the [[sovereignty of the people]]. [[Voltaire]] came to embody the Enlightenment with his defence of civil liberties, such as the right to a free trial and freedom of religion.
-The debate over whether or not to keep control of [[French Algeria|Algeria]], then home to over one million [[Pied-noir|European settlers]], wracked the country and nearly led to civil war. In 1958, the weak and unstable Fourth Republic gave way to the [[Fifth French Republic|Fifth Republic]], which contained a strengthened Presidency. In the latter role, [[Charles de Gaulle]] managed to keep the country together while taking steps to end the war. The Algerian War was concluded with peace negotiations in 1962 that led to Algerian independence.+19th-century French thought was targeted at responding to the social malaise following the French Revolution. Rationalist philosophers such as [[Victor Cousin]] and [[Auguste Comte]], who called for a new social doctrine, were opposed by reactionnary thinkers such as [[Joseph de Maistre]], [[Louis Gabriel Ambroise de Bonald|Louis de Bonald]] and [[Hugues Felicité Robert de Lamennais|Lamennais]], who blamed the rationalist rejection of traditional order. De Maistre is considered, together with the Englishman [[Edmund Burke]], one of the founders of European conservatism, while Comte is regarded as the founder of [[positivism]] and [[sociology]].
-In recent decades, France's reconciliation and cooperation with Germany have proved central to the political and economic integration of the evolving European Union, including the introduction of the euro in January 1999. France has been at the forefront of the European Union member states seeking to exploit the momentum of monetary union to create a more unified and capable European Union political, defence, and security apparatus. The French electorate voted against ratification of the [[Treaty establishing a Constitution for Europe|European Constitutional Treaty]] in May 2005, but the successor [[Treaty of Lisbon]] was ratified by Parliament in February 2008.+In the early 20th century, French [[Spiritualism (philosophy)|spiritualist]] thinkers such as [[Maine de Biran]] and [[Henri Bergson]] influenced Anglo-Saxon thought, including the Americans [[Charles Sanders Peirce]] and [[William James]], and the Englishman [[Alfred North Whitehead]]. In the late 20th century, partly influenced by German [[Phenomenology (philosophy)|phenomenology]] and [[existentialism]], [[postmodern philosophy]] began in France, with notable [[post-structuralism|post-structuralist]] thinkers including [[Jean-François Lyotard]], [[Jean Baudrillard]], [[Jacques Derrida]], [[Jacques Lacan]], [[Michel Foucault]] and [[Gilles Deleuze]].
== See also == == See also ==
*[[French art]] *[[French art]]
-*[[Culture of France|French culture]] 
*[[History of France]] *[[History of France]]
*[[French censorship]] *[[French censorship]]
Line 95: Line 93:
*[[Francophilia]] *[[Francophilia]]
*[[Stereotypes of French people]] *[[Stereotypes of French people]]
 +*[[Problem in defining "French" culture]]
 +*[[List of monumental trees in France]]
{{GFDL}} {{GFDL}}

Current revision

Eiffel Tower in Paris, France
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Eiffel Tower in Paris, France

"There are three authors whose works should be perused before entering France: Caesar, for its ancient history; Froissart, for its feudal history; and Arthur Young, for the picture of France before the revolution: his vivid local descriptions hold good to the present day.

To those who would attain some insight into the French character, previously to any personal intercourse with the people, no more agreeable or useful work can be recommended than “A Comparative View of the Social Condition of England and France,” by the Editor of Madame du Deffand’s Letters, the author of which has studied the national character through the double medium of long personal intercourse with the highest classes of society — and of an intimate acquaintance with the history of the country."--Hand-book for Travellers in France (1843) by John Murray


"What’s heaven? Heaven is where the police are British, the chefs are French, the mechanics are German, the lovers are Italian and the bankers are Swiss.

So then, what’s hell? Hell is where the police are German, the chefs are British, the mechanics are French, the lovers are Swiss and the bankers are Italian." [...]


"The Persian “sages” inform us, in their wisdom, that “Frangistan” is a large country, governed by several kings, and consisting of various tribes, which shave their chins, wear hats and tight clothes, drink wine, eat pork, worship images, and do not believe in Mohammed."--The Modern History and Condition of Egypt (1843) by William Holt Yates


Key people

Georges Bataille - Charles Baudelaire - Céline - Gilles Deleuze - Marquis de Sade - Marcel Duchamp - Serge Gainsbourg - Alain Robbe-Grillet - Michel Houellebecq - Éric Losfeld

Related

Barbarella - cabaret - cinéma vérité - Cahiers du Cinéma - Cinémathèque - Emmanuelle - Fascination - fantastique - Fantômas - femme fatale - film noir - L'Histoire d'O - May 68 - Moulin Rouge - Midi Minuit Fantastique - négritude - Nouvelle Vague - noir - Obelisk Press - Olympia Press - Paris - Radio Nova - Salon des Refusés - Série noire - Le Sexe qui parle - fin de siècle - French Revolution - vaudeville

People, a checklist

A - Guillaume Apollinaire - B - Gaston Bachelard - Brigitte Bardot - Roland Barthes - Georges Bataille - André Bazin - Sylvia Beach - José Bénazéraf - Jean de Berg - Henri Bergson - Gilles Berquet - Alfred Binet - Michel Blanc - Bertrand Blier - François Boucher - Charles Baudelaire - Jean Baudrillard - Pierre Bourdieu - Guy Bourdin - Étienne-Louis Boullée - Robert Bresson - André Breton - Restif de la Bretonne - Catherine Breillat - Charles de Brosses - C - Rupert Carabin - Pierre Cardin - Paul Chabas - Claude Chabrol - Manu Chao - Céline - Jean Cocteau - Gustave Courbet - André Courrèges - D - Dalida - Anatole Dauman - Honoré Daumier - Guy Debord - Régis Debray - Claude Debussy - Gilles Deleuze - Gérard Depardieu - Gilles de Rais - Jacques Derrida - René Descartes - Robert Desnos - Achille Devéria - Denis Diderot - Gustave Doré - Marcel Duchamp - Germaine Dulac - E - Paul Éluard - Jean Epstein - F - Louis Feuillade - Gustave Flaubert - Michel Foucault - Georges Franju - Emmanuel Frémiet - G - Abel Gance - Serge Gainsbourg - Théophile Gautier - Jean-Léon Gérôme - Jean Giraud - Maurice Girodias - Jean-Luc Godard - Alain Goraguer - Urbain Grandier - Grandville - Alain Robbe-Grillet - Félix Guattari - H - Michel Houellebecq - Joris Karl Huysmans - I - Ingres - Luce Irigaray - J - Just Jaeckin - Alfred Jarry - K - François Kevorkian - Yves Klein - Pierre Klossowski - Julia Kristeva - Ado Kyrou - L - Jacques Lacan - Henri Langlois - René Laloux - Lautréamont - Toulouse-Lautrec - Patrice Leconte - Henri Lefebvre - Jean-Jacques Lequeu - Gaston Leroux - Éric Losfeld - Lyotard - M - Louis Malle - André Pieyre de Mandiargues - Édouard Manet - Georges Méliès - Henri Michaux - Octave Mirbeau - Pierre Molinier - N - Nerciat - Gilles Néret - Gaspar Noé - O - Orlan - François Ozon - P - Pauvert - Francis Picabia - Richard Pinhas - Georges Pichard - Max Pécas - R - Paco Rabanne - Pauline Réage - Jean Renoir - Alain Resnais - Janine Reynaud - Bettina Rheims - Jacques Rivette - Albert Robida - Jean Rollin - Jean-Jacques Rousseau - S - Pierre Schaeffer - Barbet Schroeder - Marquis de Sade - Jean-Paul Sartre - Delphine Seyrig - Georges Simenon - Romain Slocombe - Stendhal - T - Clovis Trouille - Jacques Tardi - Jacques Tati - François Truffaut - U - Octave Uzanne - V - Roger Vadim - Paul Valéry - Edgar Varèse - Jules Verne - Boris Vian - Paul Virilio - W - Georges Wolinski - Z - Régine Zylberberg

 L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.
Enlarge
L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.
Rue de la Colonie (1900) by Eugène Atget
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Rue de la Colonie (1900) by Eugène Atget
The Aiguille Blaitiere (c. 1856) by John Ruskin, see Aiguilles de Chamonix
Enlarge
The Aiguille Blaitiere (c. 1856) by John Ruskin, see Aiguilles de Chamonix
View of the Grande Place of Marville
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View of the Grande Place of Marville

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France is a European country bordered by Belgium, Luxembourg, Germany, Switzerland, Italy, Monaco, Andorra, and Spain.

France is the most visited country in the world, receiving over 75 million foreign tourists (including business visitors) annually.

Contents

Etymology

Originally applied to the whole Frankish Empire, the name "France" comes from the Latin Francia, or "country of the Franks". Modern France is still named today Francia in Italian and Spanish, Frankreich in German and Frankrijk in Dutch, all of which have the same historical meaning.

There are various theories as to the origin of the name Frank. Following the precedents of Edward Gibbon and Jacob Grimm, the name of the Franks has been linked with the word frank (free) in English. It has been suggested that the meaning of "free" was adopted because, after the conquest of Gaul, only Franks were free of taxation. Another theory is that it is derived from the Proto-Germanic word frankon, which translates as javelin or lance as the throwing axe of the Franks was known as a francisca. However, it has been determined that these weapons were named because of their use by the Franks, not the other way around.

The name of the Franks itself is also said to come "the free men", based on the fact that the word frank meant "free" in the ancient Germanic languages. However, rather than the ethnic name of the Franks coming from the word frank ("free"), it is more probable that the word frank ("free") comes from the ethnic name of the Franks, the connection being that only the Franks, as the conquering class, had the status of freemen.

Culture

Literature

French literature

The earliest French literature dates from the Middle Ages when the area that is modern France did not have a single, uniform language. There were several languages and dialects and each writer used his own spelling and grammar. The author of many French mediaeval texts is unknown, for example Tristan and Iseult and Lancelot and the Holy Grail. Much mediaeval French poetry and literature was inspired by the legends of the Matter of France, such as the The Song of Roland and the various Chansons de geste. The “Roman de Renart”, written in 1175 by Perrout de Saint Cloude tells the story of the mediaeval character Reynard ('the Fox') and is another example of early French writing. The names of some authors from this period are known, for example Chrétien de Troyes and Duke William IX of Aquitaine, who wrote in Occitan.

An important 16th century writer was François Rabelais who influenced modern French vocabulary and metaphor. During the 17th century Pierre Corneille, Jean Racine and Molière's plays, Blaise Pascal and René Descartes's moral and philosophical books deeply influenced the aristocracy leaving an important heritage for the authors of the following decades. Jean de La Fontaine was an important poet from this century. French literature and poetry flourished in the 18th and 19th centuries. The 18th century saw the works of writers, essayists and moralists such as Voltaire, Denis Diderot and Jean-Jacques Rousseau.

Charles Perrault was a prolific writer of children's stories such as: “Puss in Boots”, “Cinderella”, “Sleeping Beauty” and “Bluebeard”.

At the turn of the 19th century symbolist poetry was an important movement in French literature, with poets such as Charles Baudelaire, Paul Verlaine and Stéphane Mallarmé. The 19th century saw the writing of many French novels of world renown with Victor Hugo (Les Misérables), Alexandre Dumas (The Three Musketeers and The Count of Monte-Cristo), and Jules Verne (Twenty Thousand Leagues Under the Sea) among the most well-known in France and beyond. Other 19th century fiction writers include Emile Zola, Guy de Maupassant, Théophile Gautier and Stendhal.

The Prix Goncourt is a French literary prize first awarded in 1903. Important writers of the 20th century include Marcel Proust, Louis-Ferdinand Céline, Albert Camus, and Jean-Paul Sartre. Antoine de Saint Exupéry wrote Little Prince which has remained popular for decades with children and adults around the world.

Art

French art

The origins of French art were very much influenced by Flemish art and by Italian art at the time of the Renaissance. Jean Fouquet, the most famous medieval French painter, is said to have been the first to travel to Italy and experience the Early Renaissance at first hand. The Renaissance painting School of Fontainebleau was directly inspired by Italian painters such as Primaticcio and Rosso Fiorentino, who both worked in France. Two of the most famous French artists of the time of Baroque era, Nicolas Poussin and Claude Lorrain, lived in Italy.

The 17th century was the period when French painting became prominent and individualized itself through classicism. Louis XIV's prime minister Jean-Baptiste Colbert founded in 1648 the Royal Academy of Painting and Sculpture to protect these artists, and in 1666 he created the still-active French Academy in Rome to have direct relations with Italian artists.

French artists developed the rococo style in the 18th century, as a more intimate imitation of old baroque style, the works of the court-endorsed artists Antoine Watteau, François Boucher and Jean-Honoré Fragonard being the most representative in the country. The French Revolution brought great changes, as Napoleon favoured artists of neoclassic style such as Jacques-Louis David and the highly influential Académie des Beaux-Arts defined the style known as Academism. At this time France had become a centre of artistic creation, the first half of the 19th century being dominated by two successive movements, at first Romanticism with Théodore Géricault and Eugène Delacroix, and Realism with Camille Corot, Gustave Courbet and Jean-François Millet, a style that eventually evolved into Naturalism.

In the second part of the 19th century, France's influence over painting became even more important, with the development of new styles of painting such as Impressionism and Symbolism. The most famous impressionist painters of the period were Camille Pissarro, Édouard Manet, Edgar Degas, Claude Monet and Auguste Renoir. The second generation of impressionist-style painters, Paul Cézanne, Paul Gauguin, Toulouse-Lautrec and Georges Seurat, were also at the avant-garde of artistic evolutions, as well as the fauvist artists Henri Matisse, André Derain and Maurice de Vlaminck.

At the beginning of 20th century, Cubism was developed by Georges Braque and the Spanish painter Pablo Picasso, living in Paris. Other foreign artists also settled and worked in or near Paris, such as Vincent van Gogh, Marc Chagall, Amedeo Modigliani and Wassily Kandinsky.

Many museums in France are entirely or partly devoted to sculptures and painting works. A huge collection of old masterpieces created before or during the 18th century are displayed in the state-owned Musée du Louvre, such as Mona Lisa, also known as La Joconde. While the Louvre Palace has been for a long time a museum, the Musée d'Orsay was inaugurated in 1986 in the old railway station Gare d'Orsay, in a major reorganization of national art collections, to gather French paintings from the second part of the 19th century (mainly Impressionism and Fauvism movements).

Modern works are presented in the Musée National d'Art Moderne, which moved in 1976 to the Centre Georges Pompidou. These three state-owned museums welcome close to 17 million people a year. Other national museums hosting paintings include the Grand Palais (1.3 million visitors in 2008), but there are also many museums owned by cities, the most visited being the Musée d'Art Moderne de la Ville de Paris (0.8 million entries in 2008), which hosts contemporary works.

Outside Paris, all the large cities have a Museum of Fine Arts with a section dedicated to European and French painting. Some of the finest collections are in Lyon, Lille, Rouen, Dijon, Rennes and Grenoble.

Philosophy

French philosophy

Medieval philosophy was dominated by Scholasticism until the emergence of Humanism in the Renaissance. Modern philosophy began in France in the 17th century with the philosophy of René Descartes, Blaise Pascal, and Nicolas Malebranche. Descartes revitalised Western philosophy, which had been declined after the Greek and Roman eras. His Meditations on First Philosophy changed the primary object of philosophical thought and raised some of the most fundamental problems for foreigners such as Spinoza, Leibniz, Hume, Berkeley, and Kant.

During the 18th century, French philosophers produced one of the most important works of the Age of Enlightenment. In The Spirit of the Laws, Baron de Montesquieu theorized the principle of separation of powers, which has been implemented in all liberal democracies since it was first applied in the United States. In The Social Contract, Jean-Jacques Rousseau openly criticized the European divine right monarchies and strongly affirmed the principle of the sovereignty of the people. Voltaire came to embody the Enlightenment with his defence of civil liberties, such as the right to a free trial and freedom of religion.

19th-century French thought was targeted at responding to the social malaise following the French Revolution. Rationalist philosophers such as Victor Cousin and Auguste Comte, who called for a new social doctrine, were opposed by reactionnary thinkers such as Joseph de Maistre, Louis de Bonald and Lamennais, who blamed the rationalist rejection of traditional order. De Maistre is considered, together with the Englishman Edmund Burke, one of the founders of European conservatism, while Comte is regarded as the founder of positivism and sociology.

In the early 20th century, French spiritualist thinkers such as Maine de Biran and Henri Bergson influenced Anglo-Saxon thought, including the Americans Charles Sanders Peirce and William James, and the Englishman Alfred North Whitehead. In the late 20th century, partly influenced by German phenomenology and existentialism, postmodern philosophy began in France, with notable post-structuralist thinkers including Jean-François Lyotard, Jean Baudrillard, Jacques Derrida, Jacques Lacan, Michel Foucault and Gilles Deleuze.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "France" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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